2441. Alma Street, Weston-super-Mare

All artists derive their influences from somewhere. Sometimes these influences are overtly acknowledged and deliberately expressed in their work, and this stencil by JPS is one such example. There is more than a simple nod to Banksy in this piece called ‘balloon girl’.

JPS, Alma Street, Weston-super-Mare, August 2019
JPS, Alma Street, Weston-super-Mare, August 2019

There used to be a stencil of balloon girl (with red balloons) in Park Row in Bristol, but I don’t think it is there any more. I think, more than any other artist, Jps’ work is often mistaken for the work of Banksy, and it is not hard to see why. Love this piece.

Advertisements

2440. Meadow Street, Weston-super-Mare

EEEK! What a wonderful anamorphic spider stencil from JPS in Weston-super-Mare. This piece is one of three small stencils adorning a shop front on Meadow Street. The remarkable thing about JPS’ art in WSM is how incredibly fresh most of it looks, and how few of the pieces are tagged.

JPS, Meadow Street, Weston-super-Mare, August 2019
JPS, Meadow Street, Weston-super-Mare, August 2019

The patterns on this spider and the shadows it appears to cast on the wall make this, for me, an outstanding stencil. I am guessing that all the little bristles on the legs were painted by hand, as I don’t think that even JPS would have the patience to cut each of those on the stencil. A seriously classy small piece.

2439. Rear Oxford Street, Weston-super-Mare

I recently took a trip (mainly to give the dog somewhere different to experience) to Weston-super-Mare, and it hadn’t changed much from the last time I visited a couple of years back. What I was able to do however was explore the town for JPS street art, and naturally this is the place to do it.

JPS, Rear Oxford Street, Weston-super-Mare, August 2019
JPS, Rear Oxford Street, Weston-super-Mare, August 2019

In my view, JPS doesn’t come to Bristol nearly enough, but WSM is his manor and that is where so much of his work is. I think this piece of a youing skateboarder is reasonably recent, but I have no real way of knowing. I understand that JPS now lives in Bavaria, but I am sure that he returns now and again to his old stomping ground.

JPS, Rear Oxford Street, Weston-super-Mare, August 2019
JPS, Rear Oxford Street, Weston-super-Mare, August 2019

This piece, like all of his stencils is beautifully intricate and has been specifically placed to give the impression that the child is skating over the street sign. This is just the first of many posts I will be bringing to Natural Adventures over the coming days/months from WSM featuring JPS, Fawn and PZY.

2438. Upfest 2018 (160)

Way back at Upfest 2016, I bee W was the first street artist at a festival that I had the courage to speak to, shortly before I spoke with Dice 67 (who I later went on to conduct my first, and so far only, interview). Turns out that the vast majority of street artists are lovely people and even at festivals make time for a quick chat.

I bee W, Upfest, Bristol, July 2018
I bee W, Upfest, Bristol, July 2018

I bee W is a stencil artist whose stencils are often placed on carefully crafted or textured backgrounds and so become part of something bigger than the stencil alone. There is a story here, but I’ll be damned if I know what it is. A lady in a bikini bookended by a pair of seahorses. It is a pretty piece albeit slightly surreal. I have a few more of his pieces lurking in my archives, so I’ll have to dig them out.

That rounds off this series of ten Upfest 2018 catch up posts, but I’ll be doing more over the autumn and winter as there are still so many I haven’t yet posted.

2437. Upfest 2018 (159)

This is a magnificent piece by Deeds, so full of movement. Really stylish and classy. Although I am familiar with the name of the artist, he has been spray painting with stencils since the 1980s, I am not very familiar with his work.

Deeds, Upfest, Bristol, July 2018
Deeds, Upfest, Bristol, July 2018

In this piece The stencil of the horse appears to have been done in staggered sections to give it that feeling of movement, and the bright blue strips just seem to emphasise it. In the WIP shot above, you can see that he worked on the piece from the top down on the already prepped red background. A classy piece.

2430. Upfest 2018 (152)

I think that this is the fifth stencil/wheatpaste by About Ponny that I have posted from Upfest 2018 and in my mind every single one of them is a belter. In each it is both the skill of the work and positioning and the extraordinary content that makes these outstanding wheatpastes.

About Ponny, Upfest, Bristol, July 2018
About Ponny, Upfest, Bristol, July 2018

About Ponny has a knack of portraying human pain and suffering without sentiment or compassion. These are raw pieces which strike at your heart and made even more effective by their low-key sitings. I had not been aware of About Ponny’s work before Upfest 2018, but on the back of these have become a big fan.

2413. Redcliffe Way (1)

Sometimes you glance a piece of street art when driving about the place and make a mental note to go back on foot. This is one of those, and well worth the legwork to find it. It is a beautiful stencil of an owl by Kin Dose, which I figured was several years old, but is probably less than 18 months old if streetview is anything to go by.

Kin Dose, Redcliffe Way, Bristol, August 2019
Kin Dose, Redcliffe Way, Bristol, August 2019

The first observation is that this spot is a prime location for a stencil. Blocked out windows like this always make such fantastic framed backdrops for street art. I think that this is a barn owl, and the stencil is in very much the same style as his 2018 Upfest stencils, with the animal sprayed over a coloured swirl background. When I spoke to Kin Dose earlier this summer, he said that he has moved away from doing stencils because the cutting out process is tedious and he is preferring his spray-brush style at the moment. Lovely piece.