6030. M32 roundabout J3 (576)

Stivs, M32 roundabout, Bristol, May 2024
Stivs, M32 roundabout, Bristol, May 2024

Here we have some more calligraffiti writing from Stivs, who appears to have had a bit of a rebirth lately and is painting furiously all over the place. I use the word ‘furiously’ deliberately because the words he is choosing to write  recently are on the bluer end of the scale and play into the passive-aggressive arena, contrasting the beautiful writing with the potty mouth language.

Stivs, M32 roundabout, Bristol, May 2024
Stivs, M32 roundabout, Bristol, May 2024

I believe this piece says KLAPE or KLAPY, which I think is just another way of saying CRAP, although I might be mistaken. The writing is, as ever, very neat and tidy, and has a sparkle about it, helped along with the little starbursts at the top of each letter. Much more to come from Stivs, and I am struggling to keep up as it is.

5970. Brunel Way (269)

Todoaciem, Brunel Way, Bristol, April 2024
Todoaciem, Brunel Way, Bristol, April 2024

We are blessed in Bristol with having not one, but three calligraffiti artists, each bringing their own take on the style. The three are Stivs, Wxttsart and Todoaciem. There may be others, but if so, they are a little under my radar. This outstanding piece under Brunel Way was painted beneath Brunel Way, next to a piece painted by compatriot Pura Decadencia (to come).

Todoaciem, Brunel Way, Bristol, April 2024
Todoaciem, Brunel Way, Bristol, April 2024

The letters spell CIEM, as you might expect, but what is really special here is the additional decorative scrolls on the edges of the script, creating a wonderful flourish. The colours blue and gold give it a regal look that works surprisingly well on the backdrop of black and pink spots. This is a top piece of calligraffiti from a confident and technically very skilled artist.

5965. Cumberland Basin

Stivs, Cumberland Basin, Bristol, April 2024
Stivs, Cumberland Basin, Bristol, April 2024

I don’t know who or what CLANCY is, but it makes for some fabulous calligraffiti by Stivs, who has been having something of a purple patch this spring. The colours that Stivs has chosen for this piece are rather regal and opulent, but also a little garish in a fairground kind of way, if that makes sense.

Stivs, Cumberland Basin, Bristol, April 2024
Stivs, Cumberland Basin, Bristol, April 2024

As ever his letters are  beautifully crafted and have that regularity and discipline required for calligraffiti. There are three tones of purple used in the letters, each in the same orientation to create depth and a 3D effect, and this is offset by the yellow tones, looking like gold, for the drop shadow. This is a highly accomplished piece of writing from a master of the craft.

5960. M32 roundabout J3 (566)

Stivs, M32 roundabout, Bristol, March 2024
Stivs, M32 roundabout, Bristol, March 2024

Profanity alert! It is a long held tradition for graffiti writing to be edgy, either in location, style or content, and sometimes writing profanities disguised or otherwise is part of that attitude, without which street and graffiti art would be nothing. Some of the earliest graffiti from Roman times was essentially cock and balls doodles in public spaces.

Stivs, M32 roundabout, Bristol, March 2024
Stivs, M32 roundabout, Bristol, March 2024

Stivs presents us with the word ‘FUCK’ styled with his exquisite calligraffiti writing that brings a bitter-sweet challenge. Great colours that smack you in the face and beautifully finished, this is graffiti art at its subversive best.

5918. St Werburghs tunnel (415)

Stivs, St Werburghs, Bristol, February 2024
Stivs, St Werburghs, Bristol, February 2024

The turnout for Ryder’s paint jam in the tunnel at the end of February was impressive, so much so, that I am way behind with posting many of the pieces, and some will inevitably get left behind in my archive. I felt it important to post this beauty from Stivs though, as it is a really great piece of calligraffiti writing.

Stivs, St Werburghs, Bristol, February 2024
Stivs, St Werburghs, Bristol, February 2024

This piece reverts to Stivs’ former letters which spell ‘KRAP’ or some variant of it. What is nice about this piece is that he has matched the colours with the Inkie piece from the same paint jam, which I posted a little while back. Set on a starry background, this is yet another classy piece from Stivs.

