When I first saw this piece I thought it might have been by Mudra, mainly because of the bright colours and capped character, but I couldn’t find his recognisable signature anywhere, so I had to think again. It is in fact by Dit Oner, whose range of styles is to be admired.
This is a writing-character piece with the character being incorporated as one of the letters. The letters are beautifully designed and filled and the little white highlights help with the 3D effect. The character too is very nicely done and integrated into the writing. I have my doubts however about the yellow background. it simply doesn’t work for me, just a bit yucky and insipid. perhaps a darker colour might have worked better. Nonetheless a fine piece of writing from the Spaniard.
It is very difficult for me to keep up with the massive productivity of street/graffiti art in Bristol. As it is, I only post a fraction of the pieces I photograph here on Natural Adventures. The rest go into the archives, which is a real shame but that is how it is. Seasonal pieces, such as this one from Mr Draws are nearly always out of sync because I have a queue of pieces waiting to post – an artefact of the system I use.
I love this one from Mr Draws – it has a generous and kind spirit about it and manages to convey the moments of Christmas cleverly by incorporating Christmas puddings, lights and a Christmas tree. The letters are sharp, and it looks like Mr Draws has put a lot of love into this one. I only wish I had been able to post it at Christmas, but you’ll have to make do with it now.
It’s that man again, Todoaciem, with one of his outstanding calligraphy pieces spelling out CIEM1. He really has been turning out some of the most consistently brilliant pieces of late and is fast establishing himself on the Bristol scene.
There is something of a mini Spanish armada in Bristol at the moment, and along with the strong Polish contingent, the city is becoming a wonderful culturally diverse melting pot for street art. We are blessed to be able to see so much art on our walls each day in so many styles from so many resident artists.
The piece itself not only stands out for its uniformity of typeface, but also for those incredible gold fills and the striped blue and white 3D shadow. One to admire.
A beautiful and typically imaginative piece of writing from Sled One, painted alongside a Ments piece I posted last week. The colour palette is rather unusual set on a pale yellow background, certainly uplifting in this rather dark place.
The letters spell out MENTS, which is confusing, because I spent ages trying to find his usual SLED letters. I’m not sure what the symbolism of the brick walls and barbed wire is, but it might be a comment on the pandemic restrictions we have all had to suffer for so long. An interesting piece.
Underneath Brunel Way in the damp and tortured light conditions is this rather lovely tribute piece by Ments to a person called Sam, you can probably make out the letters.
This is quite an unusual piece by Ments and I think is in part quite experimental. His work is usually organic in nature with fluidity being a central effect. In this piece however, Ments has introduced some quite solid forms and even what appears to be a rock foundation – a more geological approach perhaps. The bright colours speak of joy and happiness. This is a wonderful tribute piece beautifully thought out and painted.
I will apologise up front for any profanities in this post or any others in the coming days featuring work by Turoe who appears to be on a mission to tell us what a terrible year it has been, and although we already know it, there is value in laying down these markers lest we forget.
This is one of several pieces of writing that have appeared over the last fortnight or so all over Bristol, and each one of them nicely executed. At first there was a little confusion over who was behind them, but it didn’t take too long to work out that it was Turoe. There is some classy skill behind this piece and it is so obviously by an experienced hand – one might ordinarily associate the word ‘Shite’ to be associated with taggers or quick and dirty throw-ups, but not here, this is quality writing.
Once again the busy Pekoe brings us good cheer with this tidy little portrait piece on a pillar supporting Brunel Way. One of the features I love the most about her work is the bright colours she uses for the faces she paints, and why not use them when it seems to work so well.
Meeting her about a week ago was a genuine pleasure and long overdue. She celebrated her birthday yesterday, so I thought I’d post this piece to celebrate. The letters on the hat may not make much sense to readers, so I’ll enlighten you. BS3 is a Bristol postcode for the Bedminster area and RBF stands for the Resting Bitch Face crew. Nice piece.
Over the past four months or so, some seriously epic pieces have started to appear on the ceilings under the M32 and Brunel Way. These magnificent statements are by Risco, and artist I was not familiar with before August this year.
This piece under Brunel Way is a full skeleton in partial foetal position and was painted round about 21 November. I suspect it’ll be here for many years to come, I mean who else is going to go to such effort to tag or over-paint it? I think that Risco must use rollers on long poles to do this and it must be back-breaking work which makes this all the more impressive. Well worth a look.
Angry Face is so definitely back on the scene and that is great news. For me he represents the rather more edgy side of Bristol street/graffiti art, and his mega-tag comes in both rough tag and finessed forms.
This column piece under Brunel Way is nicely done, and the characteristic face with spiky and cracked teeth is nicely decorated with little white bubbles on the two shades of blue face. It is always nice to find new pieces by Angry Face, especially when you know they are out there from the social media postings of others.
Once in a while Inkie creates something special as a kind of ‘commission’ to promote things for friends, usually, but not exclusively, related to the release of music in some form. This magnificent piece was painted to promote DJ Krust’s new album ‘The Edge of Everything’.
Inkie works at an incredible pace and he shared a time-lapse film of him painting this on his Instagram account. It really is remarkable what he can do with a spray can, and this is a highly accomplished work.
I’m not too sure what either of the words say. My guess is that the first word says DJ Krust and the second word in red says Inkie, but I might be far from the mark. Whatever it says it is a beautiful example of wildstyle writing.