This is a joyous celebration of Pirate Wall Art (PWA) by Soap, Face 1st and Nightwayss alongside the slip road off the M32 J2 roundabout. In this piece the three friends have combined to fill the space with icons and tags that they use in their work. It is almost like a giant doodle, and a concept these three are having some fun with at the moment.
There are so many little bits to this collaboration, and it is one of those true collaborations where all the artists have combined to make the whole. The faces are by Face 1st, the mouthy skulls are by Soap and the monkeys by Nightwayss. The only mystery is the blue-faced character with the crown, top left, which I think is by Soap.
What an absolutely fabulous classic from Face 1st. It is pieces like this that first led me to appreciate the work of this rather underrated graffiti artist. Face 1st has been relentless in his pursuit of bringing smiles to people’s faces, and with this blue face girl he succeeds perfectly.
The colours used are really attractive and easy on the eye, and the typical smiling girl with the letters FACE for hair is pure Face 1st at his very best. I love this piece to bits.
This extraordinary piece from Nightwayss is really pushing boundaries for the artist and is notable for its absence of monkeys. I believe that the piece might be based on a self portrait, and there seems to be some agonising soul-searching going on here.
The piece was painted as part of Eman’s birthday paint jam, so I had a chance to catch up with Nightwayss. Unfortunately his effervescence slightly freaked out my long-suffering dog, who is dragged around Bristol’s graffiti spots, and who decided to bark a lot every time Nightwayss tried to stroke him, rendering conversation a little tricky.
There is no doubt that Nightwayss is a very skilled artist, and he has pulled off this concept very well, with the face and skull beautifully finished. An unusual and compelling piece.
What we have here is a fabulous panoramic, segmented take-over by PWA artists Face 1st, Soap and Nightwayss up at Purdown Battery. I’m not sure that I have seen a themed section of walls up here before and the overall impact is stunning.
The first panel is by Face 1st and contains a boy and a girl holding gems. This is remarkable in one major aspect, I don’t think I have ever seen Face 1st paint a smiling boy before – it is a rare thing indeed.
The middle panel, set back, is rather more traditional fare from Soap, who is really going large on his gems at the moment. I really do need to fins out what they are all about, because their inclusion in his pieces is becoming almost obsessive.
The triptych is rounded off nicely with a ferocious piece from Nightwayss, in which a nightmarish monkey (what else?) is using a spray can. Some of his pieces are turning a little passive/aggressive at the moment and becoming a little more edgy – I am not complaining mind, graffiti art is edgy by definition.
All in all a wonderful theatrical collaboration from the PWA boys.
It would seem that since joining PWA, Nightwayss has been painting more frequently and seems to be enjoying his collaborations. This wonderful piece is in the middle of a Face 1st, Nightwayss and Soap triptych, and incorporates the recently devised PWA wobbly line border.
Nightwayss’ pieces are well known for featuring monkeys and apes and in this piece he doesn’t disappoint. A ghoulish giant ape is consuming a train (I think), and behind is a fabulously written ‘NIGHT’. With all the dots in the background, there is a feel of comic book print about the piece, and the theme adds to that feel. A great piece.
The Pirate Wall Art (PWA) boys have been very busy this year both as individuals and as collaborators. They have also introduced a bit on a new look theme to their more recent work, which is well demonstrated in this nice piece from Soap.
The new theme is to frame the piece in a wobbly border, and it is something that Soap, Nightwayss and Face 1st are incorporating into their work. It is a PWA thing. This is a rather nice self-contained piece with Soap’s mouth/skull icon, this time attached to a body, and a hand bearing a large gem. Next time I see Soap, I must ask him what the gem thing is all about – he has been featuring them in his work for about six months now. Great fun piece.
This was a rather nice little quick collaboration from Face 1st, Soap and Zake that rather predictably didn’t last very long. Turbo Island is a funny spot. Sometimes a piece can last for weeks there, but more often anything that is painted gets tagged within 24 hours and then it is up to someone else to pick up the batton.
Of course, we know that PWA boys Face 1st and Soap are regular painting buddies, but it is great to see Zake join them in this collaboration. Face 1st and Soap have merged their pieces in red with their trademark face and mouth/skull respectively. To the right, the Zake face reminds me very much of a ‘man in the moon’ type character, and has so much expression, looking over at the other two.
I am thoroughly enjoying this relatively recent design format from Face 1st, and I think that this is roughly the fifth or sixth piece that I have seen in this style. One of the pleasures of taking an interest in street art is watching how each of the artists evolve their styles and subjects… what they practice and what they choose to discard. Few things on the street/graffiti art scene remain static.
This piece appeared a couple of weeks back, quietly and quickly and unusually not as part of a collaboration with PWA friends. The block letters spelling FACE are filled with the dynamic (crazy) blue hair belonging to the smiling girl, whose omnipresence is at the heart of all of Face 1st’s work. I like the darker tones of the piece, which seem to work really well. Another beauty.
This large collaboration goes back a few weeks, and I have already posted the fourth element, the Daz Cat character, a little while ago. The remaining triptych is by Face 1st, Sage and Soap, and is really rather special.
To the left is the familiar work of Face 1st painted in a dazzling chrome. The letters FACE contain a feature used by Face 1st before, the introduction of a couple of swords. Quite what these swords symbolise I can’t say, but they appear to be driven into the smiling girl’s head, which is a little unsettling to say the least.
The middle section is, in my view, outstanding. The character by Sage just has something about it that really chimes for me. It is the perfect centrepiece to the triptych and really shows off Sage’s talent. The cartoon-style character somehow seems to fit the PWA ‘brand’ really nicely and reminds me of a very early PWA wall in St Paul’s (now gone)
On the right, as is so often the case in these PWA collaborations is a very nice piece of writing, also in chrome, from Soap. Lots off bones and gems in this veritable archeological/geological piece. The soap tag forms the centrepiece of tis complex piece.
Another wonderful PWA collaboration for us all to enjoy.
At the entrance to St Werburghs tunnel, Face 1st left this beautiful trademark piece a little while back. It would seem that Face 1st has been experimenting of late with some angular block lettering which I have seen two or three times now.
As ever, there is an enormous amount of expression in the piece, something that Face 1st manages to achieve with the minimum of fuss, not dissimilar to the way Stik conveys emotion with his simple figures. I have lots of Face 1st pieces to catch up on… aargh, the backlog!