7559. L Dub (82)

DJ Perks, L Dub, Bristol, March 2026
DJ Perks, L Dub, Bristol, March 2026

This is a beauty by DJ Perks that I photographed on a recent visit to the tunnel at L Dub. It has the tried and tested colour combination of light blue and pink that is favoured by so many graffiti writers (not to self – prepare a pink and blue special post).

DJ Perks, L Dub, Bristol, March 2026
DJ Perks, L Dub, Bristol, March 2026

Although this piece was painted in 2025, it still looks as fresh as a daisy, all very clean and neat. The letter forms in places remind me a little of Inkie’s work, although the edges and shapes here are a little softer. There is a simplicity of the fills and subtlety of the decorations that contributes to the integrity of the whole. Really nice work from DJ Perks.

 

7558. M32 roundabout J2 (16)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

Another fine stencil from the ever-expanding gallery of work by John D’oh under the M32. This little spot is a haven of wit, pathos, observation and political commentary captured within the artist’s simple and authentic style.

John D'oh, M32 roundabout J2, Bristol, March 2026

In this piece John D’oh highlights the pleasure and mental health benefits derived by artists from painting on the streets (a very real thing), while commenting on the futility of  Bristol City Council putting those serving community service to work on buffing the walls of popular graffiti spots. A great observation of his own craft and responses to it.

Telling a tale

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Huge spoiler alert

Romeo and Juliet

prologue tells it all

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by Scooj

Prologue - Romeo and Juliet by William Shakespeare
Prologue – Romeo and Juliet by William Shakespeare

7557. Greenbank (185)

Mage, Greenbank, Bristol, March 2026
Mage, Greenbank, Bristol, March 2026

Mage has been busy painting on the streets for a while now, and previously under a different name. He likes to throw up his letters pretty much everywhere, but his pieces are far from ‘throw ups’. Not one for backgrounds or buffing walls, it is important that his fills work hard to make his work distinctive and stand out from messy walls.

Mage, Greenbank, Bristol, March 2026
Mage, Greenbank, Bristol, March 2026

In this piece Mage’s fill is exquisite. It almost looks like his letters and gorgeous drop shadow have been painted over an existing grey piece of artwork. Clever stuff. In this instance Mage has added some black border decorations and some orange partial background. A very nice piece of graffiti writing.

7556. Dean Lane skate park (911)

Wes, Dean Lane, Bristol, March 2026
Wes, Dean Lane, Bristol, March 2026

It was so predictable that in the days after first meeting Wes up at Greenbank, I would start to see his work all over the place, and that is exactly what happened. I can’t believe I had this blind spot, but it happens from time to time. I will, however be seeking to make amends from this point in time, and include his pieces when I can.

Wes, Dean Lane, Bristol, March 2026
Wes, Dean Lane, Bristol, March 2026

You might think that having fewer letters makes things simple, but by design, the letters will be bigger, and so fills need to be more considered. While there is a lot of ‘white space’ in these letters from Wes, he has managed to add in enough decoration to keep things interesting. The letters with a tiny overlap appear to float over a greeny-blue base. Watch out for a lot more from Wes.

7555. Cumberland Basin

Kool Hand, Cumberland Basin, Bristol, March 2026
Kool Hand, Cumberland Basin, Bristol, March 2026

What a lovely tidy and fresh-looking piece this is from Kool Hand. I was lucky enough to catch up with the artist himself as he was painting this one, and, like nearly all the artists I meet on the streets, he is a really nice and engaging bloke… why wouldn’t he be?

Kool Hand, Cumberland Basin, Bristol, March 2026
Kool Hand, Cumberland Basin, Bristol, March 2026

I think it is the freshness of this piece that makes it so easy on the eye. Everything feels solid and strong, and even the white highlights that help the piece to pop, are bold and unambiguous. A piece like this works so very well on a buffed wall, and could look quite compromised if it had been painted directly over existing busy graffiti.

7554. L Dub (81)

Dun Sum, L Dub, Bristol, March 2026
Dun Sum, L Dub, Bristol, March 2026

My infrequent trips to L Dub are usually a real treat, because there is always something new to enjoy and even better, I can be pretty much guaranteed to find something by local graffiti artist Dun Sum. This wonderful, piece was new to me on my last visit a couple of weeks back.

Dun Sum, L Dub, Bristol, March 2026
Dun Sum, L Dub, Bristol, March 2026

Dun Sum’s fantasy animals are rooted in something familiar, but end up being otherworldly. This character appears to be a creative conflation of a snake and some kind of dragon lizard. I rather like the apparently random addition of a paddle, although there may be some story attached to that. As ever, superbly imaginative work from Dun Sum.

7553. St Marks Road

Tanith Gould, St Marks Road, Bristol, March 2026
Tanith Gould, St Marks Road, Bristol, March 2026

When it comes to commissions, there are probably two kinds of artist; those whose living is based on their artwork, and for whom commissions are factored into their income, and those who happen upon commissions that supplement their income, but whose primary income lies elsewhere. I think that Tanith Gould sits in the first category.

Tanith Gould, St Marks Road, Bristol, March 2026
Tanith Gould, St Marks Road, Bristol, March 2026

I lover her work, and this outstanding golden lion on the wall of The Journey Tibet to India restaurant in Easton is wonderful. Small businesses like this are enlightened when they commission such works, because they help stamp an identity and recognisable landmark for the establishment. Once they have paid for the original commission, it works hard for them every single day, giving them a solid return on the investment. I have not yet been to the restaurant, but having seen this beautifully painted lion, I am left curious and interested in going. Great work from Tanith Gould.

7552. M32 roundabout J3 (755)

Zed in the Clouds, M32 roundabout, Bristol, March 2026
Zed in the Clouds, M32 roundabout, Bristol, March 2026

It would seem that every time I feature a piece by Zed in the Clouds, I find myself repeating that he is somewhat underrepresented on the pages of Natural Adventures.

Zed in the Clouds, M32 roundabout, Bristol, March 2026
Zed in the Clouds, M32 roundabout, Bristol, March 2026

This one was perhaps just too ‘noisy’ I had to include it. The chrome combination piece with a character on the left, and the letters ZED, contrast perfectly with the orange and red ‘flame’ background, which looking at it might have been from a former occupant of this wall. I think that the Zed in the Clouds piece is bounded by the blue outline, and includes the hand on the right.

Spread thinly

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Creativity

diverted to learning lines

haiku neglected

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by Scooj