787. Stokes Croft shutter

Mr Penfold is first and foremost a designer, whose work is largely abstract and uses colours and shapes that remind me of a cross between the 1980s and art deco. Clean crisp lines and floating objects.

Mr Penfold, Stokes Croft, Bristol, April 2017
Mr Penfold, Stokes Croft, Bristol, April 2017

His graffiti/street art work is very different to anything else found in Bristol and instantly recognisable. Whilst I like to see his pieces appearing around the city, his style does not pull me in as much as some of the other artists in Bristol.

743. The Bearpit (61)

A stunning piece by Decay for the ‘paint Jam’ on the 8 April, organised by Georgie and advertised at very short notice through social media. This is a favourite wall for Decay, and he has had several other pieces here before.

Decay, The Bearpit, Bristol, April 2017
Decay, The Bearpit, Bristol, April 2017

I was fortunate enough to be there while he was just finishing off the piece. I love the way the young boy is looking back at his work. So very few people stop to take a look (such a British behaviour) perhaps for fear of interrupting the artist, or worse still striking up a conversation.

Decay, The Bearpit, Bristol, April 2017
Decay, The Bearpit, Bristol, April 2017

All the very best features of a Decay piece are here: the abstract form of concentric rays emanating from a central face. The piece is directly adjacent to a large pink work I featured by Decay not so very long ago.

Decay, The Bearpit, Bristol, April 2017
Decay, The Bearpit, Bristol, April 2017

He is a busy man, and shortly after completing this piece he drifted over to Wilder street to do a piece on the nicely prepped walls…to follow in a little while.

739. Raleigh Road, Tobacco Factory (6)

This is a subtle piece that I photographed in August 2016, and so I am guessing must have been part of Upfest 2016. It is by Lost Monkeys who produced this wonderful tiger at the same time. I hadn’t been aware that he did two pieces for Upfest.

Lost Monkey, Raleigh Road, Bristol, August 2016
Lost Monkey, Raleigh Road, Bristol, August 2016

I love the use of colour in what appears to be a black and white piece, and it has the appearance of having been drawn with charcoal…beautifully done. I couldn’t get a great shot of it, because it was stuck behind a parked car when I saw it.

Lost Monkey, Raleigh Road, Bristol, August 2016
Lost Monkey, Raleigh Road, Bristol, August 2016

There is a story going on here, but I am not too sure what. The figures and lines remind me a little of Bristol’s own Shab. This is a fabulous understated piece by a very accomplished artist.

 

700. North Street, loft conversions

Sometimes collaborations really work well, and this beauty between Decay and John D’oh is quite a beauty. Half way along North Street, I first saw it during Upfest (it was a weekend and the shutters were down) although I don’t think it was sprayed for the festival.

Decay and John D'oh, North Street, Bristol, July 2016
Decay and John D’oh, North Street, Bristol, July 2016

It is a striking shutter piece and John D’oh’s stencil is rather special. I am not sure who it is of, but it works so well with the colours favoured by Decay. For me this is a special Bristol piece to be treasured.

696. The Bearpit (52)

It is always great to see a new Tom Miller piece, and this is a wall he has favoured in the past. I can’t keep up with this particular wall, and have some pieces that have never made it to the blog. Maybe if I was retired…

Tom Miller, The Bearpit, Bristol, March 2017
Tom Miller, The Bearpit, Bristol, March 2017

This work has all the hallmarks of a Miller piece; body parts bursting with a suffusion of colour and ‘imaginite’ – the way thoughts might look if they could be painted. There is a little story going on here, chasing after love perhaps. I would like to think it is a happy picture and not a morose or sad one. I really am a big fan of Tom Miller’s work.

Tom Miller, The Bearpit, Bristol, March 2017
Tom Miller, The Bearpit, Bristol, March 2017

677. Upfest 2016 (104)

Another large wall, this time a little out of the way on Dean Lane. This is one of the most awkward walls to photograph, let alone spray, but Inkie has done a commanding job of this one.

Inkie, Upfest, Bristol, July 2016
Inkie, Upfest, Bristol, July 2016

The large piece is on the side of the South Bank Club and features a trademark Inkie portrait. The whole thing is a Bristol as Bristol can be, with a rather nice reference to the Clifton Suspension Bridge on the left hand side.

Inkie, Upfest, Bristol, July 2016
Inkie, Upfest, Bristol, July 2016

I think the character at the top of the piece is a fairly effeminate looking Isambard Kindom Brunel.

Inkie, Upfest, Bristol, July 2016
Inkie, Upfest, Bristol, July 2016

The character at the bottom of the piece might be a self portrait, but I am not sure really. The whole thing is really impressive, and I was fortunate enough to catch up with Inkie while he was just finishing off the job. Inkie and Bristol are utterly interlinked, and we are lucky to have him around.

Inkie, Upfest, Bristol, July 2016
Inkie, Upfest, Bristol, July 2016

The observant will notice an Angus piece just to the bottom left of the picture.

675. Upfest 2016 (102)

I think I have said it before, but one of the great pleasures of Upfest is to see the work of artists from all over the world and from all kinds of disciplines descend on our little patch of South Bristol. One such artist, ‘Climber’ or Lee Nowell-Wilson from Baltimore left us with this beautiful portrait of a young child.

Climber, Upfest, Bristol, July 2016
Climber, Upfest, Bristol, July 2016

Climber graduated with a Batchelors in painting in 2011. According to her Upfest bio, she now works at bringing those traditional skills to the streets. With creating relationships as the main objective, she strives after levels of vulnerability within her work to encounter people in their everyday. She certainly achieves her objective with this piece.