I am so pleased to be able to post this piece by 210. Pleased because I have many of his pieces in my archive, but until recently didn’t know his name. Now I have to go back and dig some of his other works out, because to my eye this is fantastic. The artist can often be found painting alongside, ARSA, RBN One and Mesk. I don’t know much more about him yet, but will try to find out.
210, Peel Street Green, Bristol, July 2026
The bilaterally symmetrical piece is so easy on the eye. Although the pattern is quite complex, there is a softness and clarity to it that steers clear of being ‘too clever for its own good’ which some technical pieces can be at risk of falling into. The colour selection works exceptionally well, even if they aren’t my favourites. A really classy piece by 210. Watch this space as I attempt to unlock some more from my archives.
As mentioned in my previous post, I have recently discovered a treasure chest of hoardings in the Fishponds area of Bristol, and can’t quite believe that it has taken me so long to find them. I have also managed to track down countless Subtle pieces that I have been aware of, because they are here too. This feels like an enormous weight lifted from my shoulders, as it has been bugging me that I couldn’t find them.
Subtle, Enfield Road, Bristol, July 2026
This is a wonderful combination piece by Subtle, with his characteristic letters intertwined with characters and scenes from Disney’s ‘Sword in the Stone’ film. The background woodland scenery is truly brilliant and is such an amazing backdrop to his letters. Several more pieces by the artist to come from this honeypot spot.
Recently, I became aware, through Instagram chats, of a spot with very long hoardings that I have been blissfully unaware of, even though I have seen pieces posted from it, I simply didn’t know where it was, but now I do. The discovery has given me dozens of new pieces to share, most about a year old and many tributes to Ticks/Tickz.
3Dom, Goodneston Road, Bristol, July 2026
This is another in the ‘street elf’ series of pieces by 3Dom, in which he has created a bilaterally symmetrical character. The formulaic approach is quite different from his more familiar free-form and wildly creative dreamy pieces, and restricts him to painting within certain constraints. I like this series, because it presents a sense of mystery (no signature) and another string to 3Dom’s substantial bow.
We have had such glorious weather for a long time in Bristol, which is great (when it isn’t too hot) but makes life rather difficult for photographing graffiti and street art. Bright overcast days are much better, but when the sun is out, shadows are cast, which messes up camera settings, and can make a piece look quite different, especially if the wall is textured. I haven’t yet walked past this lovely piece by Conrico without shadows cast over it. Hey ho, can’t have it all.
Conrico, River Avon, Bristol, July 2026
Conrico has upped his game this year and has been turning out so many outstanding pieces in his unique style. This is a delightful portrait of a young woman wearing a red zip up jacket and with large hoop earrings. The soft cartoon style lends itself to layers of shading and texture which Conrico achieves with multiple spray can ‘strokes’ as if the can were a paint brush. Like so many of his recent pieces, there seems to be so much more going on than just a portrait.
Xab Xab, Dean Street, Upfest 2026, Bristol May 2026
This greyscale piece by Xab Xab, an artist from Urrugne in the Basque Region of France, is in two halves. The portraits or studies feature parts of a face each of which displays a level of anguish.
Xab Xab, Dean Street, Upfest 2026, Bristol May 2026
On the left side of this piece is a portrait of the lower portion of a face. Hands are clasping the cheeks and the face portrays pain or worry, with the open mouth being highly expressive. Whatever is going on here, it doesn’t appear to be too good.
Xab Xab, Dean Street, Upfest 2026, Bristol May 2026
To the right, a pair of eyes, which may or may not be related to the portrait on thee left, look out from the wall with one welling up with a teardrop. Again all does not appear to be well with our subject. Taken as a whole, this is a powerful demonstration of human emotions which can be read even by only seeing parts of a face and not a whole. Lovely work from Xab Xab.
Doors 363 – Doors of Charlestown, Cornwall – October 2025
Some of you may know that this beautiful little harbour village featured regularly in the 2015-2019 series of Poldark, but that is only a modern chapter in the history of Charlestown. An AI assembled potted history is as follows:
Charlestown, on the south coast of Cornwall, was developed in the late 18th century by local landowner and entrepreneur Charles Rashleigh, who transformed the small fishing village of West Polmear into a thriving port to export copper and china clay from Cornwall’s booming mining industry. Named after Rashleigh himself, the harbour was completed in the 1790s and quickly became an important centre for maritime trade, with tall sailing ships carrying cargo across Europe and beyond. Although commercial shipping declined during the 20th century, Charlestown’s remarkably well-preserved Georgian harbour and historic waterfront have survived largely unchanged. Today, the village is a popular visitor destination, celebrated for its maritime heritage, traditional tall ships, and appearances as a filming location in numerous television dramas and films.
