Already Kool Hand has appeared in Natural Adventures twice in 2020. Perhaps he has had some time off, and what better way to fill time than with a bit of spray art? This was the left hand side of a collaborative paint with Daz Cat (already posted), but merits an entry of its own.
The piece brings together the two elements we often see from Kool Hand, some writing and a character. It is less often that we see both together. The cartoon style character is nicely drafted and simply filled. I’m not too sure what the Adidas bag is, but I think it might be a weed pouch that every young man in Bristol seems to carry over their shoulder these days.
Context is very important to our comprehension of the world around us. I passed this piece last week on a walk I rarely take and I knew I recognised the artist, but my brain just couldn’t compute who it was, because I’m not used to seeing his work outside of the places I would normally come across it. It wasn’t until the return leg of the walk that the penny dropped.
This is of course a fabulous chrome piece by Slakarts that judging from its condition is fairly recent. Although I have been taking pictures of art by Slakarts for a long time, it is only recently that I have started posting them, due to finding out who he was only a few months ago. Ever since, he seems to have been churning out these faces with alarming regularity, which is all rather good really.
Those glasses are spectacleular (see what I did there?) and I imagine look striking from the opposite bank of the river.
It doesn’t seem to matter how thorough I am with clearing away the Christmas decorations and stuff, one item always seems to evade going into the loft. This year it was the cloth that we put out under the tree (in the washing basket). Does this happen to anyone else?
I took a riverside walk with the dog last week and found this recent and absolutely brilliant Nevergiveup (@followmyrabbits) piece. The weird thing about this was that as I was walking along the pathway I saw two men talking and I was sure I recognised one of them. I carried on anyway for about ten minutes before turning back along the path to get back to the car. I passed the two gentlemen again and the penny dropped. I had indeed recognised one of them… it was only Nevergiveup himself.
We had a little chat, and I asked if he had just painted this rabbit pair – he said he had not done it that day, but a weeek or two before. It was looking so fresh still.
I am however a little confused… Since the artist left Bristol for Bath, he seems to still be painting in the city with alarming regularity. I told him I can’t keep up with him and he said he can’t keep up with himself. At least I have a whole ton of rabbits in storage to share with you if things quieten down… as if.
This is just the kind of collaboration that I absolutely love, and that one of the artists is Kid Crayon makes it a whole lot better. The other artist, I am Ian (Ian Moore) is new to me, and I understand from his Instagram account hasn’t painted a wall for five or six years.
The tunnel in St Werburghs has been a very busy venue for artists this autumn/winter, I suspect because we have had so much wet weather for such a long time.
On the left of the collaboration is a snoozing king by Kid Crayon, complete with orb and sceptre, and large bags of money.
While the king snoozes, a naughty goblin-like wannabe king is making off with some stolen cash and the crown, leaving behind a mischievous fart cloud in his wake. I rather like this character and if this is anything to go by, I can’t wait for I Am Ian to hit a few more walls this year. The whole thing is a witty story beautifully portrayed, and everything I look for in a piece of street art. I salute you KC and IM. Turn the letters around and you have a new crew name MICK!
Wow, I love it when Sled One just pitches up unannounced and then modestly produces his magic like he did in this most recent example in St Werburghs tunnel. The piece features an octopus (what is it about street art and octopi?) sporting a bucket hat and fondly embracing an umbrella, possibly a little too fondly.
There is a lot of perspective and movement in the piece, something that Sled One does so well, and he is a master at creating textures and depth with the use of shading. This is yet another crazy (in a good way) piece from the artist, and made all the more remarkable by the fact that he had a fractures wrist and ankle at the time of painting this a week or so ago. Just brilliant.