5879. M32 Cycle path (255)

Todoaciem, M32 Cycle path, Bristol, February 2024
Todoaciem, M32 Cycle path, Bristol, February 2024

There is something visually poetic about great calligraffiti, and whilst not always the easiest on the eye, it somehow feels like it is at the ‘high-brow’ end of graffiti writing. Whatever one’s opinion on the final product, there is a lot of control, discipline and skill required to create a stand-out piece of calligraffiti.

Todoaciem, M32 Cycle path, Bristol, February 2024
Todoaciem, M32 Cycle path, Bristol, February 2024

Todoaciem is one of two top-class calligraffiti artists in Bristol, and this piece on the M32 Cycle path amply demonstrates his quality. Painting in blue and yellow, a combination he has used to good effect before, Todoaciem has letters that stand out, because of their contrast, the yellow providing a drop shadow for the blue letters. A tidy piece from a skilled writer.

5866. M32 roundabout J3 (558)

Stivs, M32 roundabout, Bristol, February 2024
Stivs, M32 roundabout, Bristol, February 2024

It was great to catch up with Stivs while he was painting this piece, and it gave me the opportunity to tell him how much I admired his incredible technical skills with creating these amazing calligraffiti letters. Stivs has made a deliberate choice to move back to writing words he used to write before writing Stivs, namely the word KRAP and variants of it. In this case he has written KRAPSTER.

Stivs, M32 roundabout, Bristol, February 2024
Stivs, M32 roundabout, Bristol, February 2024

The letters are not only beautifully crafted and proportioned, but they also incorporate four shades of yellow, one for each elevation, which together create the appearance of gold letters and a three-dimensional effect. The letters are set on a contrasting matrix of pink lines and squiggles, which rounds off the whole production nicely. Great piece by Stivs.

5728. M32 roundabout J3 (539)

Stivs, M32 roundabout, Bristol, December 2023
Stivs, M32 roundabout, Bristol, December 2023

I would say that we haven’t seen nearly enough of Stivs’ work in the latter half of this year, so it was particularly gratifying to find this piece on the M32 roundabout, and even though it didn’t last very long, it was noticed.

Stivs, M32 roundabout, Bristol, December 2023
Stivs, M32 roundabout, Bristol, December 2023

The calligraffiti writing was painted as a birthday piece for his brother Kelvin, and I can’t really think of a better present than a tribute piece of artwork like this, I know I’d be made up by such a gesture. The beautifully proportioned letters are given an extra lift from the wall by the clever use of  the green drop shadow, which itself has a black border. Care and attention was given to the piece, as demonstrated by the sand coloured background and subtle wisps of paint around the letters. Great work from Stivs.

5724. M32 Cycle path (243)

Todoaciem, M32 roundabout, Bristol, December 2023
Todoaciem, M32 roundabout, Bristol, December 2023

I haven’t seen many pieces by Todoaciem this year, and I hope that his lack of painting on the streets is because he has other important things happening in his life, such as employment or family etc. The rarity makes each piece even more enjoyable to find, and this piece of calligraffiti alongside the M32 motorway is an absolute belter.

Todoaciem, M32 roundabout, Bristol, December 2023
Todoaciem, M32 roundabout, Bristol, December 2023

The writing spells out CIEM ONE in rich gold and purple tones, the colours of royalty. A light dusting of light blue serves to lift the letters a little. Todoaciem is a master of calligraffiti, and his letter proportions and shapes are outstanding, to leave us with a superb example of this style of writing.

5468. River Avon (51)

Wxttsart, River Avon, Bristol, August 2023
Wxttsart, River Avon, Bristol, August 2023

With the turnover of art in Bristol being such as it is, I get an awful lot of pieces left behind in my archives, and then I forget whether I have posted them or not. I guess that this is a bit of a first-world problem, but it troubles me a little. I was certain that I had posted this piece by Wxttsart, but it would seem as though I hadn’t. It is still in great condition, so perhaps it is relatively recent, and I am mistaking it for another similar piece. Anyhoo, it is a bit of a blinder.

Wxttsart, River Avon, Bristol, August 2023
Wxttsart, River Avon, Bristol, August 2023

I describe Wxttsart’s work as a bit of a blend of calligraffiti with a touch of anti-style. I’m not too sure how the artist would describe it, but it is unique and always recognisable. The red script letters spelling MILK are nicely proportioned (a feature of calligraffiti) and have been bestowed with a deep 3D drop shadow in lilac shades. The whole thing is set on a fine green cloudy backdrop which contrasts well with the letters. This is another great piece from Wxttsart.