It is weird how easy it can be to completely miss things, I think the expression is something like ‘you can’t see for the looking’. I must have walked past this qWeRT piece dozens of times, but only noticed it recently.
The placement of the googly-eyed pasteup is absolutely perfect, blending in with a larger mural on the wall from Cheba. It all works so well together. I have always said that half the skill of wheatpasters is their ability to find just the right spot. Get that wrong and the impact can be diluted, get it right and it is amplified. Love this one.
A second post of wheatpastes by Jarvis only this time there are three individual paste ups for the price of one. I posted a piece by this artist about a week ago, knowing nothing about him, but a rapid comment from theartblogger54 confirmed the artist’s name and even shared his Instagram account.
As far as I can make out, Jarvis appears to live in Bristol and I think probably in Easton, which would explain the location of these paste ups. On the left hand side of the triptych is a bare chested male figure with an interesting six-pack on display and an all-seeing third eye.
In the middle is a blue face with some kind of atomic structure in the neck area. It is a decent coloured sketch amplified by being one of three posted on the M32 roundabout notice board.
On the right is the third figure with a very long neck and a flower in his/her hair, and if I had to choose I would say that this drawing was the pick of the bunch. It would be great to see more of these sketches appearing about the place. This is what street art is all about, a spectrum of different styles, abilities and techniques which gives it such broad appeal and accessibility.
I love making discoveries. Finding things that were meant to be found, but only by those who are looking. This drawing is one such discovery, in one of the tunnels of the M32 roundabout. There are a trio of other pieces by the same artist not far away. Regular readers will know that I am particularly fond of paste ups, and when they are by an artist unknown to me, they are that little bit more special.
I think the artist is called Jarvis, but that is as much as I know about them. The crown on the top of the signature indicates to me that this artist understands street art culture and is deliberately being a part of it. The piece itself, roughly A4 size, is vibrant and striking. The colours and elements are simple and bold. A red figure in profile, the sea, the sun, the moon and a possible reference to Bristol, a hot air balloon. The wheatpaste is set on a jaunty angle and seems to have been torn from a pad at the top edge. I like this paste up very much and it feels like we might be seeing the emergence of another Bristol street artist. I’ll post the other three pieces soon, and will be on the lookout for more.
On Jamaica Street, opposite the PRSC outdoor gallery is this curious paste up by qWeRT. This is quite different from the googly-eyed character that we are used to seeing, and something of a rarity (unless I have mistaken the artist, which is always possible).
Looking a little bit more like something from Face the Strange, another wheatpaster, the piece is of a suited man with robotic extensions for a head and arms. I passed by that way yesterday and even though the piece is two years old it is still there. not too tatty either. An interesting paste up in a great spot.
I am not entirely certain when this lovely Egyptian-style wheatpaste by qWeRT first appeared, and by the time I photographed it it was already looking a little weathered, but I think it was from a visit to Bristol in around November/December last year.
Our googly-eyed Friend has really gone to town in this one wearing a full Tutankhamen death mask and looking most splendid. As much as the artwork itself, I like the placing, in a disused window space so that it is framed really nicely. To be fair, it is a popular space for wheatpasters, but that is because it is exactly the right kind of spot. I think a qWeRT gallery might be in the wings.
Last year, Georgie had a few paste up sessions concentrated around the Dean Lane and Stokes Croft areas. This is a really nice Brexit piece and so simply sums up the divided nation along the lines of I’m ok with this and I’m not ok with this.
I’m alright Jack plays on the disgusting appropriation of the Union Jack by the Brexiteers whose portrayal of remainers as unpatriotic was quite disgusting, but a very powerful narative that underpinned the whole debate. Only the future will tell us whether the experiment is a mistake or not and in any case, many of the problems will be masked by the imppacts of coronavirus, giving this Brexit government the perfect excuse to waffle their way out of uselessness.
I miss The Bearpit street art so very much, particularly when I find pictures like this one of a Tian wheatpaste in my archive. Using his favoured sepia tones, Tian presents us with another glamorous lady… possibly famous, possibly not. All of his work is designed to get us thinking about the central character, even if we can’t help ourselves.
I am a very big fan of paste ups, and finding them in Bristol is a bit of a treat, because unlike other parts of the country/other countries, the scene is pretty small here, and most wheatpastes are from visitors like Tian or qWerT or Upfest artists. It was Kid Crayon’s wheatpastes that drew me in to being more curious about street art some five or six years ago, and I haven’t looked back.
Looking back to May last year when The Bearpit was nearing its end as a street art spot, (shame on Bristol City Council) and the visiting French wheatpaster Tian, left us several fabulous pieces in Stokes Croft and the roundabout.
This fabulous piece, printed from a stencil, is of a boxer, I have no idea who, and is one of his larger paste ups at about three-quarters life size. The yellow tones work really well on the red background and the piece is full of life and movement. If and when Tian returns to Bristol he may struggle to find as many spots to paste his work as he has been used to on previous visits as the pace of gentrification accelerates.