.
The sun’s golden rays
brush my old clothes warming them
snoozing without cares
.
by Scooj
.
The sun’s golden rays
brush my old clothes warming them
snoozing without cares
.
by Scooj

I would describe Cort’s graffiti writing as unconventional, both in its conceptual design and also in its unusual selection of colours. These are, in my view, good attributes and what contributes to his ‘quirky’ work standing out.

This piece, spelling KORT, is so off the wall that it is quite difficult to critique, other than to say I really like it. One of the unusual features in this particular piece is the cut away squares in the letters, that provide that very distinctive look so peculiar to Cort. It is good to see more of his work appearing at the moment, as a great balance to the volume of conventional graffiti art we are so lucky to see in Bristol.

I do love the spot up at Purdown; it serves the dual purpose being a fabulous place to walk the dog, and there can often be some surprising new street art additions on the concrete slabs at the former WWII gun emplacement. This beauty by Conrico was quite fresh, the last time I went there.

I am very much enjoying Conrico’s portrait pieces, and he is in a deep purple patch of form. This bright portrait piece shows off Conrico’s style at its best. He uses his spray can more like a brush, with short bursts used to apply layers of paint, rather than long solid fills. He is, I think, the best at this technique in Bristol, and his works look like they could easily have been painted in a studio. I love the green jacket and all the folds and shades in it. This is a masterful piece, and I like the young couple sitting above it enjoying the view over the city.

Recently I posted the first piece by Fasho on Natural Adventures, and I said that I’d dig out some of his pieces from my archive, and here I am staying true to my word. I haven’t met Fasho, but I think he? belongs to a group of graffiti artists who like to stay under the radar a little, so I will respect that until such time as I meet him.

I have many more photographs of his pieces in my archives, because I like the unconventional structure of his letters, and I will endeavour to dig more of them out. The letters spell FASHO, and have this curious rounded knobbly look to them, I guess a device to stand out from the crowd, which seems to work. The letters are filled with vertical purple and red stripes of varying width, and contained within a yellow, white and black triple border. Nice work.

In this post, I take another quick jump back in time, to November last year, to share this script piece from Stivs. It has been quite noticeable that Stivs has changed the ratios of his pieces over the last year or so. He used to split his character pieces and calligraffiti roughly 50/50, but these days he has shortened his writing, often to the initials DSC, and is painting fewer character pieces. I guess, other factors have impacted on how much he paints at the moment.

The three letters, DSC, stand for ‘Dog Sh*t Club’ which is probably why the letters are preferred. Stivs has worked the letters really nicely in a Gothic style, and the bronze colour really stands out. The harsh letters are somewhat softened by the surrounding yellow cloud with what looks like red and orange sperm cells wiggling their way into the letters. A curious piece, but one I wanted to share from the archive.
A gallery of bright and colourful graffiti writing from Bristol artist Donz.
Instagram: @mrcrisp_donz
All photographs by Scooj













It has been a very lean start to the year in terms of new street art pieces, which I attribute to the appalling weather that we have had so far this year. It isn’t only difficult to spray paint in the rain, it is also rather unpleasant. The tunnel has provided some refuge from the weather, and this is a nice recent piece by Hire which was painted alongside Sait Bare.

These days, it is more common to see the letters ODIAH than it is to see HIRE from the artist – perhaps it offers him more scope to play with form and colour. In years gone by, Hire used to create much more jagged and spiky pieces, and this feels like a softened version, showing his transition over time. I love the colours and love his work.

Slakarts doesn’t paint on the street much these days, but the last two pieces I have found by him have both been up on Purdown on the square concrete slabs of the old WWII gun emplacement. I guess it is a place he feels comfortable painting, a little less exposed than the streets.

This is a lovely abstract piece containing his usual character, which has been absorbed a little into its surroundings, and there is some ambiguity to his features. Slakarts has used some great colours in this fun and uplifting piece.
Doors 344 – Doors from the City of York, (Part V), June 2024
I have only limited time to write this post as I was in London yesterday and have a busy day ahead today. York is a wonderful city, and popular with tourists too, and you can see why. It is full of winding, narrow streets and architecture from many periods. The Minster (featured last week) is the most famous building in the city, and it is complemented by so many interesting and beautiful houses and structures. This week’s doors are from the area near the Minster, I hope you like them.








I have a few more doors to share from York, before moving on to somewhere else – I am slowly working through my archives of doors, without adding to them at the moment, but I think I’ll have plenty of trips this spring and summer to top up my reserves. Until next time, have a great weekend etc.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post and his Sunday recap.


Daz Cat has painted another one of his tall ‘sentinel’ pieces guarding the entrance to St Werburghs tunnel. In this case, it is a rather lovely dog holding a toolbox that seems to be full of plants and spray cans.

The contents of the dog’s box might be a commentary on the people often seen in and around the tunnel, including, obviously graffiti and street artists and allotmenteers who have a selection of plots nearby. I may have missed the mark, but that is what this fine piece says to me. Great work from Daz Cat (dog).