2764. Upfest 2018 (175)

One of the most stunning collaborations of Upfest 2018 was this magnificent piece by Nuno Viegas and Tymon De Laat on the side of the Coopers Arms, where the polar bear piece by Andrew Burns Colwill was painted the year before.

Nuno Viegas and Tymon De Laat, Upfest, Bristol, September 2018
Nuno Viegas and Tymon De Laat, Upfest, Bristol, September 2018

This piece was painted in two halves separated by a horizontal strip, a feature of the wall which was put to good use by the artists. The bottom half which features the gloved hand of the character tossing a spray can fat cap is by Nuno Viegas. The detail in the latex glove with paint on it is simply breathtaking.

Tymon De Laat, Upfest, Bristol, July 2018
Tymon De Laat, Upfest, Bristol, July 2018

The top half of the collaboration is by Tymon De Laat and presents us with one of his superb trademark portraits, where the face is divided up into different shaded areas in a symmetrical pattern almost as if the subject is wearing face paint. This is such a strong design idea and makes his work istantly recognisable.

Tymon De Laat, Upfest, Bristol, September 2018
Tymon De Laat, Upfest, Bristol, September 2018

This was truly one of the best pieces of the whole festival, and if you don’t believe me go down and take a look while you still have a chance and check out the detail.

2763. Upfest 2018 (174)

Dibz is a Bristol graffiti writer whose work is always first class and beautifully tight. It is unusual to see his writing outside the confines of Dean Lane skate park, but at Upfest 2018 he ventured a little further afield and sprayed the side of the mock railway carriage with one of his beguiling pieces.

Dibz, Upfest, Bristol, July 2018
Dibz, Upfest, Bristol, July 2018

Dibz tends to keep quite a low profile with his work, which is often unannounced, and hey presto he works his magic. This upfest piece, by his high standards, I would say is not his best work and I suspect it might have been somewhat comprimised by the changeable weather experienced during the festival. It is however a great piece.

2582. Upfest 2018 (173)

Emily Joy Rich is a Bristol-based graphic designer and lettering artist. For anyone interested in letters and typeface art, I strongly recommend a quick squiz at her Instagram feed @emilyjoyrich – you will be in for a treat.

Emily Joy Rich, Upfest, Bristol, July 2018
Emily Joy Rich, Upfest, Bristol, July 2018

This Upfest 2018 piece is a good example of her typeface skills and she has combined them with an uplifting design and some cloudy kind of things. All that was really needed to set this piece off perfectly was a nice sunny day, but these were in short supply during the 2018 festival.

2581. Upfest 2018 (172)

Another look back to Upfest 2018 with this magnificent mural by The London Police. I know little about The London Police and have only seen their work on social media, but is appears that they have been an outfit since 2002, and comprise two central artists with othhers joining and leaving the collective over time. Ther is more about them in their Biography on their website.

The London Police, Upfest, Bristol, July 2018
The London Police, Upfest, Bristol, July 2018

I take my hat off to them for tackling this wall, because in my view, this is one of the trickiest walls and most annoying to photograph at Upfest. The best shots are from the roof opposite or from a drone, and guess what, I don’t have one of those.

The London Police, Upfest, Bristol, July 2018
The London Police, Upfest, Bristol, July 2018

The design is reasonably simple and clean which makes it easy to look at and enjoy. It is consistent with their work over many years and I believe the character is called LADS who forms the central part of all of their work. A fine piece.

2580. Upfest 2018 (171)

Well I don’t know about you, but I am getting rather excited about the return of Upfest which will be running in Bristol from 29 to 31 May, although some of the premium walls will be painted during the week before the festival, to make sure they are completed when the main pulse of visitors come.

Sake One, Upfest, Bristol, July 2018
Sake One, Upfest, Bristol, July 2018

So (I hate anyone who begins sentences with so) just to whet your appetite I thought I’d take a little look back at Upfest 2018 and some pieces I haven’t yet got round to posting, starting with this beauty from Sake One. In the WIP photograph the artist was taking a break with his (I assume) family, which was lovely to see. Quite a lot of artists had their families and children buzzing around which made the whole thing feel a bit more inclusive.

Sake One, Upfest, Bristol, September 2018
Sake One, Upfest, Bristol, September 2018

I didn’t get to see the completed piece until some while after the festival, mainly because I think he finished it after I had left. Alas, this is another one of those spots that seems to have a car permanently parked in front of it, so you’ll just have to make do with these pictures. A fabulous piece from a fabulous artist.

2649. Greville Road (10)

Happy Christmas everyone. For those of you reading this at some point in the future, this post was published on Christmas Day 2019. Well what a sensational piece from Bil Giles for what I am guessing was an Upfest Summer Editions contribution that I photographed late and have posted very late.

Bill Giles, Greville Road, Bristol, July 2019
Bill Giles, Greville Road, Bristol, July 2019

The brilliantly colourful piece is typical of Bill Giles’s monster design style, and a little less grotesque than some of his past work. I just don’t know how this one slipped through the net, but for those of you suffering the wettest December ever, ever in the history of the Earth I bring you a ray of sunshine (albeit overcast sunshine) from July 2019.

2599. Upfest 2018 (170)

What an amazing portrait at Upfest 2018 by artist Michel Velt, which was one of two he painted over the course of the festival. His style is really interesting and it almost looks like a felt tip drawing rather than spray paint.

Michel Velt, Upfest, Bristol, July 2018
Michel Velt, Upfest, Bristol, July 2018

Looking at the piece I wonder if it was quite finished, because the orange decoration on the right hand side is missing a little bit of black edging. The whole event was so disrupted by the changeable weather that a number of pieces were abandoned or incompete. It doesn’t matter at all wih this, because it is so beautifully presented. A wonderful piece.

Michel Velt, Upfest, Bristol, July 2018
Michel Velt, Upfest, Bristol, July 2018