By now, regular readers will know that I am very fond of the work of Creamylines and will note that I am thrilled by the uptick in his activity this year. This particular piece, underneath the busy M32 motorway, is a little larger than most of his work to date.
Creamylines, M32 Spot, Bristol, October 2025
Unusually, this piece is dominated by reds and purples, where many of his other pieces tend to be yellows, greens and blues. The piece is crammed full of people, eyes and mountains, all set below a glorious red rising sun, with his customary silhouetted birds. A piece full of connection with nature and our surroundings.
Creamylines, M32 Spot, Bristol, October 2025
On a column a few meters away, I found this small piece by Creamylines, which although dogged with graffiti that reads “Do you remember who you are?” “Everything and nothing”, gives us a sense of a slightly more refined work from the artist, which might have been painted with a brush rather than spray paints. All good work from the busy artist.
Posh’s work has been something of a revelation this year. He manages to maintain a house-style which is like an elaborate sketch/scribble with both his graffiti writing and his character pieces. He also has a knack for inserting his characters large or small into places, seemingly just for the hell of it.
Posh, St Werburghs, Bristol, October 2025
This piece features a couple of Posh’s finest caricature characters, with bow ties, top hats, canes and monocles. They represent the epitome of poshness, which is exactly what he is setting out to do and does so well. There is so much life in the piece, and we can only imagine what hollow conversation is going on between the pair. Great work by Posh.
Doors 333 – Doors and views of Sti Fadma in the High Atlas Mountains, Marrakesh, Morocco, January 2025 (Part XIII)
We managed to escape from the busy bustle of Marrakesh on a day excursion south to the High Atlas mountains. Our driver, who was half Arab and half Berber, explained to us that we would be heading into the mountains which is mostly populated by Berbers, often called Imazighen (“free people”).
The drive only took a couple of hours, transporting us to a stunning high valley along the course of the Ourika River Valley. Here we stopped to take a hike up into the mountains to reach the lowest of several waterfalls cascading down into the valley below. The small town of Sti Fadma, with its restaurants lining the river banks, was the starting point for the walk and to which we returned for a well-earned lunch.
Because we were visiting Morocco during the low season, the mountains weren’t all that busy and there was no traffic on our journey. Our driver said that from March onwards, the temperatures in Marrakesh become unbearable, and people flood out of the city and head to the mountains, which are a bit of a honey-pot and attract enormous crowds of people seeking a cooler climate. I’m glad that we chose a quieter time, and for us Brits, anything over 24 degrees is considered warm/hot, so there were no complaints from us at all.
Not so many doors this week, but some lovely views of the mountains and Berber settlements. I hope you enjoy them.
Buildings on the south side of the River Ourika in Sti Fadma, High Atlas, Morocco, January 2025Outside door to a building on the south side of the River Ourika in Sti Fadma, High Atlas, Morocco, January 2025Outside door to a garden on the south side of the River Ourika in Sti Fadma, High Atlas, Morocco, January 2025Ourika waterfall, Sti Fadma, High Atlas, Morocco, January 2025Mountain views, Sti Fadma, High Atlas, Morocco, January 2025Small Berber settlement near Sti Fadma, High Atlas, Morocco, January 2025Mountain views, Sti Fadma, High Atlas, Morocco, January 2025Our guide’s blue door, Sti Fadma, High Atlas, Morocco, January 2025Sti Fadma, High Atlas, Morocco, January 2025Outdoor restaurants by the river, Sti Fadma, High Atlas, Morocco, January 2025River Ourika lined with restaurants, Sti Fadma, High Atlas, Morocco, January 2025
This is probably one of the least doorsy Thursday Doors posts that I have uploaded ever, but I hope you enjoyed it nonetheless. Next time, we visit a garden on our way back to Marrakesh from the mountains. Until then, have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post.
As you might expect, there was a great turnout from the great and good of the established graffiti writing/street community for Dibz’ 50th birthday celebration paint jam, including an appearance from the brilliant Soker.
Soker, Cumberland Basin, Bristol, October 2025
It took me a while to establish that this wonderful piece was indeed by Soker, as it is unsigned, and the letters, of course, spell Dibz. There are one or two small giveaways that it is Soker’s work; The high-quality finish, The black star in the ‘D’; the small accent rectangles at the top left and top right; and the green drips around the piece. I was thrown off the scent slightly by the white accent lines that create a sense of round letters, because that is not something I associate too much with Soker. Classy work.
Kool Hand, Horfield Skate Park, Bristol, October 2025
What a pleasure to find this tidy three-quarter profile of a trademark orangutan by Kool Hand at Horfield skate park. The piece was painted alongside a wonderful pair of cats by Daz Cat. A quick look at an updated gallery of his work gives an insight into his progress over the years.
Kool Hand, Horfield Skate Park, Bristol, October 2025
The green-faced character has particularly large teeth, and looks a little more ferocious than some of his renditions of the ape. Two things stand out for me in this piece; the confident solid fills and lines all neat and tidy, and the slight angle of the portrait, moving away from the straight on face, which is where it all started.
Neddy Ned Ned, Jest Soubriquet and Ryder, M32 Spot, Bristol, October 2025
Ahh, a wonderful triptych of writing either side of a central character by messrs Ryder, Jest Soubriquet (LWT) and Neddy Ned Ned, respectively, in one of my favourite Bristol spots.
Ryder, M32 Spot, Bristol, October 2025
The writing on the left is by the wonderful Ryder, who doesn’t paint as much as he used to, but still manages to take a break from family responsibilities once in a while. Classic, tidy writing from him.
Jest Soubriquet, M32 Spot, Bristol, October 2025
The portrait piece in the middle by Jest Soubriquet, who goes by the name Likeswantu, is a perfect foil for the two pieces of greyscale writing either side. The portrait may not be his best, but it works so well in this situation, and the eyes with drops are really effective.
Neddy Ned Ned, M32 Spot, Bristol, October 2025
To the right, the letters WISKA reflect the colours of Ryder’s writing. Neddy Ned Ned is one of those artists who doesn’t seem to paint all that often, but who has a strong presence on the city. The letters are well presented and the 3D drop shadow looking cool in purple and white. The whole triptych is painted on a swirling cosmic background with a touch of green. A fine collaboration.
Andy Council, Cumberland Basin, Bristol, October 2025
I haven’t seen too many pieces by Andy Council this year, so this birthday piece for Dibz, which doubled up as a Halloween piece, was very welcome indeed. Andy Council painted this alongside the fine geometric piece by Acer One that I posted yesterday.
Andy Council, Cumberland Basin, Bristol, October 2025
Andy Council’s style is to create his (usually) beasts by ‘stitching’ together component parts to make a coherent whole. Here he has created an awesome raven with some lovely colour touches in the red eye and iridescent greens on the feathers. A lovely piece to add to his menagerie.
Haha! I love this three character piece by Mr Crawls. A simple, and rather curious design of characters that conveys emotions and humour in equal measure. As you might expect, the threesome are painted onto a chrome background, one of the signatures of Mr Crawls and his painting pal Mote.
Mr Crawls, Dean Lane, Bristol, October 2025
The characters have plenty about them, even though they are composed mainly of eyes and shoulders. The middle one has a rather expressive mouth, and the shading in the eyes of the green ones gives the impression that they are looking inwards. I rather like these abstract beings that Mr Crawls has developed, and I think he likes them too.
Natural adventures 