Back in his favourite spot, Maybe has started painting his unique dreamy pieces once again after a lengthy break. I haven’t quite worked out his technique in full yet, but he makes good use of stencils to pick out some clear distinctions between different elements of his pieces.
Maybe, Brunel Way, Bristol, April 2026
This one features one of his favoured motifs, that of a silhouette face with pursed lips. He has selected some lovely colours, and blended the colour transitions really well. It is so good to see him out and about painting again.
Jee See’s work may not be to everyone’s taste, but I have a real soft spot for its authenticity and the way it represents so much of what grassroots street/graffiti art is all about in Bristol. This column piece plays host to one of his signature ‘seismic’ pieces.
Jee See, Brunel Way, Bristol, March 2026
The chunky letters form a deep-set block draped down the column. The chrome letters take on an interesting reflective look, picking up on various tints from the light beyond the flyover. Jee See doesn’t paint all that much these days, so I like to post his work when I find it.
As pieces go, this one by Creamylines, is on the small side. It is painted on a column under Brunel Way, but even at this size it packs quite a punch. 2026 has definitely been a bumper year so far from Creamylines, who appears to have come out of his shell a bit, and is painting new character pieces as well as his ‘stained-glass’ effect pieces like this one in more places around the city.
Creamylines, Brunel Way, Bristol, March 2026
Everything that is fun about Creamylines’ work is crammed into this small space; the sun, the birds, figures, hills, trees and eyes. It is all here squished together into a coherent landscape. Such wonderful and uplifting work.
Generally speaking, rounded column pieces are a real pain from a photography point of view. For an artist they offer a large canvass in a small space, but as the piece wraps around the column, it becomes a challenge for the photographer. I have wondered whether the panorama setting on an iPhone would work, I’ll have to give it a try next time, but I doubt it.
Conrico, Brunel Way, Bristol, March 2026
Given my reservations about columns, Conrico has done a perfect job here. His vertical piece is of a Japanese style street lantern with its glowing orange light and atmospheric steam rising from the ground.
Conrico, Brunel Way, Bristol, March 2026
The piece wraps around the column, but not too far, so it is possible to get a sense of it from the front. Conrico continues to impress with a positive and impactful series of outstanding pieces this year – more to come.
He’s back! Maybe is painting again after a long pause, with this wonderful interlocking face piece, so distinctive and beautifully presented in his unique styling. I know that this isn’t a one-off and will be searching for more when I return to Bristol later this afternoon.
Maybe, Brunel Way, Bristol, March 2026
Maybe uses a combination of techniques to achieve his touching and imaginative pieces, and the end result is always something to examine and ponder on. Some nice shading adds to separating these two faces, augmenting the strong black outline. It is so good to see him back decorating our walls and columns once again.
Squire is becoming a bit of a regularly featured graffiti artist in the pages of Natural Adventures. His lettering is distinct and there is something rather interesting about the word ‘SQUIRE’ that has some meaning and connection with the past, it is something of an old-fashioned word.
Squire, Brunel Way, Bristol, March 2026
This piece has unequal and unruly letters that somehow fit into a form, probably contained by the deep white drop shadow. I think that there is something slightly confused with the drop shadow beneath the ‘Q’ and the ‘I’ that doesn’t quite work for me. There is a nice RIP shout-out for Dorns and a small HMG crew tag rounds the piece off. Squire seems to favour this area beneath Brunel Way, which is good news, because turnover here at the moment is quite slow.
Turoe and Dibz, Brunel Way, Bristol, February 2026
This is a rather nice combination collaboration from Turoe and Dibz, and I think that Fade was there too, but possibly in a filming capacity. The depths of a wet and rather horrible winter seem to be dimming, and many artists are waking from their slumbers.
Turoe, Brunel Way, Bristol, February 2026
It turns out that this hoarding, which is actually the side of a large skate ramp, is becoming a bit of a honey-pot for high-end pieces. Although I can’t be absolutely sure, I think Turoe painted the TWC (The Wild Criminals) letters breaking out from the grey ‘wall’. Some great colours and textures in the fill, the hole and the wall.
Dibz, Brunel Way, Bristol, February 2026
I think that the Yosemite Sam character is the work of Dibz, which is unfortunately behind a bit of temporary railing, which I should have moved really for the photograph, but it is a real bit of street furniture that gets in the way from time to time, and adds authenticity to the record. The character is superbly painted, and so true to the cartoon character. Warner Bros and Looney Tunes would be proud.
Unlike many other artists in Bristol, Daz Cat has had quite a productive winter. This column piece under Brunel was is an absolute delight, and typical of his constantly developing and improving work.
Daz Cat, Brunel Way, Bristol, January 2026
This lovely cat is wearing a white hoodie with fancy orange draw strings. There are slots for the ears, a lovely detail that demonstrates the thought that went into the piece. On the nose is a heart, which is one of several shapes that Daz Cat likes to paint; others include arrows and leafy designs. A lovely piece from one of my favourite Bristol street artists.
Logoe and Mamil, Dean Lane, Bristol, December 2025
A recent visit to Bristol by Logoe and Mamil has caused a bit of a stir. The artists are not residents of Bristol, and are not so very much in touch with the wall protocols. Unfortunately, they painted over a tribute wall to Dorns under Brunel Way, and the piece was immediately tagged as being disrespectful. Another of their collaborations in St Werburghs was given the same treatment. It can be a jungle out there, and it is often advisable not to paint over a tribute piece, or anything that you might believe is a tribute.
Logoe and Mamil, Dean Lane, Bristol, December 2025
I am familiar with the blitz visits of Logoe over recent years, but Mamil is new to me, and it looks like Logoe has found a kindred spirit script graffiti writer. This is a proper collaboration with a shared house sty;e in terms of colours and background. Both artists have adopted a script style, but Mamil’s is, in this example, finer than Logoe’s, and is in the form of a bicycle. Clever stuff. More to come from this pair, and their tagged pieces are shown below.
Logoe, Brunel Way, Bristol, December 2025Mamil, Brunel Way, Bristol, December 2025Logoe and Mamil, St Werburghs, Bristol, December 2025
There is something rather urban and street wise about the fox character painted by Foksymoron, which I guess is no huge surprise. The character taps into the long relationship that Bristol has with the study of urban foxes, indeed, my old allotment was recorded as having the most densely populated distribution of foxes found anywhere, ever (at that time).
Foksymoron, Brunel Way, Bristol, December 2025
This column fox almost went unnoticed, as it is rather subtle, and the camouflage outfit actually works in breaking up the outline of the character. The cool fox wearing his trademark sunglasses is having a casual cigarette, while standing nonchalantly – perhaps he is watching the skaters and bikers that frequent this little area. Another great piece from Foksymoron.
Natural adventures 