4424. Greenbank (44)

Another wonderful piece from Pekoe, painted during a bit of a purple patch, when she seems to be getting out and about rather a lot, which can only be a good thing. This stunning portrait was painted alongside RBF crew friends and carried the blue background theme that bound the pieces on the collaborative wall together.

Pekoe, Greenbank, Bristol, April 2022
Pekoe, Greenbank, Bristol, April 2022

Pekoe has a remarkable talent for painting these portraits, which are so distinctly her work. I guess that the difference between her work, and the work of photorealists is that her style shines through, whereas sometimes it can be difficult to identify a photorealist artist. I am not sure if I have explained that very well, but in short, her work is unique. This time we have a purple face and blue and yellow hair decorated with orange and green symbols and shapes. Another fine piece from Pekoe.

4409. Sparke Evans Park (41)

Another fabulous Pekoe portrait in a series of recent pieces that it has been a pleasure to witness in recent weeks. This one was painted alongside her RBF friends in Sparke Evans Park a couple of weeks ago.

Pekoe, Sparke Evans Park, Bristol, April 2022
Pekoe, Sparke Evans Park, Bristol, April 2022

There is something very special about the colours that Pekoe uses and the blue and pink in this piece are absolutely perfect. There is enough shading on the face to give some depth to the features, and we can sense a sad expression, which the tears reinforce. The big hair is magnificent, but again alludes to sadness with some unhappy faces in place of smiley ones. The crown is well deserved and appropriate. A fine piece from Pekoe.

4405. Picton Lane (12)

Although this masterpiece has been around for a little while, I have only recently photographed it. What an absolute stunner, it is amazing what Kosc is doing these days and I really feel that he has raised his game massively into the top half of the top division, and all this has happened over just a few years.

Kosc, Picton Lane, Bristol, April 2022
Kosc, Picton Lane, Bristol, April 2022

His pieces pretty much always stand out and completely command attention. How can you not look at something like this and not say ‘wow’ (or some other more contemporary exclamation). The crispness of the writing, repetition of background patterning, bright orange ribbon and sharp portrait are all elements that brought together have a huge impact.

Kosc, Picton Lane, Bristol, April 2022
Kosc, Picton Lane, Bristol, April 2022

I think that this ranks as my favourite piece by Kosc so far. There is something quite cheeky and up-front about it. Confident and assured, this is an absolute jewel that deserves accolades from all who take an interest in street art. Bravo Kosc!

4402. Ashley Court

This is one of those pieces that I photographed some time ago, and even had some pictures of it when it was only half-finished, but it has remained in my folders because I wanted to do some research and find out a little bit more about it. Unfortunately my work has been ultra busy lately and I haven’t found time to look into the piece, but I simply had to scratch that itch, so I am posting it now.

Hazard, Ashley Court, Bristol, February 2022
Hazard, Ashley Court, Bristol, February 2022

The magnificent portraits are by Hazard and celebrate the lives of two local residents. The lower portrait is of Israel Augustus Daley, who was fondly known as Gullu. His name above the piece has a saxophone alongside it, and I guess he was a musician.

Hazard, Ashley Court, Bristol, February 2022
Hazard, Ashley Court, Bristol, February 2022

The higher portrait celebrates Justina Sharpe. Both pieces were funded by Sovreign Housing Association who own Ashley Court. Of course, it is the bright and colourful artwork by Hazard that makes these portraits so special, and already the building has become a landmark for its portraits.

Hazard, Ashley Court, Bristol, February 2022
Hazard, Ashley Court, Bristol, February 2022

Not content with the two portraits, Hazard also sprinkled some beautiful flowers and leaves at one of the entrances to the building. Hazard is turning out some truly outstanding work, and is in my view a world-class street artist.

4371. BB Gallery (1)

A serendipitous meeting with Paul H at Greenbank on my last visit there afforded him the opportunity to show me a spot I hadn’t been aware of before, and something a little different from the usual kind of graffiti/street art spots in Bristol. Greenbank is on the Bristol to Bath cycle path, and a short walk in the direction of Bath takes you to the Bristol to Bath gallery.

Conrico, BB Gallery, Bristol, April 2022
Conrico, BB Gallery, Bristol, April 2022

The gallery is a wall and fence, about twenty metres in length, which is festooned with pieces of art on paper, boards, canvass or in frames, all attached to the fence – a truly public gallery that anyone can contribute to. This particular section has been painted by Conrico, and would appear to have been quite a challenge to paint, given the different textures and materials. The scene is a very typically Conrico piece, with plenty of atmosphere and a style that looks more like paint brush strokes rather than spray can work. Some nice writing accompanies the portrait.

