It feels like it has been a very long while since I saw anything new from Deamze, so this piece came as a long-awaited pleasure. In one of his favourite spots (I’m not sure anyone else sprays this wall) alongside the M32 he has created one of his most riotously colourful pieces to date.
On the left hand side we see a fabulously intricate and sophisticated piece of wildstyle writing, spelling out DEAM, and on the right a trademark cartoon from this brilliant artist.
Often the characters that Deamze recreates are from ’70s to ’90s TV shows, but I just can’t make out who this one is, and there isn’t a lot to go on to ‘Google it’ either. The whole thing is very refreshing and a reminder of just how good some of the Bristol street artists are.
So this is yet another Bristol street artist new to the pages of this blog. I am certain I have seen some of his work in the past, but only recently found out who he is, which is strange, because his signature (as these things go) is reasonably clear – Kool Hand. He seems to have had a little bit of a blitz in Bristol lately, so expect more to come.
I very much like the crispness of the piece, a deliberate backwash of white paint and well proportioned orange ape (an orangutan?) with large teeth all topped off with a baseball cap. Somehow it just works. It feels like logo territory, five colours, clean lines…the whole thing lends itself to being printed.
Another first…there seem to be an awful lot of artists making their debut on my blog recently, I don’t know whether there is a new intake of artists in Bristol or whether I have just started to notice them more (probably a bit of both). Actually this is not the first work I have seen from Stupid Stupid Meathole, but it is the first one since I knew who he was. Keep your eyes peeled for more from the archive.
Firstly, I love this artist’s name even it if is a little long-winded, secondly, I really like his monsters and his rather unconventional style. This piece I think is called ‘wet fart’ (which makes me chortle in a childish way) and taking a closer look, you can see why. I look forward to more peaces in Dean Lane from Stupid Stupid Meathole.
One of the things I love about hunting for and writing about street/graffiti art is when I come across new artists and find out a little bit more about them. I have seen the burner ‘ONER’ for a few months now, but as many readers will know, I don’t like to post about artists until I know a little more about them.
Well I got lucky recently and met Oner when he was spraying a burner in one of the tunnels of the M32 roundabout (see above). What an incredibly nice man. I started to chat with him, which has become a bit of a thing for me (before I started all this malarkey, I never struck up conversations with complete strangers, least of all spray-can-toting ones) and rarely have I met such an enthisiastic person, and so easy going.
Now he told me where he was from, and I think he said Exeter, but it might have been Taunton, whichever it was (and I really should have listened better) he now lives in Bristol. This piece in St Werburghs tunnel is typical of his work, which is nice and tidy (can you spot the small error at the bottom right?) and colourful. I expect to see a lot more from Oner and look forward to seeing how his work develops.
So, here he is once again, this time making an appearance in one of the tunnels of The Bearpit. This toucan, by Touc, really is one of the cheeriest graffiti characters in town and I would suggest you have a cold heart if you aren’t the tiniest bit captivated by him.
I don’t know what HATOUCAN means…is it a toucan sneeze? My supply of Touc finds is drying up a little, so you might not see him for a little while – until then…farewell.
This absolutely stunning commission on the outside wall of The Bridge Inn on the corner of Passage Street and Queen Street, is by an artist I have not come across before, David Blatch. Formally an animator and new media designer, David Blatch is from South Africa but now lives in Bristol and is on the look out for commissions.
The artwork itself for this amazing Jimi Hendrix portrait is exceptional and provides Bristolians in this part of town with an iconic landmark.
It would be great to see more of this kind of ‘high-end’ work brightening up the city, reenforcing Bristol’s USP of supporting the full spectrum of street art in all its foms. Very nice piece.
Only a few days ago I posted something a little different form Duncan McKellar, the foil butterflies on the tarmac of Frogmore Street. This creation, from the same artist, is designed to bring a smile to people’s faces. No piece of ‘street furniture’ is safe from his creative attention, with several statues receiving the same treatment.
The pineapple is ‘sculpted’ from hundreds of pieces of bright yellow foam (it looks like insulation foam to me), and attracts the attention of passers by. What I love about his work is its ‘guerilla’ style…he keeps the local newspapers and busybodies guessing about who he is and where his next project will take him.
I am a fan of all street art that challenges people to see the world through a different lens, and this work by Duncan certainly does this. I’ll try to hunt down more from this ingenious artist.