7513. M32 Spot (216)

Creamylines, M32 Spot, Bristol, February 2026
Creamylines, M32 Spot, Bristol, February 2026

There is no stopping Creamylines at the moment, he is without doubt the most productive street artist in Bristol at this time, and he has hit a purple patch at a time when many other artists are only just awakening from their winter slumbers.

Creamylines, M32 Spot, Bristol, February 2026
Creamylines, M32 Spot, Bristol, February 2026

This is an awesome example of Creamylines’ work, with a huge sun drawing the eye in. There is so much positivity in this piece, forever making connections between people and our environment. His style, variously describes as ‘patchwork quilt’ or ‘stained-glass window’ is quite unique and puts him in a category all of his own. There is so much to like about this, and searching out all the different hidden components is a fun experience. Keep it up!

7512. Dean Lane skate park (906)

Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026

I enjoy observing new artists who try to break out onto the scene, and after all, all graffiti/street artists have to start somewhere. As they progress, they will make mistakes, both in their art, and equally importantly regarding etiquette. Even I fall foul of this from time to time – there are codes and principles, even if there are ‘no rules’. On this occasion, Seed painted his large letters recently, over a beauty by Werm. Generally speaking you shouldn’t paint over something that you are not equal to or better than, and Seed isn’t yet at Werm’s level. The logical consequence is that you end up with only high-end pieces on all walls, and that is where taggers and bombers come in, freeing up walls to be painted again.

Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026

Seed is learning gradually, and improves from piece to piece, but his work is still rather crude. His letters here are large and square, and his 3D drop shadow missing on the bottom of them. He is experimenting with some plasma lines to break up the large swathes of pink. He has also included a little cartoon-style character, completing the combination piece. Keep practicing and perhaps stick to practice walls for the time being.

Seven ages of man

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All the world’s a stage

As You Like It, I like it

learned and memorised

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by Scooj

  • I made a late New Year’s resolution, which was to learn a Shakespeare speech, and yesterday I mastered the ‘All the world’s a stage‘ speech from As you like it as spoken by Jaques. It is not a play I know, but the speech is very well known.

Not only is this a fun thing to do, it helps with a bit of brain training too. Next up is to re-learn Shakespeare’s Sonnet 18, ‘Shall I compare thee to a summer’s day’, which I first learned at school.

7511. Sparke Evans Park (143)

Solar, Sparke Evans Park, Bristol, February 2026
Solar, Sparke Evans Park, Bristol, February 2026

Since first creeping onto my radar, Solar has gone from strength to strength, and is now turning out some high quality pieces that are most attractive to the eye. In this instance I will forgive the overwhelming amount of brown and concentrate on the style of the piece.

Solar, Sparke Evans Park, Bristol, February 2026
Solar, Sparke Evans Park, Bristol, February 2026

The letters are isolated from oner another thanks to a yellow drop shadow, and their shapes are rather unruly, although adhering to his overall style. Each letter has the appearance of a boulder with cracks running through, a fairly common device used in graffiti writing. The whole piece is finished off with some contrasting starbursts and a not to PLB (Placebo) and tribute shout-out to Paroe.

7510. Surbiton Station, London

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

This is the last of three pieces by Paul Don Smith, that I found at this spot just outside Surbiton Station. I am guessing that the artist favours this spot, perhaps because he is local, or maybe the wall panels favour his square presentation.

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

Each of his pieces have features popular culture icons, and this one celebrates the hit TV series from South Korea ‘Squid Game’. Paul Don Smith combines his stencils with general spray paint, that softens any hard edges, in a sort of collage presentation. Very nice work, and I’ll be looking out for his stuff the next time I go to any London street art hotspots.

7509. M32 roundabout J3 (749)

Karmone, M32 roundabout, Bristol, February 2026
Karmone, M32 roundabout, Bristol, February 2026

This is the fourth piece from a collaborative wall, that offers a masterclass in wildstyle graffiti writing. A group of artists, from Cardiff I think, joined Hemper and Turoe to create this magnificent ‘gallery’, heralding a fresh start to 2026. The stunner was painted by Karmone, who has appeared in Natural Adventures a couple of times before, but is far from a regular.

