This absolutely stunning commission on the outside wall of The Bridge Inn on the corner of Passage Street and Queen Street, is by an artist I have not come across before, David Blatch. Formally an animator and new media designer, David Blatch is from South Africa but now lives in Bristol and is on the look out for commissions.
The artwork itself for this amazing Jimi Hendrix portrait is exceptional and provides Bristolians in this part of town with an iconic landmark.
It would be great to see more of this kind of ‘high-end’ work brightening up the city, reenforcing Bristol’s USP of supporting the full spectrum of street art in all its foms. Very nice piece.
This door will be familiar to regular readers who might have seen my recent street art post about this amazing mural by Alex Lucas. I felt it was just too good an opportunity not to include it in this week’s Thursday doors offering. The door is so well disguised, it takes a while to properly make it out – you can just see the buzzers to the left of the double door.
Alex Lucas is a very well known artist, designer and illustrator in Bristol who has, through numerous commissions, decorated many buildings in the area and pretty much created a Bristol brand with her work. I think that this might be one of her largest murals, and probably the most complex.
I have known about this wonderful piece by Loch Ness for an age, but never managed to get near enough to photograph it. It is ever so slightly off the main drag, and too far away for me to reach it in a lunchtime walk.
It is a classy piece from this fine Bristol artist who combines colours and form to great effect. Many of his older murals feature monsters, but more recently he has worked on these wildlife-themed imaginary beings which transform from anumal into pattern and design.
I happen to think that this is a particularly fine example of his work, and really should have brought it to your attention sooner. I will try to do better.
I haven’t posted anything by J.Dior for quite a while now, mainly due to the fact that he appears to have left town almost as suddenly as he arrived. I still have several of his works in my archive, of which this was one, and will post them in good time. I get a feeling that he was not very much liked in the graffiti community because he appeared to disregard any of the ‘rules’. This is tricky territory, because the rules are so complicated that nobody I’ve spoken to can clearly explain them. Anyhow, obviously he upset a few people, and this piece has a note saying ‘how about respect Diore’ on it.
As with all his work, this mural in The Bearpit tells a story and is executed in his typically naive style. I have to say that as part of the full spectrum of graffiti/street art in Bristol I am quite fond of J.Dior’s work. It all seems like a bit of a flash in the pan now, but his influence during the summer of 2017 was definitely felt in The Bearpit.
Another really high quality piece at this year’s Upfest, this one is by local artist Jody. I think that this piece eclipses his wonderful work from last year, and this wall is really a very special wall.
Fin Dac had the privilege of painting this wall last year and it is fitting that Jody should continue where Fin Dac left off. This was a labout of love for Jody, and long after all the other artists had packed up and left, Jody was still at it, for several more days…maybe even a week or two.
I went back a lot, hoping each time that the piece would be complete, but I think Jody was hit by the changeable weather, and possibly the sheer ambition of the wall. On the upside, I have quite a few ‘in progress’ pictures.
There is so much to love and marvel at in this captivating piece. The beautiful profile portrait, the cut out birds reminiscent of Henri Matisse and the extraordinary pink folds of material in the woman’s hair and neckline. This is a master work.
In looking at the ‘in progress’pictures, it is interesting to see how Jody appeard to work in strips and patches, where other artists might come at a piece in layers. I guess the scale and scaffolding constraints dictate to some degree how a piece will be painted.
Along with Nomad Clan’s piece and one or two others, this really shows off the ‘high end’ of what street artists are capable of doing, and in doing it, bringing so much pleasure to so many people. I love this.
Thelochnessmonster specialises in these large rectangular line drawing pieces. In this case it s a white line on a blue background. There are several of the motifs that Thelochnessmonster uses in this piece, such as the yin yang icon, peace symbol and a crystal.
As is often the case with this artist, there is a story going on in this picture. It would be great to get into his head a little mor and start to unpick some of his work. Another nice piece from this artist with a quite unique atyle and approach to street art.
On an environmental leave day a couple of weeks back I was litter picking down on the New Cut, the diverted course of the tidal River Avon in Bristol. During the litter pick, one of my colleagues asked whether I had looked at a piece of street art she has been telling me about for a little while. During the lunch break, I took a short walk into Bedminster where the mural was, not far from the New Cut.
I found the piece, and instantly saw that it was by Andrew Burns Colwill, his style is so distinctive. This piece has breathed new life into what was previously a bland wall and brought with it an exotic feel – street art for a local community. It is beautiful.
This work has a lovely watercolour quality to it. The details of the piece poke through a misty haze, and the derelict archway give it a classical feel, the whole thing being soulful, peaceful and romantic. I’m not sure if the church is based on a real one or whether it is from Burns Colwill’s mind, probably the latter.
I am a big fan of Andrew Burns Colwill’s work, and have found him great company on the few occasions I have met him. One day I will go for that drink with him and get that interview he agreed to some months ago!