2387. New Stadium Road (17)

Oh I really hate the light in this bridge/tunnel it is almost impossible to get decent pictures of anything, especially near the edge of the wall. Even though the picture doesn’t do it justice, I still felt it was worth sharing this recent collabortation between Decay and Ryder with you.

Decay, New Stadium Road, Bristol, August 2019
Decay, New Stadium Road, Bristol, August 2019

Decay as you know already is simply smashing it out of the park with every piece he does at the moment, and although the general shape of his writing is reasonably consistent from piece to piece, the colour palette and shadings and backgrounds continue to amaze.

Ryder, New Stadium Road, Bristol, August 2019
Ryder, New Stadium Road, Bristol, August 2019

I haven’t posted anything from Ryder for a while now, even though he has painted quite a lot recently, no reason, it just hasn’t happened… I’ll have to raid my archive and unlock a few I think. This small part of the collaboration hosts a couple of Ryder’s trademark character ‘Rs’ one of which is shooting laser beams across the whole thing.

These pieces are two of a larger collaboration which included Tasha Bee and T-Rex (to follow).

Advertisements

2367. St George skate park (1)

I have been meaning to get down to St George skate park for some time and finally a week or so back I made it and was rewarded with a whole ton of art that I had been aware of but thus far not seen. It was beautiful weather on the day I went to the skate park and it was incredibly busy, so I had to dodge pre-teens on their scooters, skateboards and bikes to get these pictures.

Fiva, St George, Bristol, July 2019
Fiva, St George, Bristol, July 2019

Regulars will know that I love the work of Fiva (Fiver), and although this one is a bit worn, it has all the hallmarks of a great piece from the artist. The cartoon character on the right sets the whole piece off nicely and the writing in seven colour tones ranging from green through to lilac and wonderfully worked, with an urban skyline depicted with the darkest shade of purple. A really lovely piece. I love his little shout out to Nightwayss (who has peppered this spot with pieces) at the bottom right too.

2347. L Dub (4)

I am enjoying finding these pieces by fellow hunter DFC1848, and these characters in the entrance to the underpass have encouraged me to probably start my spraying ‘career’ on these walls. It all seems so remote that I wouldn’t need to keep one eye over my shoulder, at least that is the theory.

DFC1848, L Dub, Bristol, July 2019
DFC1848, L Dub, Bristol, July 2019

I think I established in one of my previous posts that the letters DFC appear in the character, in the eye, the ear and the cheek. I think that the way forward for non-artists like myself is to work really hard on a particular thing and practice it and repeat it, before branching out and becoming overambitious. DFC1848 basically sticks to two characters (for the time being) and repeats them in different spots. All good.

2324. Dean Lane skate park (232)

This is the second post I have written about a piece by DFC1848. You may recall from the last one that the artist is better known to me as a street art hunter who takes great pictures of street art in Bristol, Cheltenham and further afield.

DFC1848, Dean Lane, Bristol, June 2019
DFC1848, Dean Lane, Bristol, June 2019

DFC1848 has started doing a bit of spraying himself, and in my eyes it is pretty good. This little character contains the letters DFC, although what these stand for I have no idea… I’ll have to ask him next time I see him. I went to this wall yesterday, and sadly (but rather predictably) it has been sprayed over, but it is possible to see remnants of the piece. I am full of admiration for his work and inspired to carry on practising so that I can take the leap and do a piece on a wall somewhere, sometime.

2310. St Werburghs tunnel (86)

I took this picture back in June, and when I last visited St Werburghs tunnel, This piece by Dusk was still there. The more I see of Dusk’s work, the more I am warming to it. I caught up with Oner recently, and we were talking about the pieces in the tunnel, and he told me that the name ‘DUSK’ comes from ‘Don’t Use Skinny Kaps’. A skinny cap is a cap that you use on a spray can that gives a slightly narrower arc of spray and so tighter lines. The more skilled at spray painting you are, the less need for skinny caps. For me, as a learner, skinny caps are essential.

Sunday graff 0002 9 June 2019

What is notable about this piece is that I don’t recall seeing Dusk including a character before – that doesn’t mean he hasn’t, it just means I haven’t seen one. The character is rather fun, and appears to be smoking a reefer, although what would I know?

 

 

2265. Dean Lane skate park (220)

This lovely collaboration by paint amigos Laic217 and Cort is one of those ones that kind of passed the world by. I haven’t seen it at all on social media, and it might be that it was painted over shortly after completion and maybe I just got lucky.

Laic217, Dean Lane, Bristol, May 2019
Laic217, Dean Lane, Bristol, May 2019

On the left of the collaboration is a caracter piece by Laic complete with bucket hat and gold chain, and then to the right a rather tidy piece by Cort in his characteristic letter shapes with some decent fills and decorations. All in all a nice collaboration. Not sure the dog was all that impressed though.

2257. Raleigh Road, Tobacco Factory (15)

It was a real pleasure to find myself in the company of so many great Bristol artists at the 25 year anniversary celebrations at the Tobacco Factory, and none more so than Pelmo, whose work I have admired for some time. It was nice to meet him for the first time and to find out a little bit about how he likes to work.

Pelmo, Tobacco Factory, Bristol, May 2019
Pelmo, Tobacco Factory, Bristol, May 2019

In creating this piece, featuring one of his outsized characters, he had decided to abandon his spray cans on environmental grounds and use paint and brushes, which was a first for him on a wall. Set in a skyscraper landscape, the large gentleman is posing with a ballet dancer, and there is an interesting and rather sad synergy between the two of them. I like the piece very much, but I wonder if the large amount of white space works on this scale.

Brilliant to meet Pelmo at last.