I visited the village in October last year, for the first time, while on a fishing trip with my great friend Andy. Coincidentally, I visited again this May with work, and it was a real pleasure to soak in its unique and gentle atmosphere. Here are some doors from my original visit:
Charlestown Chapel entrance, Charlestown Road, Charlestown, Cornwall, October 2026Door on harbour building, Charlestown, Cornwall, October 2026Charlestown harbour, Charlestown, Cornwall, October 2026Quayside cottages and doors, Charlestown, Cornwall, October 2026China clay chute, Charlestown, Cornwall, October 2026Quayside door, Charlestown, Cornwall, October 2026Note on quayside door, Charlestown, Cornwall, October 2026Dovecote with countless doors, Charlestown, Cornwall, October 2026Quayside stable door, Charlestown, Cornwall, October 2026Quayside doors, Charlestown, Cornwall, October 2026Quayside doors and doves, Charlestown, Cornwall, October 2026Dove entrances on quayside door, Charlestown, Cornwall, October 2026This looks like a shed panel with a door has been placed over an entrance in the quayside building, Charlestown, Cornwall, October 2026
Charlestown, although reputed to be busy during the tourist season, is a sleepy, calm place with a rich legacy in Cornwall’s mining heritage. Well worth a visit (out of season). More from Cornwall next time.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post and his Sunday recap.
This is an extraordinary dreamlike piece that is utterly captivating and perfectly encapsulates the spirit of Upfest. The piece is on a wall that is new to Upfest this year, at the back of Aldi, to be precise. Each segment of the wall offers artists a large canvass, and it has been one of the real highlights of this year’s festival. This piece by Vane MG is simply stunning.
Vane MG, Upfest 2026, Bristol, May 2026
Vane MG, a Colombian artist and designer based in London has created this figurative work in pinks, reds and blues that really catch the eye. A girl, wearing a helmet of some kind with a visor that distorts her face, is set against a blue sky and flowers and petals, that blend in with the subject. I’m not sure what Vane MG has in mind with the decorations on the helmet, but she has created two beautiful hearts and some encrusted gems. I think that thinking too hard about what it all means would be a mistake, and to enjoy it for its sumptuous colours and design would be my advice. A superb Upfest piece.
Minto, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
Another Bristol artist to grace the Upfest stage this year is Minto, who somehow managed to get away with painting two pieces rather close together. Sometimes artists pull out at the last minute, and opportunists make the most of the blank space.
Minto, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
This first simple white on black piece shows what is possible, using only one colour with some great outlines and a bit of shading. I can’t imagine that it would have taken Minto more than a few minute to create this cartoon doodle, and it is very much an extra piece thrown into the mix.
Minto, Upfest 2026, Greenway Bush Lane, Bristol, May 2026
His other piece only a few yards away is also a bit of a quick one, but more along the lines of what we see frequently in Bristol. The letters spell Minto, and the pig character has been nicely incorporated alongside them. If I am honest, I don’t think Minto put too much effort into these pieces, and probably turned up more for the crack than the artistry, because he has been smashing it with much more sophisticated and well-finished pieces than this recently.
Shade One and Rusk, Upfest 2026, Stillhouse Lane, Bristol, May 2026
Upfest 2026 was arguably the best so far in terms of the number of artists attending and breadth of talent from Bristol, the UK and from overseas. It really was a feast for the eyes, and it was gratifying too for local artists to be able to show off their work to a ‘home’ audience. Two Bristol-based artists, Shade One and Rusk collaborated under the name Stone Crowz, which they have done previously at street art festivals, to create this stunning piece.
Shade One, Upfest 2026, Stillhouse Lane, Bristol, May 2026
To the left, Shade One painted one of his glorious portrait pieces that have a crossover between comic-book and photorealistic styles. So beautiful to look at. Shade One is an artist who likes to take his time with his work, and This piece took him a couple of days at least to complete. He also painted a smaller portrait as part of the central section of the collaboration.
Shade One and Rusk, Upfest 2026, Stillhouse Lane, Bristol, May 2026
The central panel is full of Japanese iconography. Lanterns, a Japanese flag and warrior character are all presented in the most incredible detail. I just don’t k now how they managed to paint the dragons on the lanterns – fine work indeed. I think that the bold writing is likely by Rusk, who is a highly accomplished graffiti writer and has done a superb job with these blocky metallic letters.
Rusk, Upfest 2026, Stillhouse Lane, Bristol, May 2026
The Godzilla-type character stepping through a ‘Hokusai’ sea is by Rusk and shows off his skills as a character artist as well as a writer. I love the bamboo frame to the monster piece. Overall the elements of the collaboration come together in a very pleasing way. Brilliant work from the Bristol duo.
Natural adventures 