4359. Dean Lane skate park (478)

Photographing street art and graffiti isn’t just about the big pieces, the obvious ‘in your face’ high end work. It is about capturing the full spectrum of work and the full spectrum of styles, content, ability and so on. Finding a couple of little gems, like these from Zake, exemplifies the joys of finding and cataloging street art.

Zake, Dean Lane, Bristol, March 2022

Zake is normally known for his bright and expressive stylised faces, full of light and shade to exaggerate the contours of the features. In these two small pieces in Dean Lane, Zake gives us something more like a study, or something you might find in a black book rather than on a wall. It is not only the beauty of these works, but their rarity that is part of their attraction.

Zake, Dean Lane, Bristol, March 2022
Zake, Dean Lane, Bristol, March 2022

I guess that they were both painted in the same session judging from the colour palette. A male and female portrait in subtle tones. Two fine pieces adding to the rich portfolio that the artist has to offer, and something a little different for the viewer.

4339. Greenbank (34)

I cannot fully express how much I am enjoying Rozalita’s renaissance, and find myself simply marvelling at her work. This piece fits the formula of a few of her recent pieces with a two tone portrait framed within a floral display. One of her favoured spots is this long wall on the Bristol to Bath cycle path, and several of her pieces can be seen here in one visit.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

The colour tones of this piece are perfectly complementary, and help to bring out the features in the greyscale face. I’m not too sure what the blue cap is all about, but it separates the face from the background very nicely. The flowers are very nicely painted, I particularly like the one on the left, which looks a little bit like a protea. The improvements in Rozalita’s work is tangible from piece to piece, and I have a tinge of excitement each time I come across a new one.

4315. Stokes Croft

Although I struggle to keep on top of the sheer volume of amazing street art and graffiti that appears in Bristol every day, I always make space on Natural Adventures for Pekoe. She is one of a handful of artists whose work I will try my hardest to post whenever I photograph it. Another example would be Laic217. There is something about Pekoe’s portraits that I find compelling and unique and feel the need to share.

Pekoe, Stokes Croft, Bristol, March 2022
Pekoe, Stokes Croft, Bristol, March 2022

This piece has been here fort a little while, but I only recently got round to photographing it. Before this piece there was another of her pieces, but this one is a real beauty. Fabulous colours and a half body portrait, rather than just a head. The piece overlooks the summer seating area of a café and is immediately below the recently refreshed Stinkfish piece in Stokes Croft. Very nice work indeed.

Pekoe, Stokes Croft, Bristol, January 2018
Pekoe, Stokes Croft, Bristol, January 2018

4298. Brigstocke Road (2)

There seem to be an extraordinarily large number of roadworks happening around the city at the moment (I put it down to council year-end spending), and my journeys to street art spots are being somewhat disrupted. Mostly this is an irritation, but in this instance I was diverted down a road I rarely drive along, and my prize was finding this magnificent Kosc piece that I have known about for a while, but just wasn’t too sure where it was.

Kosc, Brigstocke Road, Bristol, March 2022
Kosc, Brigstocke Road, Bristol, March 2022

Kosc has been knocking it out of the park lately with his distinctive black and white portraits set on a vibrant scarlet-orange background. This is a fabulous portrait of Lady G, Angela Frances, about whom I know precious little and am unable to find anything on the Interweb. The BS2 refers to the Bristol post code that covers much of the St Paul’s area, including Brigstocke Road.

Kosc, Brigstocke Road, Bristol, March 2022
Kosc, Brigstocke Road, Bristol, March 2022

Finding pieces like this, that are off the beaten track, is one of the most rewarding things about photographing and cataloguing street art, and this left a very large smile on my face.

4296. M32 roundabout J3 (389)

At the second attempt, I managed to get a couple of shots of this wonderful piece from Merny. My first effort was scuppered by shadows cast on the piece from the bushes. The first rule of street art photography is to try to pick an overcast day, unless the walls you are photographing are not compromised by shadows or in shadow.

Merny, M32 roundabout, Bristol, February 2022
Merny, M32 roundabout, Bristol, February 2022

Merny is continuing his themed work featuring a person in an everyday situation with a caption and some point labels with numbers or letters in them. In this piece a lady with an iPad is looking at her screen and saying ‘oh dear’. Her utterance could be in response to any number of things, and the clever thing about this piece is that it requires the viewer to fill I the gaps and write their own story. The story for me is the Ukraine war. That could be me hovering over my iPad searching out the latest news. Another excellent piece from Merny.