I haven’t seen too many pieces by Posh in 2026, but this one in the tunnel, painted as part of a birthday paint jam for Donz, is an absolute belter. Posh at his best in my opinion.
Posh, St Werburghs, Bristol, June 2026
Im not sure what the delicate yellow patterned letters spell, but they are quite beguiling. The interstitial space is filled with a lovely blue and he has painted a thin 3D drop shadow to provide depth. The doodle clouds finish the piece expertly. All the elements of this piece are well balanced in design, colour and tone. A sensational piece of graffiti writing.
Another interesting piece from Mind 49 in his series of hooded portraits in which get only a small window into the subject’s face and are left to imagine the missing features. The ‘hood’ is decorated with naive artwork and contrasts with the fine detail of the eyes.
Mind 49, L Dub, Bristol, June 2026
Mind 49 is teasing the viewer, but I suspect that there is more going on in his own psyche. For some years now he has been painting portraits from which features are missing. Nothing is distorted or ugly, simply hidden from view. A complete portrait from Mind 49 is a rare thing indeed. This is my favourite of his pieces in this deception series.
Esme Lower’s stock is sky high at the moment, having been Upfest’s featured artist this year, with her artwork adorning all the marketing materials, posters, maps etc. She has simply had the best breakthrough year and now sits at the top table of street artists in Bristol, which is high status indeed.
Esme Lower, Quakers Art Lane, Bristol, June 2026
This stunning mural was painted by Esme Lower as part of a Pre-Upfest commission organised by Upfest to promote the Festival, and to stamp Bristol’s identity an a street art city in this shopping area between Cabot’s Circus and Broadmead. The largely symmetrical mural sits above one of the many Costa Cafés, and adds a vibrant and joyful atmosphere to this otherwise dull alley. Her colourful cartoon style shines through and tells a story of people and flowers. I love the two guys sitting at the table, setting the context of the piece off perfectly. Upwards and onwards for Esme Lower.
This is an amazing cartoon portrait piece that not only shows off Sled One’s technical skills, but also reveals his extraordinary imagination and creativity. The piece is set on a pink background and the grass in front of the wall is still green, which dates this piece to before July.
Sled One, Cumberland Basin, Bristol, June 2026
The blue-faced man in a green jacket with beautiful folds, is having a lightbulb moment. But this lightbulb moment is more literal than usual, with his scalp tilted upwards revealing a characterful lightbulb where his brain should be. There is so much detail in the piece, and those sunglasses simply have to be admired. Surreal creativity at its best.
I don’t get to see Ryder’s work nearly as much as I’d like to, but I guess he is somewhat occupied with work and family, and that can impact on how often you can get out. Anyone who has kids and/or been in employment, or indeed has had other commitments has been there – it can be difficult at times to pursue your interests with the same regularity and vigour as in less complicated times.
Ryder, M32 roundabout, Bristol, July 2026
This is a lovely alien combination piece by Ryder with some superb letters spelling his name, a Simpsons alien character to the left, being fired upon by Bart Simpson to the right of the letters, and the laser pulse running through them. The alien is blurting out “take me to your dealer” a great pun on dealer/leader. A fun piece from Ryder, looking forward to the next.
You might be fooled into thinking that this piece is by an artist writing ESAR, but the artist is playing with his letters and with us, as it is, of course, by Asre. Many graffiti writers like to do this, a little bit of mischief and deception is part and parcel of the scene, probably derived from an inherent legacy desire not to be identified.
Asre, Dean Lane, Bristol, July 2026
The nicely designed letters set on a yellow bubble cloud and lifted with a red drop shadow, have a solid fill without any decoration or variation. The blue is simply left with a very flat and clean appearance. This is a great example of a piece of writing that is straightforward and authentic, not in need of over design or pretension. WYSIWYG.
Today’s doors are the remaining doors photographed during my annual sea fishing trip with my great friend Andy last October. They were taken from a few different places, but reflect the style and nature of typically Cornish doors – so different from Shrewsbury doors, for example. Enjoy:
Tunnel entrance, Charlestown, Cornwall, October 2026
Porched blue door, Charlestown, Cornwall, October 2026
White door with rickety awning, Charlestown, Cornwall, October 2026
White door with rickety awning and statue bay above, Charlestown, Cornwall, October 2026
Classic blue short and wide Cornish Cottage door with lintel, Charlestown, Cornwall, October 2026
Archway and four panel glass and iron door, Quay Street, Lostwithiel, Cornwall, October 2026
Blue door with portico, Quay Street, Lostwithiel, Cornwall, October 2026
Large archway gate, Quay Street, Lostwithiel, Cornwall, October 2026
White door and pink woodwork at The Little Ice Cream Shop, The Parade, Lostwithiel, Cornwall, October 2026
The Old Post Office door, Gorran Churchtown, Cornwall, October 2026
That’s it from Cornwall for a while (I might get some more doors this Ocober). I’ll be digging out something a little different from my door folders next time. In the meantime may I wish you a great weekend and some rain if you live in England/France/Spain.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post and his Sunday recap.
If one was to describe a typical piece of artwork by Cheo, this character work on the long hoarding in Fishponds would probably tick all the boxes… the archetype if you like. The character, a man wearing a cap and ski mask on his head and large gold chain round his neck is posing with two spray cans, one in each hand.
Cheo, Goodneston Road, Bristol, July 2026
Cheo’s cartoon style is most endearing, especially when it includes the ever-present signature bee, in this instance lurking on the peak of the character’s cap. There is a nonchalant confidence in Cheo’s work, which is always presented to perfection. Solid fills are solid, folds in clothes well-thought-out, exaggerated features on his characters amusing and the composition, usually telling a story beautifully considered. Here is Cheo in a nutshell.
Natural adventures 