It has been well worth the wait to see these two collaborating once again. Once a common sight, since last March, I think these two have only painted together a couple of times. This is back to the classic style for both artists, with their jagged spikes lettering.
On the left of the collaboration, set on a vibrant pink backwash, which if you look carefully is a tropical beach scene with ocean waves and palm trees, are the letters SOGE in an irregular formation. The letters look like the thorn forest in Disney’s Sleeping Beauty.
To the right is writing from Hire who has taken a break from his more recent representations to revert to old style work with a great result. These two artists absolutely smashing this style of writing which seems to be pretty unique to them in Bristol – I can’t think there are any other writers who do this. Great to see them back together and I am hoping it is the first of many more.
Shade One and Dibz have painted some fabulous collaborations over the last six months, but this one is probably the pick of the bunch. I was lucky enough to watch their progress for a while and have a quick chat. I’ve not met Shade One before, but he seems to be an affable guy, and I don’t seem to be able to avoid meeting Dibz at the moment, I think our biological clocks must be in sync.
This is a beautifully crafted piece and both artists are meticulous with the detail and clean lines. Dibz’s writing is as complex as ever with horizontally layered colours and shadows the offer a deep perspective. The writing serves as a foundation for the character piece by Shade One.
There is a wonderful symmetry and balance to this collaboration that makes it very easy on the eye indeed. I think the circle being referenced at the bottom in Dibz’s writing is really clever and brings a resolution to the whole composition. A brilliant piece from a couple of artists in peak form.
It may only be a small piece, but it is significant. I haven’t seen anything new from Lokey for such a long time, definitely more than a year, so finding this little gem on the side of a skate ramp was an absolute delight.
Lokey is well known for his clever anamorphic writing which is created by some carefully designed letter shapes and shading techniques. I think that this little piece spells out LOKI from top to bottom. It was a sunny day when I took this picture and the whole thing is a bit bleached out which is a pity, but you can still see the quality and class ooze through this small work.
This is a very nice piece from Mr Draws from a couple of weeks back. I was passing by when Mr Draws was painting it and I think I gave him a fright when I told him the Dibz piece underneath it had been dedicated to his mother-in-law. Fortunately it was not a tribute piece, but a birthday celebration… it is not the done thing to go over a tribute.
It is great to see Mr Draws looking so well and up-beat these days and he seems to be enjoying his painting a lot. It is always interesting to see a work in progress to get an understanding of how the piece comes together. Here Mr Draws has drawn his outline and is filling it in horizontal rows.
The finished product is a bright and colourful ‘DRAW’ in four colour bands and a rather special red 3D shadow. The piece really benefits from good wall prep too which was probably left over from the Dibz predecessor. An uplifting work.
Dibz is turning out new work at an extraordinary rate at the moment which is great to see, although keeping up is proving to be something of a challence. I was lucky enough to catch up with him while he was painting this one and he stopped for a bit of a chat.
Even though he didn’t buff the wall to start with, which is something he does more often than not, the quality of this piece shines through. Either deliberately or accidentally, this piece somehow blends in with the Slakarts and Mudra collaboration beneath it, complementing them well.
I guess I am labouring the point a bit, but Dibz is right up there with the very best in Bristol in his finishing. Every piece is so clean and tight, which given the intricacy of the writing is nothing short of miraculous. Another outstanding piece.
I was fortunate enough to catch up with Pekoe as she was painting this pink face in Dean Lane a couple of weeks back. This was one of several portraits she painted over the space of a few days and which left her skint… spray paint is not cheap.
It was interesting watching her work on this portrait, and her ‘trial and error’ approach to some elements of it. She was working on the nose and nostrils when I took this picture. Seeing the piece in draft like this, gives you a feel for how important the finishing is in street art and just how much work goes into these works.
I have always liked Pekoe’s work, from the very first piece I saw… there is a kind of authenticity and honesty about it and it is calmly unpretentious. Finding each new piece brings me a little moment of joy.
Another one from the archives and one that I am so pleased to have re-found. It is a lovely collaboration from Turoe and I think Veks, although I might have that wrong. I think I never posted it at the time because I was uncertain about the artists, and it disappeared, quite neglected.
Dating from way back in April 2017, the writing in dark brown colours is clearly by Turoe, who definitely wasn’t on my radar back then (what kind of blind was I?). The character I believe to be by Veks and is masterfully painted, so crisp and clean and vibrant. I feel I should have done more homework at the time, but I don’t think I even had an Instagram account back then and was still learning (that never ends). A fine and once forgotten, until now, collaboration.
There are some artists in Bristol whose style is recognisable from the slightest glance. It might be the shape of the letters, the colours, the form or any number of common themes or motifs. Every now and again though they let their hair down and do something quite different. This is something different from Dibz.
This is a fun and rather small burner from Dibz, which if it weren’t for the letters might be difficult to attribute to him. What you can always be assured of though from Dibz is outstanding clean lines and finishing and this piece is no different. I caught up with him while he was painting another more Dibzy sort of thing on an adjacent wall and asked why he had painted something so different here and he indicated that he was just having a bit of laid back fun. Great to see.
It was while he was completing this piece that I met Slakarts for the first time, and then the following week in the same place I met him again, both while he was painting collaborations with Nugmoose and Mudra. There three appear to have formed a tight group, and I look forward to many more collaborative walls from them.
Slakarts is developing and evolving this character all the time with each iteration bringing together themes he has been working on, such as the doubling of some features and the addition of glasses with reflective stripes on them. Thoroughly fun to observe and Slakarts seems to derive a lot of happiness from his work. All good.
This recent piece from Nugmoose caused a bit of a stir, because it is really different and unusual and by an artist that we don’t see painting the streets too often. This is actually part of a collaboration with friends Slakarts and Mudra. These three have formed a rather nice partnership and were out painting again a week later on the other Dean Lane long wall. I stopped on both occasions to chat with the artists, and Nugmoose is a lovely bloke who told me he is quite interested in painting alien encounters and ideas, hence the strange hieroglyphs to the left of the piece.
The colours are so unusual and really help to make this portrait stand out. The lines are clean and simple but the impact very big. Every artist I have shown this piece to have immediately responded with saying how good it is, but you don’t have to take their word for it… take mine.