1185. Leonard Lane (14)

John d’Oh has been very busy lately on the streets of Bristol, but this is the first time I have seen his work in Leonard Lane. Typical of his work, he takes a strong political line, and in this stencil he celebrates a Corbyn revolution.

John D'Oh, Leonard Lane, Bristol, November 2017
John D’Oh, Leonard Lane, Bristol, November 2017

This is beautifully worked, and of course I particularly like it because of its edge. There are many more pieces by John d’Oh that I have in my archive and I might have to start bunching them together, simply to be able to share them.

Advertisements

1177. Upfest 2016 (157)

It is strange how things come together sometimes. I have only a few days ago posted Hoshiko’s drowned out effort from Upfest 2017, and here I am posting his piece from the previous year. In both cases my photographs don’t really do his work justice – here I have him working but no final picture of the completed board and from 2017, he never actually finished the piece off. Perhaps it’ll be third time lucky if he comes to Upfest 2018.

Hoshiko, Upfest, Bristol, July 2016
Hoshiko, Upfest, Bristol, July 2016

This piece is rather cheerful and light-hearted, with a little monster (utterly unscary) roaring. I think the stencil text at the bottom says ‘I’m a dinosaur’. Some similarities with the work of Miss Wah.

1172. M32 roundabout J3 (55)

It can be very difficult to identify wildstyle writing sometimes, especially when the artist isn’t local or doesn’t spray too often. Having said this, my job is made so much easier when the artist plasters his or her name all over the piece.

Aona, M32 roundabout, Bristol, August 2017
Aona, M32 roundabout, Bristol, August 2017

This stylish piece is by Aona.  That gets me so far, but no further. I can’t find much about Aona on the Interweb, so this entry is brief. To the writing itself; it is beautifully clean and crisp and technically excellent and the colour selections really work well. It is uncommon to see wildstyle writing complemented by stencils, but it works rather well. Great to see different artists in town.

1169. Upfest 2017 (108)

This is a wonderful piece by Stephen Quick, a brilliant Bristol stencil artist and, I understand, YouTuber. I have to say that I never got to see this piece in its finished state, which I am really annoyed about, but have seen it on Digital Social Media and it looks spectacular.

Stephen Quick, Upfest, Bristol, July 2017
Stephen Quick, Upfest, Bristol, July 2017

Stephen has a style that mixes and merges ideas and iconic figures to produce blended stencils of the highest quality. Stephen quick has a lot to say about this piece on his website, and to save myself the time I have pinched his text and offer it below:

‘Pop Girl’ is my modern day mash up, pop culture heroine. My idea being if my recent generation get a call to arms we will arm ourselves with items from our pop upbringing, Inspired by Tank Girl, she wears a R2D2 helmet, armed with the Sword of Omen from Thundercats, with good luck charms from Harry Potter and The Legend of Zelda, she is ready to take on the world!

Stephen Quick, Upfest, Bristol, July 2017
Stephen Quick, Upfest, Bristol, July 2017

In my pictures, the Harry Postter charms are missing. and background not completed, but I didn’t want to leave it out of my Upfest updates. I do like his work very much.

1157. The Bearpit (108)

Sometimes it’s a case of blink and you’ll miss it, and so it is with street art. This gorgeous wheatpaste by Lemak didn’t last too long in one of the tunnels of The Bearpit, but the subtle colours and dim lighting meant that it was easy to walk past without stopping to take a look. Big mistake…it is a real beauty from this talented artist, and pushes his experimental approach in a satisfying direction.

Lemak, The Bearpit, Bristol, October 2017
Lemak, The Bearpit, Bristol, October 2017

The golden eagle is hand painted and pasted together in a collage effect, a technique that Lemak has used quite a lot recently and one that I admire. There is a lot to enjoy in this piece, and the hard work I know he puts in is all definitely worth it.

1144. Camden Town, London

Anyone familiar with Bladerunner (the original) will be familiar with the Tyrell quote: ‘The light that burns twice as bright burns half as long – and you have burned so very, very brightly, Roy’.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

This quote could equally well be applied to the extraordinary vocalist Amy Winehouse who died of a drugs overdose in July 2011. In the UK, and especially in North London there is a terrific fondness for this amazingly talented young woman whose moment in the spotlight was so short and fragmented. This wonderful stencil, by Pegasus, is a fine tribute to the singer.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

I have featured a couple of Pegasus pieces in previous posts, this one of Mother Teresa from last year’s upfest, and this one of Donald Trump. Pegasus is fond of creating works of iconic public figures and is not afraid of controversy.

1127. Camden Town, London.

Somewhat reminiscent of Banksy’s work or Unify or JPS, this lovely piece by Dotmaster Is just about perfect for this wall. Situated under a camden council sign stating ‘bill stickers will be prosecuted’. The corny old joke suggests that graffiti under the sign should read ‘Bill Stickers is innocent’ but the joke is a hundred years old.

Dotmaster, Camden Town, London, September 2016
Dotmaster, Camden Town, London, September 2016

This beautifully executed piece presents us with a naughty child spraying that most sacred of images, a heart, on the wall. A picture within a picture. I love this and pretty much everything about it, but I know little or nothing about the artist, but his biography on his website gives you a flavour. I love his comment:

There is NO subculture ONLY subversion.