954. Jamaica Street (10)

This is the third piece from the PRSC outdoor gallery that featured Boogie and Voyder, and is by the organiser of the ‘Boogie Down Bristol’ event and all round godfather of bristol graffiti, Inkie.

Inkie, Jamaica Street, Bristol, July 2017
Inkie, Jamaica Street, Bristol, July 2017

This is a really wonderful piece from Inkie, and I think he was pulling out all the stops on this one to show Boogie what he was made of. The colour selections are great, and match those used by Boogie on the far left of the three. Voyder was clearly on his own agenda.

Boogie, Jamaica Street Bristol, July 2017
Boogie, Jamaica Street Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017
Inkie, Jamaica Street, Bristol, July 2017
Inkie, Jamaica Street, Bristol, July 2017

953. Bedminster

This is a fabulous Rowdy piece which is not only bright and vibrant but is also a tribute/protest piece for the survivors of the Grenfell Tower fire disaster. The crocodiles are festooned with flowers and there is a heart in the middle of the piece.

Rowdy, Bedminster, Bristol, July 2017
Rowdy, Bedminster, Bristol, July 2017

This piece demonstrates the reach of the tragedy in London, and I guess the whole wretched thing highlights a world we live in where profit and margins trump regulation and safety. Pitiful really. It is the same with environmental regulation – there are some that say it gets in the way of business and prosperity – try being prosperous when you have buggered up the environment, the place that provides our food, our water, our very life. Red tape is there for a reason, to keep us safe, and if it suppresses profit, then so be it. Right I’ll stop there before I go off on one.

Rowdy, Bedminster, Bristol, July 2017
Rowdy, Bedminster, Bristol, July 2017

I don’t generally get to see too much street work from Rowdy, so it is always nice when one crops up.

 

 

 

952. The Bearpit (83)

I think that NEVERGIVEUP is taking on the mantle of most prolific graffiti artist in Bristol at the moment. Hardly a day goes by without a new piece by him, and he is starting to branch out a little from his buck toothed bunnies, although there is some incorporation of them in this piece.

NEVERGIVEUP, The Bearpit, Bristol, July 2017
NEVERGIVEUP, The Bearpit, Bristol, July 2017

I’m not sure what is happening in this piece, a pyramid, an all seeing eye and I have no idea what the swirly things are. The piece as a whole has presence though and is really well executed. His work is getting better and more diverse with each outing.

NEVERGIVEUP, The Bearpit, Bristol, July 2017
NEVERGIVEUP, The Bearpit, Bristol, July 2017

Interestingly he would seem to be gaining respect in an area that gets very heavily tagged…this piece has survived intact for a couple of weeks.

951. New Stadium Road (3)

In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. ┬áThis is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.

950. Upfest 2017 (20)

This is a wonderful and photogenic piece by Karl Read, a stencil artist from the south coast who produced another lovely piece at Upfest 2016. A boy dressed as superman wearing converses and flying on a swing is a winning idea, and this piece has movement, tenderness and nostalgia combined in equal measure.

Karl Read, Upfest, Bristol, July 2017
Karl Read, Upfest, Bristol, July 2017

I don’t know how he put up with the tiny space he had to work in and the crowds stepping over his kit to get photographs of his work and the adjacent work of Lemak.

Karl Read, Upfest, Bristol, July 2017
Karl Read, Upfest, Bristol, July 2017

This was another really striking piece from the festival and has been shared a lot on Instagram over the last week or two. I really rather like it and feel that perhaps it deserved a permanent wall rather than a board, but then I could say that about pretty much everything at the festival. Note for next year…more permanent walls please.

Karl Read, Upfest, Bristol, July 2017
Karl Read, Upfest, Bristol, July 2017