1044. Garden Walk, Shoreditch, London

Another one from my time in London last year. This one is by Artista, whose work is characterised by this rather sweet little toast guy. I think that this is an avocado-toast hybrid – a lovely piece, nicely framed and in amongst a hotchpotch of graffiti, tags and wheatpastes.

Artista, Garden Walk, London, August 2016
Artista, Garden Walk, London, August 2016

I may have seen other pieces by Artista during my walks in Shoreditch, but this was the one that leapt out at me. I have seen a lot of work by the artist as she seems to be something of a favourite on the London Calling street art blog.

 

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1043. Rivington Street, Shoreditch, London (6)

Just a quick canter back to last summer when I spent a while working in London and, of course, took quite a lot of pictures of street art in Shoreditch and Camden Town. Most of the pictures I took are so far unpublished, but I will try to post a few more.

Ananda Nahu, Rivington Street, London, August 2016
Ananda Nahu, Rivington Street, London, August 2016

This amazing piece in Shoreditch is by Ananda Nahu. I will let her Facebook profile do her talking for her:

‘Ananda Nahu was born in Juazeiro, on Bahia, Brazil, in 1985. Moved to Salvador in 2001, in 2003 she attended College of Design abandoning it to start in 2004 to attend Fine Arts at the Federal University of Bahia. In this period, she became interested in studying photography and engravings, marked by time studies and research lithography, Serigraphs, metal engraving, and consequently a deepening works in references to these engraving techniques that are Posters.

In 2005 begins to develop the stencil, one type of engraving that is leaked into the mold to obtain shapes of and pictures. From the beginning of the fitting colors of the pictures, apply this combination on the stencil and began to work with multiple layers of color. Use these pictures in creating artistic compositions in urban environments and canvases, also begins to improve regional fabric painting, oriental and African, as well as calligraphy and sources together to compose the picture stencil.

The photographs used to make stencil or free hand painting of his (sic) characters are mostly written by the artist itself, which is done a photographic essay for construction work, or if not, are based on photographs from renowned photographers of Latin America.

In her references are album covers and movie posters, posters and banners, black culture, Latin, Islamic and Asian, urban and goticas calligraphy, printing and fabrics Brazilian, African, Chinese and Japanese, also classical and religious paintings.

Ananda has established itself as a reference in the technique of stenciling and painting, she maintains an international presence for the Arts since 2006, mainly in Holland, Germany, France and Brazil, having many collectors around the world.’

Ananda Nahu, Rivington Street, London, August 2016
Ananda Nahu, Rivington Street, London, August 2016

This was one of the first pieces I saw in London and it had a lasting impression on me. There is something about it that reminds me of Gustav Klimt. It is a lovely piece.

611. Code Street, Shoreditch (2)

The light was fading fast by the time I got to this wall. Had I known of its existence I would probably have tried to get to it earlier and benefit from better light. One of the pitfalls of wandering around aimlessly I suppose. All the pictures have been adjusted to make them less gloomy, but they really don’t convey the magnificence of this collaboration.

Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016

Louis Masai and Fanakapan, two of the best street artists in the UK right now, collaborated to paint this wall as part of the Meeting of Styles, London event in May 2016.

Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016

The patchwork style of Louis Masai and the helium balloon chrome style of Fanakapan work surprisingly well together and when the subject matter is wildlife conservation, what it there not to like about this piece?

Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016

There is a very good piece by London Calling which shows the collaboration at work, in rather sunnier conditions than when I went to visit, which is well worth a gander.

Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016

The theme for the event was ‘absolute freedom’ and this piece is entitled ‘Freedom?’. This was a pure joy for me at the end of a very long walk in Shoreditch…the pot of gold at the end of the rainbow.

Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016

610. Code Street, Shoreditch (1)

In my wanderings through the streets and alleyways of Shoreditch it was comforting to come across a familiar sight. So much of the artwork was unknown to me and then this…a piece by Bristol graffiti artist Voyder. All of a sudden I felt quite at home and rather pleased with myself that I could identify an artist in the heart of London’s graffitiland.

 

Voyder, Code Street, Shoreditch, August 2016
Voyder, Code Street, Shoreditch, August 2016

I have to say though that I don’t think it is his best work, and not a patch on the stuff he has bee producing in the last few months (in my view). This wall was produced for the Meeting of Styles festival June, 2016. The photographs are a bit dodgy because the daylight was fading, and my crappy little camera was fussing about the light levels. I think I just about got away with it.

Voyder, Code Street, Shoreditch, August 2016
Voyder, Code Street, Shoreditch, August 2016