819. Raleigh Road, Tobacco Factory (8)

The best part about this picture is that I got to meet the artist Lemak, who I have admired for some time, and who creates some of the very best multi layered stencils I have seen. This piece, space cadet, is an exceptional example of the complex and painstaking work Lemak produces.

Lemak, Raleigh Road, Bristol, May 2017
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He was telling me that it takes a very long time to cut the stencils for something like this, which is pretty much life size. The payback comes with selling limited numbers of the stencilled original. Talented beyond doubt, and his income drives further work…something of a virtuous circle.

Lemak, Raleigh Road, Bristol, May 2017
Lemak, Raleigh Road, Bristol, May 2017

Lemak is a real gent, and happy to stop and have a chat. This piece was part of the paint jam organised by Stephen Quick, and sprayed at the same time as the Quick/Adamaszek collaboration featured here a couple of weeks ago. This is a great stencil.

805. Raleigh Road, Tobacco Factory (7)

I had had a tip-off, via Stephen Quick’s Instagram feed that he and Hannah Adamaszek would be doing a collaboration at the Tobacco Factory, on the weekend of 13-14 May, so I managed to sneak over on the Saturday to see what they were up to.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

What a treat. Stephen had organised for a few established, up and coming and debutant artists to spray the car park bays during what was a bit of a Bedminster festival. This work is really interesting because it brings together two distinct styles into a synthesis that joins them. The subject matter is the same, but the techniques quite different.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

Stephen Quick works mostly with stencils and Hannah with freestyle paints and spray. It was interesting watching them concentrating on their respective halves of the collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

It is possible to see that some elements of the original piece obviously didn’t work too well for the artists, so they were removed, for example the purple birds in the background.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

I love the work of both of these artists, and I love the way they have collaborated on this piece. Does it work? I am not sure. Has it enhanced their styles or cramped them? On balance, I consider it a triumph, but it brings into sharp perspective the difficulties of working together. A bit like being married I guess…different styles, a collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

799. Upfest 2016 (130)

Recently, I have posted quite a few pieces from the magnificent Georgie (artist), including a wonderful Michael Caine portrait in The Bearpit. However, when I took these pictures back in July 2016, I don’t think I really knew too much about her.

Georgie, Upfest, Bristol, July 2017
Georgie, Upfest, Bristol, July 2017

This is a fabulous stencil, impactful and eye-grabbing. The contrast of the grayscale stencil and the bright and colourful background work really effectively for the subject matter of the piece. I am too lazy to find out what it is called, but it seems many of her works have an obvious name. I like this very much.

786. The Bearpit (69)

A nicely done stencil in one of the Bearpit subways by Georgie. It has lasted there for a while having been spared by taggers who these days generally don’t wait more than a day before tagging things in The Bearpit.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

The piece is titled ‘There’s no budget but it will be great exposure’  and is a stencil piece that I think is a wheatpaste. Certainly Georgie pasted this piece up in Shoreditch last year, and it would appear that the whole poster here is the same. Kinky, and fun this is nice work from Georgie.

784. Gloucester Street, Weston-super-Mare

Last Summer, on a day trip with my family to Weston-super-Mare, I managed to wander off and grab a few moments to get some street art ‘therapy’. I got to see several pieces by JPS, My Dog Sighs and Dan Kitchener amongst others, but this image of a child on the back of a tortoise holding a stick with a slice of pizza stayed with me.

 

Fawn Artist, Gloucester Street, Weston super Mare, August 2016
Fawn Artist, Gloucester Street, Weston super Mare, August 2016

I didn’t know the artist, and I think I have said many times on this blog that I don’t like posting images unless I know who the artist is, although sometimes I break my own rule. In this instance it was the artist herself who broke cover via her Instagram account. It is by Fawn, a local artist and friend of JPS, who helped her with the piece. It is a lovely, playful stencil and just perfect for the location.

770. The Bearpit (66)

Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus, The Bearpit, Bristol, April 2017
Angus, The Bearpit, Bristol, April 2017

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

761. Upfest 2016 (118)

It was great to meet Dice 67 at Upfest, as we had communicated by Instagram before the festival, and I had arranged to say hello. His piece for Upfest was more of a collection of stencils pulled together into one place, and they are all really good.

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

In the first image, Dice 67 is touching up some of the breaks in the outline from the stencil with a pen.

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

I love the ideas that he has brought to this eclectic gallery – a Victorian lady spraying, and a girl roller-skating, sporting a SSOSVA t-shirt.

 

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

One of the things that Dice encouraged visitors to do was stick up a signature or small stencil on his wall. There are many artists who took him up on his offer. I also made my debut tag…in the picture below – can you see it?

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

My first effort, and it could do with a bit of work, but not too bad. This was a really fun piece by Dice 67, getting into the spirit of the whole festival.