It is interesting how much a wall can change in a short space of time. In the last month, this wall has changed at least four times. This incarnation was a practice run by Jee See, whose Instagram handle is Goshiku Chavu (G C…get it?) which means ‘thank you’ in Japanese…I think) for a piece that he created here a day or two later (and which I have missed I think).
In this piece he has painted probably the lagrest ‘Seismic’ I have seen from him. Now, I’m not too sure what the Top Cat thing is all about, but I love him to bits. I don’t think that Jee See created him, it just isn’t his style, and it isn’t clear which was here first.
I don’t even know who the TC is by, there is no signature and there are several artists in Bristol capable of creating cartoon characters of this quality. The whole thing is rather nice, a little bit weird and now utterly gone.
Not too long after Kid Crayon painted his 420 piece (which included a tribute for my dad ‘RIP Gledders’) this collaboration between NEVERGIVEUP and Ugar went up across the bottom half of the wall.
I think this might be the first time this pairing have worked together, although I know Kid Crayon and Ugar have worked together before. Well this is a rather attractive collaboration with some writing from Ugar bookended by NEVERGIVEP’s rather cute bunnies.
The writing from Ugar (which spells out UGAR) is typically ornate and the fill he has used is in a style that immediately identifies the artist. Not many other artists in Bristol use the same kind of patterns, he really has a unique style.Of course the bunnies are fun and nicely done, balancing the piece nicely. I don’t think I will ever tire of NEVERGIVEUP’s rabbits.
Another intriguing wheatpaste from the fantastic Object…, in one of the tunnels of The Bearpit. In this piece, Object… has written a lengthy statement which is wrapped around what looks like a sumo wrestler with a pi symbol tattooed on his chest.
Now I haven’t been able to read the text…that might take a bit of time…and so I’m not too sure what the piece is about, but knowing the artist, I expect politics is involved somewhere along the line. I actually am rather fond of this piece, and am really enjoying Object…’s current penchant for paste ups.
Just when I begin to think that I havebn’t seen anything from Laic217 for ages, up pops a new piece in one of his favourite spots. All the usual motifs we are accustomed to seeing in this artist’s work are here: the bucket hat and smiley; the gold chain with 217 and skeleton dressed in a tracksuit top. All very Laic.
This piece is interesting in its use of bright colours on the black background, it gives the whole thing a strong and fresh look. The smile on the hat has an interesting shadow, which would suggest a light source quite close and to the right of the piece because of the way it lands on the hat. (I think I know what I am trying to say here).
Finally, you just have to admite the gold rings on each hand spelling out LA – IC, awesome stuff from a firm favourite.
This week, following on from a recent post in my graffiti/street art category, I decided to dig out some pictures of doors in Moon Street, one of my favourite haunts. All of the doors have been painted on, some of them several times over.
Moon Street is a short road that runs parallel with Stokes Croft and has mixed building use from a company car park, derelict church building, light industrial units through to a couple of night clubs a pub and a derelict plot.
This rather neglected area is perfect for street artists to display their talents, and doors lend themselves to being sprayed, it might be something to do with the framing and proportions.