Brace yourself for a flurry of Sake pieces. Sake is an old-school artist who has been painting since the 1980s in Bristol, but I haven’t ever posted any of his work. I don’t know why – maybe it is because I have never met him before, that is until last week, when I caught up with him twice in St Werburghs tunnel. I told him that I would look through my archives and see if I had any older stuff of his that I could share. He was very pleased to hear this, and is keen to stop for a drink soon to talk about street art – I just need to find some time.
This piece is on the curved wall at Dean Lane and is a repair to a similar piece he painted on this exact wall a few weeks ago and which got badly tagged. I think I have pictures of that original. Alongside his letters ‘SAKE’ is a Vaughn Bodē lizard, which is a favourite character for graffiti artists along with Cheech Wizard. I think this is a theme that I’ll need to investigate further before writing too much about it now, but will return to in future. A very nice wall painted by a decent, if slightly intense, artist.
They say that necessity is the mother of invention, so when a large amount of scaffolding goes up against one of the most famous walls in Bristol what do you do?… well you simply work between the uprights like Zake has done with this small piece.
Zake is another artist who has been reasonably quiet over the last year, but has been painting just enough to ensure we don’t forget about him. The piece painted here is necessarily tall and thin to fit into a space between the scaffolding uprights. A very nice piece full of character and a rather fetching Victorian stiff collar. Great to see Zake getting really busy again with this being one of several new pieces.
There are two or three artists vying for top spot as the most productive artist in Bristol at the moment, and possibly leading the field is Turoe with his combined TUROE and SHYTE pieces cropping up just about everywhere around the city.
This piece at Dean Lane is from back in April, but I managed to retrieve it from my archives on the last trawl through that I did. Spelling TUROK the piece is very clean and tight, in fact everything you’d expect from this very experienced writer. The letters are great and the two colour shading is nicely done with a few rather nice drips about the place. The yellow splatter in my view could have been a little bit brighter to give more impact, but I am nit-picking. Quality stuff.
It would seem that Laic217 has found some rhythm to his street work and is painting more regularly no than he was for much of the winter. This portrait of a rather gaunt character is tucked away on the swimming pool wall at Dean Lane, and is modest by Laic217’s standards.
There are some familiar elements in this character piece, but it does seem to mark a departure from skulls and skeletons continuing from his last Dean Lane character. Smoking and an exaggerated mouth gives this character a bit of a menacing look. All good stuff though.
Although we don’t see too much of Hire these days, what we do see is of the highest quality. I am really enjoying Hire’s relatively recent reinvention pieces like this one in which he writes the word ODIAH
This beautifully presented piece incorporates some of the jagged elements of Hire’s customary style but softens them into a rather more conventional writing style. The colours are nicely selected and the grading of fill from light to dark is masterful. A really nice piece.
I fully expect that these foxes by Nebeldac will become a reasonably regular feature of Natural Adventures, although some of the ‘rougher’ ones might get swept up into a compilation.
This chrome fox appeared in Dean Lane a couple of weeks back and is really rather cool, making the most of a rare day of sunshine in what has been a very wet and miserable Ma. Nice to see the foxes appearing all over the place.
Even the quick pieces by Laic217 are rewarding, and this one is really rather nice, slapped alongside the fabulous Dibz ‘from up above’ piece. Both look destined to hang around for quite some time as scaffolding has gone up on the two skate park elevations of this building which I believe is going to be turned into a hostel. The pop up businesses will all have cleared out of the space by tomorrow and I guess development will begin after that.
This monochrome character, although rather emaciated, breaks the mould from the skeletons we are so much more used to recently, but of course many of the older Laic217 pieces weren’t skeletons, so there is nothing too unusual in this piece. A nice quick one for all the Laic217 fans.
When I saw this piece I heard a voice in my head shouting out the word aaciiid! In that rather annoying 1980s way, if you know what I mean. This is a lovely piece from Mr Draws in Dean Lane in which he uses letters other than his customary DRAW. Good to see.
I think that this is a beautifully executed piece with a good solid wall wash, great colour selections and some nice decorations in the form of blue horizontal lines with darker blue shadows. A tight piece from the Bristol stalwart.
I can’t be a hundred percent certain whether this was a collaboration or simply two pieces that had been painted adjacent to one another, but the black background leads me to believe it is the former.
On the left is another wonderful piece from Flava136 painted on a recent visit to Bristol from his native Cheltenham/Stroud kind of area. It is an absolute scorcher with a lot of complex things going on in the fills and shadings of the goofy monster. Lovely precise work.
To the right of the curved wall is a rather nice chrome set of letters spelling out VEK with a fine blue and green border, reflecting the colours of the 2DAE piece at the top of the wall, which I don’t think is a part of the collaboration, although I wouldn’t swear to it. Veks is having a bit of a busy time at the moment. I wonder how much all of these artists will be getting out once we resume a more ‘normal’ pre-Covid situation.
The phrases ‘it’s the early bird that catches the worm‘ or ‘you snooze, you lose‘ both come to mind in respect of this wonderful new piece from Pekoe. I had seen the piece posted on Instagram and said to myself that I would head on down to Dean Lane the next day to photograph it. How was I to know that a whole ton of scaffolding would appear overnight to obscure the portrait? D’oh!
I think I have just about managed to get away with a reasonable capture of this fine ‘third eye’ piece from Pekoe. There are definitely some new techniques coming to the fore in her work at the moment, most notably the dotted outline cheeks, chin and nose. Once again the use of bold colours guarantees that this piece stands out from the crowd.