This piece is actually not really on Brunel Way, but is in the Cumberland Basin where the Brunel Way bridge/flyover begins. And who should pop up here but Pekoe, who until a couple of weeks ago was completely under my radar.
This piece, in doodle style, is actually really nicely presented and has a great balance of bright colours and squiggle elements to make up a fine portrait. I am new to her work, but I am enjoying what I see and look forward to finding more of her pieces in Bristol.
I love, love, love this collaboration piece by Face 1st and Tash Bee. Totally understated and beautifully sprayed on a concrete column under Brunel Way, this piece is tucked away and pretty much out of view. There is a serenity about the piece that works so very well, and the setting is just a perfect way to frame the piece.
I don’t know how long these two have been collaborating for, but there have been a spate of their joint pieces cropping up all over the place just recently. For me, this is the best yet. Their use of colour and form is similar, but each has a very distinctive look. The top section is by Face 1st and beneath it is a superb styalized portrait by Tash Bee. I have met neither of these artists, but it I keep looking, it is just a matter of time.
I took a recent walk down to the Cumberland Basin recently and came across this standalone piece from Epok, which is really rather good. It is less angular than his usual work with soft, almost cartoon-like curves.
The wall is very busy with previous pieces on it, andf it all looks a bit fragmented. I think this piece would have benefitted from having a slightly larger backwash, especially to the right, but it is a tedious process. Nice gold and silver burner.
I think this is the last piece I have from the Halloween 2017 session by members of the ASK crew. The others were by Sepr, Sled One, Feek and Inkie. This is by the extraordinarily talented Epok.
Nobody writes quite the way Epok writes, with his highly designed angular letters which have a stro9ng geometric and architectural feel to them. The photograph really doesn’t do justice to this piece which is positioned under a bridge, where the light competes with the dark. All of the pieces here are much better seen in the flesh, than captured by a rank amateur like me. At least I can give you a feel for the artworks.
Another piece from the ASK Halloween paint jam under Brunel Way. This is exceptional work from the exceptional Sled One with an interesting story woven into his wildstyle writing.
On the left there appears to be a snail-like character and on the right a Grim Reaper figure that is making for the terrified looking snail (can a snail look terrified?). Meanwhile, Sled One has incorporated the letters SLED into the piece with artistry and skill.
Once again we see this master sprayer at his very best, creating a whole world in a space 3m x 2m. Incredible really.
This is the third piece I have posted from the ASK halloween paint jam at Brunel Way bridge, the others were by Inkie and Feek. This is yet another masterful work from the resurgent Sepr – there seems to be no stopping him at the moment.
Sepr has created a fabulous depiction of Count Dracula drinking what appears to be a rather nice glass of wine, but take a closer look in the bottle and you will notice a heart. The humour extends to Dracula’s footwear, which if I am not mistaken, appear to be slippers.
The whole piece is beautifully sprayed right down to the shadows at the bottom of the piece…but then, I thought Count Dracula had no shadow…am I right?
This is a nice witty piece from Feek as part of the Halloween ASK collaboration at this spot. The ASK crew have been very busy recently. This piece has a real comic book feel to it and is by one of the artists whose work I don’t see too often – the last piece was on one of the ramps at Dean Lane skate park.
Feek has painted a ghoulish Miss Millies (a poor man’s KFC, if there is such a thing) waitress serving up body parts, with a speech bubble saying ‘youur piece sssucks‘ a reference not only to the food pieces being served up, but also a playful jibe at his crew mates and the pieces they are working on.
I have just noticed another thing about Feek’s work that I have never noticed before, but it would appear that he nearly always includes a speech bubble as if he wants to give his characters a voice. I’d really like to see more of his work on Bristol’s streets.