Karmone, M32 roundabout, Bristol, February 2026
Karmone, M32 roundabout, Bristol, February 2026

The letters spell MRAK, which is KARM backwards. Every part of this writing oozes class, confidence and expertise. The letter shapes are disguised enough to make reading slightly tricky. The wonderful complementary colours transition perfectly with some clever techniques and devices being used. There is a great drop shadow bounded at the bottom with a fine pulsing yellow line. Even the dark grey background has subtle patterns, raising it above the ordinary. A lovely piece from Karmone.

7508. Sparke Evans Park (142)

Totosoapcity, Sparke Evans Park, Bristol, February 2026
Totosoapcity, Sparke Evans Park, Bristol, February 2026

Some beautiful and distinctive letters from Totosoapcity, who prefers to be referred to as ARSA. When I have time, I will change all the images I have of his work to ARSA, but this takes a lot longer than one might think. Rather like Werm’s pieces there is a lot of convergence on a bilateral symmetry in ARSA’s pieces, which is cleverly presented.

Totosoapcity, Sparke Evans Park, Bristol, February 2026
Totosoapcity, Sparke Evans Park, Bristol, February 2026

The grey and cream letters with a rather nice red drop shadow seem to ‘hover’ above a mustard yellow background. This is not an ordinary background, but one that has a kind of pixelated appearance, breaking up any monotony. A nice fresh and vibrant piece from ARSA.

7507. M32 Cycle path (308)

Redeye, M32 Cycle path, Bristol, February 2026
Redeye, M32 Cycle path, Bristol, February 2026

Redeye is a graffiti writer who is very much underrepresented in Natural Adventures. I can’t quite put my finger on why that might be, but he has been so productive in recent weeks, I feel it is appropriate to share his work. Whenever you see a piece by Redeye, you can pretty much guarantee that there will be a Nips piece nearby, as they frequently paint together.

Redeye, M32 Cycle path, Bristol, February 2026
Redeye, M32 Cycle path, Bristol, February 2026

The letters here have been reduced to RDYE, a shortening of his name. The subtle pink fill is decorated with lines and swirls patterning the whole thing in pinks grey and white. A deep black 3D drop shadow provides depth and separation from the wall and a vibrant light green border rounds it all off. Some observers have confused these letters with RYDER, a long-established graffiti writer in Bristol, but while they share some letters, their styles are quite different. Expect more here from Redeye in coming weeks.

7506. Purdown (102)

Creamylines, Purdown, Bristol, February 2026
Creamylines, Purdown, Bristol, February 2026

Another day and another wonderful piece from Creamylines, an artist who has been knocking it out of the park recently. Unlike most artists in Bristol, Creamylines tends to paint solo, and maybe that’s just how he likes it. It would be interesting, one day, to see him collaborate with others, it could bring about some exciting outcomes.

Creamylines, Purdown, Bristol, February 2026
Creamylines, Purdown, Bristol, February 2026

The central element of this composition is a friendly snail carrying the landscape narrative on its back, and that landscape contains the smorgasbord of sun, birds, hills, ponds, faces, figures and abundant nature that we might expect. Charming and full of the good things in life, I am so much enjoying Creamylines’ purple patch.

7505. Brunel Way (350)

Turoe and Dibz, Brunel Way, Bristol, February 2026
Turoe and Dibz, Brunel Way, Bristol, February 2026

This is a rather nice combination collaboration from Turoe and Dibz, and I think that Fade was there too, but possibly in a filming capacity. The depths of a wet and rather horrible winter seem to be dimming, and many artists are waking from their slumbers.

Turoe, Brunel Way, Bristol, February 2026
Turoe, Brunel Way, Bristol, February 2026

It turns out that this hoarding, which is actually the side of a large skate ramp, is becoming a bit of a honey-pot for high-end pieces. Although I can’t be absolutely sure, I think Turoe painted the TWC (The Wild Criminals) letters breaking out from the grey ‘wall’. Some great colours and textures in the fill, the hole and the wall.

Dibz, Brunel Way, Bristol, February 2026
Dibz, Brunel Way, Bristol, February 2026

I think that the Yosemite Sam character is the work of Dibz, which is unfortunately behind a bit of temporary railing, which I should have moved really for the photograph, but it is a real bit of street furniture that gets in the way from time to time, and adds authenticity to the record. The character is superbly painted, and so true to the cartoon character. Warner Bros and Looney Tunes would be proud.