Some of the artists who came to Upfest made the most of their time in Bristol to decorate other areas of town, such as Stokes Croft. D7606 returned to ‘his spot’ as he described it, next to an Aspire robin. I think this must be the third or fourth telephone box that D7606 has pasted up here. This time with Debbie Harry ‘hanging on the telephone’.
I like to see his work in Bristol, as I don’t get to London much these days. A couple of the previous wheatpastes are shown below.
Well it is no surprise that my path should cross with the work of Face the Strange at Upfest. What perhaps was a surprise was witnessing him pasting this piece up, and serendipitously on many levels, putting a face to the name.
I really should have asked him, what on earth is going on in his head…a man in a suit with a pineapple face and pineapple skin. Is it all just bonkers, funny and off-the-wall or is there some deeper hidden meaning. I expect it is a combination of both. Instead we talked about other wheatpasters and Upfest and the weather.
I have only been familiar with the work of Losthills since last Upfest, and his wheatpastes are a joy – each one found is a treasure. It seems he stole a march on all the others this year by arriving in Bristol a day or two before Upfest.
Not only content with pasting in Bedminster, he also left a few treats in the Stokes Croft area too. This is a really great piece by Losthills, with Jake the dog posing as (I’m guessing here) Ed Sheeran. There is a lot of detail here, right down to the tattoos. Brilliant.
By the end of the second day of the festival, ‘Ed’ the dog was joined by some groupies.
A word about placement – I have said this before, but for wheatpasters, the location and orientation of your piece is almost as important as the piece itself. This is a perfect place, as good as any I have seen in Bristol.
I was very excited when I saw this paste up by Lemak, and exceptionally talented Bristol stencil artist. Excited because I had seen a short video of him creating it on his Instagram feed only the day before. So this really was hot off the press.
I passed by the wall last Friday and it has been badly tagged, so it was fairly short lived, which is a pity. Whenever I see great pieces that are dogged or ruined I am reminded of the fantastic line in Bladerunner – ‘the light that burns twice as bright burns half as long‘ and so it often is with great street art.
I love the crisp collage effect with the graff all around – some similarities with the work of PichiAvo?
Some weeks ago now, I had a great walk home from work, and discovered several wheatpastes by qWeRT. This one was rather better concealed than others I had spotted, and photographing it was a little awkward because the householder was sitting in the doorway, soaking up the sun. I asked if they minded me taking a picture…I don’t think they had even noticed this little gem on their own doorstep. Oh well.
I am fond of these googly eyed characters, there is something endearing and playful about them. As you will know by now, I am fond of a good paste up, and this one doesn’t disappoint.
This is the third qWeRT paste up that I have featured recently, and was photographed with others during a walk home from the city centre. Jamaica Street is home to the People’s Republic of Stokes Croft (PRSC) outdoor gallery, and this small piece sits directly opposite it.
As with the last two qWeRT pieces, in The Bearpit and in St Augustine’s Parade, this one features googly-eyed characters and a gentle, peaceful theme. Love. I am writing this post on the day after the most recent London terrorist attack, and felt this wheatpaste is all about bringing us all closer together with love.