Here is yet another banging portrait piece from the lovely Pekoe who is on something of a roll at the moment. If I didn’t already have a gallery of her work then I would certainly have to pull one together based on her last couple of month’s work alone.
A bold blue face this time, again in a three-quarter profile, and such sumptuous pink lips. The hair is given the pink treatment too with the black lines and multitude of little decorations such as diamonds, hearts and teardrops. This is Pekoe at her commanding best. There is something about this piece that I find rather calming and serene… it might be the closed eyes and the colour selections.
This was another of those pieces that I was lucky enough to find before I knew of its existence through social media and that always makes the discovery a little sweeter. I hope that Pekoe keeps this purple patch going because I am having great fun seeking out her work.
Rosalita has been smashing it out of the park lately and this new column piece under the M32 is just the latest in a string of fine works she has created in the area. From what I have seen, Rosalita is particularly fond of painting carnival faces which she does on walls but also with the application of makeup on people, which she has a talent for.
Rosalita (who often signs her pieces RAW, has nothing to do with the Bristol-based crew Read and Weep, and that the use of the same initials is entirely coincidental) has used the column space perfectly and flooded it with colour and drama. The piece is a little unsettling, with the orange eyes dripping onto the cheeks. Great to see more from Rosalita. Keep it up!
It was while she was finishing off this piece that I first formally met the wonderful Pekoe, thanks to an introduction from Paul H. It was so good at last to meet her, and especially nice because she knew exactly who I was and was appreciative of the posts I had written here on Natural Adventures and on Instagram.
Pekoe, as well as finishing off her own piece was helping a friend with practising his own art work adjacent to her portrait. The act of a kind and helpful person. Her green three-quarter profile is exquisitely offset by the shock of orange hair collected into a bun, making great use of the space available on the panel she was painting.
Big hair is a major part of Pekoe’s portraits and in this one she has really excelled herself in my view. The decorations intertwined in the bright orange, red and yellow hair show off her signature style. I love this piece and will always associate it with making her acquaintance for the first time of many I hope.
Shutters have become a much prominent feature of the city this year because of the increased frequency that shops have had to remain closed due to a sequence of lockdowns and restrictions. This has offered up an opportunity for street artists to either paint new shutters, or for older shutters to be appreciated by a wider public. I guess I am looking for a silver lining to this terrible pandemic… clutching at straws maybe.
Anyhoo, this is a wonderful addition to the shutter pieces from Pekoe, who has hit a bit of a purple patch lately. I love this portrait, the way it fills the space so perfectly, slightly off-centre and the face is in three-quarters profile, which I love. The woman’s black hair and decorations are particularly nicely done. I think that this is my favourite shutter piece of the year. Bravo! Pekoe.
Slakarts has been very busy lately, especially with his three-quarter cartoony profile throw up pieces, so it was great to come across this rather more traditional-looking piece from him in the tunnel recently.
Slakarts’ work is very distinct and rather different from most of the character pieces you see around Bristol. This particular face is rather austere and serious and contains some nice detail, such as the lines around the eyes. Some great shading and spots round this piece off nicely. I definitely feel a Slakarts gallery coming on very soon.
These tight collaborations from Dibz and Shade One are becoming something of a feature in Dean Lane this year, and it has been a genuine privilege to see and photograph them.
The precise graffiti writing from Dibz paired with the stylised portraits from Shade One have a crispness and professional look about them. The walls are always nicely prepped and the work carefully done.
On the left, the black and white writing from Dibz is so sharp and painted to appear like a sticker, along with all the surrounding ‘shout outs’. Note the little fold over on the far left, a trick repeated in the top right-hand corner of Shade One’s contribution.
Shade One creates these amazing portraits that have a sophisticated comic book feel about them. What lies behind those eyes? I love the shirt collar too. Overall another excellent production from this pairing.
It is possible to access some fine walls and columns (I call the location Frome side) where this piece from Mudra is, but I don’t like to go down there on my own, just in case I slip and fall into the river, so I have to make do with photographing things through railings from the skate spot.
Of all the newcomers to Bristol this year, I think that Mudra has been the most productive, and he has been quick to find several of the great spots for spray-painting around the city. This is one of his colourful, capped characters that is so typically Mudra. Although he has his little @ tag, he doesn’t need to use it because his style is so unique and recognisable – having said that I like his tag and how he incorporates it. At this rate it won’t be too long before I have enough of his work to create a gallery.
Once again the busy Pekoe brings us good cheer with this tidy little portrait piece on a pillar supporting Brunel Way. One of the features I love the most about her work is the bright colours she uses for the faces she paints, and why not use them when it seems to work so well.
Meeting her about a week ago was a genuine pleasure and long overdue. She celebrated her birthday yesterday, so I thought I’d post this piece to celebrate. The letters on the hat may not make much sense to readers, so I’ll enlighten you. BS3 is a Bristol postcode for the Bedminster area and RBF stands for the Resting Bitch Face crew. Nice piece.
Pekoe has been a very busy lady lately, with a flush of small portraits dotted around the city, which is very good news indeed. After years of writing about her work I finally got to meet her at a paint jam last weekend. Although this piece was photographed before I met her, I was able to tell her how much I liked it.
Sometimes ‘street furniture’ interferes with taking photographs of street art, but in this instance I think it somehow adds to the ambience and environment. The bin, bike and coffee cup complement the scene, but the star here is definitely the outstanding yellow-faced portrait. I really like this piece, she has managed to create something special in quite a tight space and I like the way she has separated the portrait from the wall with a thick gold outline. A classy piece from the lovely Pekoe.
I cannot think of a Pekoe portrait that I haven’t liked. Her style is so recognisable and has a beautiful innocence about it, if you know what I mean. There is no pretension, it is what it is and isn’t pretending to be anything else, and I like that.
This piece appeared last week alongside a Bnie piece in the tunnel and together they painted under the RBF banner. The three-quarter portrait reverts to a theme often used by Pekoe, namely a third eye on the forehead. The turquoise, pink and yellow colours work very nicely together and the decorative features are wonderful. I particularly like the green shading on the woman’s shoulders and face that give a lift to the whole portrait. Lovely work.