It would seem that since joining PWA, Nightwayss has been painting more frequently and seems to be enjoying his collaborations. This wonderful piece is in the middle of a Face 1st, Nightwayss and Soap triptych, and incorporates the recently devised PWA wobbly line border.
Nightwayss’ pieces are well known for featuring monkeys and apes and in this piece he doesn’t disappoint. A ghoulish giant ape is consuming a train (I think), and behind is a fabulously written ‘NIGHT’. With all the dots in the background, there is a feel of comic book print about the piece, and the theme adds to that feel. A great piece.
The Pirate Wall Art (PWA) boys have been very busy this year both as individuals and as collaborators. They have also introduced a bit on a new look theme to their more recent work, which is well demonstrated in this nice piece from Soap.
The new theme is to frame the piece in a wobbly border, and it is something that Soap, Nightwayss and Face 1st are incorporating into their work. It is a PWA thing. This is a rather nice self-contained piece with Soap’s mouth/skull icon, this time attached to a body, and a hand bearing a large gem. Next time I see Soap, I must ask him what the gem thing is all about – he has been featuring them in his work for about six months now. Great fun piece.
This was a rather nice little quick collaboration from Face 1st, Soap and Zake that rather predictably didn’t last very long. Turbo Island is a funny spot. Sometimes a piece can last for weeks there, but more often anything that is painted gets tagged within 24 hours and then it is up to someone else to pick up the batton.
Of course, we know that PWA boys Face 1st and Soap are regular painting buddies, but it is great to see Zake join them in this collaboration. Face 1st and Soap have merged their pieces in red with their trademark face and mouth/skull respectively. To the right, the Zake face reminds me very much of a ‘man in the moon’ type character, and has so much expression, looking over at the other two.
I am thoroughly enjoying this relatively recent design format from Face 1st, and I think that this is roughly the fifth or sixth piece that I have seen in this style. One of the pleasures of taking an interest in street art is watching how each of the artists evolve their styles and subjects… what they practice and what they choose to discard. Few things on the street/graffiti art scene remain static.
This piece appeared a couple of weeks back, quietly and quickly and unusually not as part of a collaboration with PWA friends. The block letters spelling FACE are filled with the dynamic (crazy) blue hair belonging to the smiling girl, whose omnipresence is at the heart of all of Face 1st’s work. I like the darker tones of the piece, which seem to work really well. Another beauty.
This large collaboration goes back a few weeks, and I have already posted the fourth element, the Daz Cat character, a little while ago. The remaining triptych is by Face 1st, Sage and Soap, and is really rather special.
To the left is the familiar work of Face 1st painted in a dazzling chrome. The letters FACE contain a feature used by Face 1st before, the introduction of a couple of swords. Quite what these swords symbolise I can’t say, but they appear to be driven into the smiling girl’s head, which is a little unsettling to say the least.
The middle section is, in my view, outstanding. The character by Sage just has something about it that really chimes for me. It is the perfect centrepiece to the triptych and really shows off Sage’s talent. The cartoon-style character somehow seems to fit the PWA ‘brand’ really nicely and reminds me of a very early PWA wall in St Paul’s (now gone)
On the right, as is so often the case in these PWA collaborations is a very nice piece of writing, also in chrome, from Soap. Lots off bones and gems in this veritable archeological/geological piece. The soap tag forms the centrepiece of tis complex piece.
Another wonderful PWA collaboration for us all to enjoy.
At the entrance to St Werburghs tunnel, Face 1st left this beautiful trademark piece a little while back. It would seem that Face 1st has been experimenting of late with some angular block lettering which I have seen two or three times now.
As ever, there is an enormous amount of expression in the piece, something that Face 1st manages to achieve with the minimum of fuss, not dissimilar to the way Stik conveys emotion with his simple figures. I have lots of Face 1st pieces to catch up on… aargh, the backlog!
Here he is again, the beating heart, the drum-beat of Bristol graffiti art reassuring us that all’s well. Face 1st has painted this doorway in Moon Street many times in the past, but his visits to this holy place for graffiti, along with visits of other artists, have declined in frequency since the area started undergoing some major gentrification. Soon Moon Street and the nearby hotspots for street art and graffiti will be mere memories, embedded in photographic archives and digital spaces. The Bristol scene will continue to thrive though, I am sure, just in different places.
This piece is similar to one that Face 1st painter on the M32 roundabout a couple of weeks back, with a lot of pink bubblegum kind of stuff going on with the character’s hair. I think that Face 1st must have had a job lot of pink and needed to use it up. Always good and always present. Fun from this PWA perennial.
Here we have a classic Face 1st piece. A wall tucked away from general view and a chuckling girl’s face splashed on it. It is pieces like this, dotted all over the city that add to the overall fabric of Bristol. Sub-consciously, many thousands of people in Bristol will have seen one of these faces, they might not have registered them, but they will have seen them, and they will process them simply as being part of the furniture of the city.
Somehow, Face 1st injects a sense of fun and mischief into his work that comes across so well. These cheeky girls probably play slightly into the hands of subversive minds (it is graffiti after all), but are entirely accessible for all to enjoy and feel free. This one is a particularly lovely ecxample.
I don’t mind admitting that it took me a long time to find this hoarding. Variously known as the cycle path or Greenbank or the Bristol to Bath cycle path, I was just too proud to ask anyone where it was and in the end found it using Google Maps – where would we be without such miracles of the modern world? This hoarding on the periphery of a huge development is about 100m long, and it has recently become an important, albeit temporary, graffiti spot.
It was nice to be greeted with this firm favourite of mine, Face 1st along with so many other familiar artists… my archive for March overfloweth! This is a standard Face 1st design with a pretty girl’s face and hair constructed with the letters FACE. I like the addition of the gold earring and the little blue and pink accents by the eye. Lots more from this wall to come.
Well it looks very much to me like Nightwayss has joined the PWA crew, which is very exciting indeed if it is in fact the case. Here he is sandwiched between Soap and Face 1st, adopting the shared colour scheme in a fine collaboration on the :32 Roundabout.
On the left of the trio is a piece from Soap using the green and pink base colours shared by all three artists. Spelling out his name, Soap has incorporated some gems into the letters, something he recently did in another piece at the M32 Spot. I like it when artists pick up a new theme and run with it for a while.
Another recurring theme that we see from Nightwayss is a good old cassette player/radio adorned with a couple of monkeys. Great to see the PWA label.
To the right is the third element of the collaboration and the ever-cheerful work from Face 1st. This giggling girl looks to have a fairly gloopy toxic head of hair, which is actually beautifully filled by Face 1st. It is impossible not to like these pieces and the wonderful crew that is Pirate Wall Art.