Painted at the weekend (I think) this is a real beauty from Rusk (I told you there was more from him coming) and Jody. I can’t really articulate just how good this collaboration is and although the writing and the portrait don’t integrate, they certainly complement each other brilliantly.
On the left The expected high standard and tight work from Rusk delivers in bucket loads. A horizontal mix of bright and dul colours with some ‘glinting’ accents together with some nice inter-linking letters, a lilac outline and grey shadow – a lesson in how to make the complicated look simple.
To the right is a sensational portrait which is a tribute to Nipsey Hussle by the brilliant Jody. OK, so I’m old and my musical tastes although broad are not comprehensive and I have never heard of Nipsey Hussle before. He was an Ameican rapper, activist and entrepreneur who died in 2019, shot outside his Marathon clothing store in Los Angeles. I might have to go and dig out some of his music, and I thank Jody from bringing him to my attention.
I had seen this collaboration on Instagram and got myself down to Rakleigh Road a quickly as practical because one never knows just how long these things might last. This is a real beauty.
This little area of columns at the M32 Spot is very much favoured by Zake and there are a few of his pieces that have remained here for about a year untouched by taggers or other artists – quite unusual really and perhaps a gesture to his unusual face pieces.
The inclusion of a portion of neck lends itself well to spraying character portraits on these narrow columns and Zake has perfected the art. The absence of pupils gives Zake’s pieces a ghostly appearance that is a little unsettling, which combined with humorous expressions leaves the viewer on edge slightly. I like his work and am pleased that he has started painting again after a quiet winter period.
I couldn’t hold this amazing black and white portrait piece back any longer. ‘Why hold it back at all?’ I hear you ask (in my fertile imagination), well, it is another of those pieces that I know absolutely nothing about, despite some fairly intensive Interweb interrogations.
Moon Street has be host to many different pieces of street art, but nothing like this one in my experience. I don’t know who P. Jacobs is, and I guess the date is a date of birth. Is this a tribute to somebody famous or to somebody dear? What do the formulae mean? There is so much in this work to figure out before even marvelling at the superb portrait itself. This is a piece painted by an accomplished artist, but not someone that has crossed my path before (I think). Those eyes are amazing and follow you around.
Could somebody out there put me out of my misery and telll me who this is by and what it is about?
Thank you Paul. This piece is by Kosc, who has painted this door before.
I took these pictures back in January this year, but the wonderful piece by Tasha Bee (Keep it Colourful) is way older than that. I have included it in part not only because I love her work but also because I haven’t seen anything new from her for such a long time, which is a great shame.
I know that Tasha Bee is working on some other projects at the moment, but maybe once the weather gets a bit nicer she will be lured out to brighten up all of our lives again. The piece is classic Tasha Bee and features a stylised portrait with wonderful ‘big hair’. Everything that is great about street art is right here in this piece. It left me smiling.
Lobe is probably one of the most distinctive artists in Bristol, with her portrait pieces composed of strong black outlines, solid fills with shading against the black lines, all contained within a white outline strip. How amazing it is to see how her work has developed over the last year or so. (Note to self, time for a Lobe gallery?)
I believe that this piece was painted at the same time as a recent Rusk piece although it is not part of a collaborative effort. It is great to see Lobe ‘hitting’ this board as I consider it to be a much under-used spot by decent street/graffiti artists. Enjoying the ride.
What a dazzling portrait from Pekoe on Dean Lane. It is so good to see that she is painting a lot already this year and that this is the fourth piece I have posted (I think) from her so far in 2020.
I would say that the facial features on this piece are as good as I have seen on a pekoe face to date, and that maybe having a solid fill rather than shadings has accentuated the features. I would make a further observation, which is a very minor point because I do really like the piece, that the hair on top needs to go a bit higher for the whole head to be in proportion. I am guessing that the height of the wall here was the limiting factor, not the talent of the artist
Another lovely portrait piece from Lobe, taken through railings at the M32 Spot. You can see the chanelled River Frome behind the pillar. The river passes under the city centre in a culvert, beneath Cabots Circus and Broadmead shopping centres, beneath the old fire station, beneath the fountains in the centre, along towards the Arnolfini, then it is siphoned underneath the floating harbour before eventually discharging into the New Cut. If only Bristolians knew what lies only a couple of meters beneath their feet.
Back to the art and this wonderful face in the typical style of Lobe, that is with thick bold black outlines and strong fills in only two or three shades. I’m not sure if those are eyes or half-moon spectacles. If they are the latter, then they are upside down. More from Lobe to come.