John D’oh always has a strong presence in Cheltenham and his “gallery” of stencils this year was quite outstanding. With his razor sharp commentaries on the state of the nation and beautifully cut stencils, there is no mistaking his work.
John D’oh, Paint Festival 2020, Cheltenham, September 2020
This stencil I think dates back a little while and references the Sincura Group who held a Banksy collection exhibition of street art pieces and then contraversially sold them off in a sealed bid auction. Not really the point of street art and willful profiteering. Very nice stencil… any bids?
I last met Jee See during a mini paint jam under Brunel Way back on a sunny summer’s day, and he had already completed his column piece and was just chilling and chewing the fat with friends. I haven’t seen any of his work since then until a week or two ago.
Jee See, Dean Lane, Bristol, August 2020
Jee See presents us with one of his ‘seismic’ pieces which has a political strand to it with the accompanying message of ‘Underclass rising’. It is nicely sprayed and planted over the top of an existing graffiti piece which makes the whole thing quite busy.
Unfortunately the piece has been dogged, probably by a kid with an almost empty discarded spraycan (it happens a lot). It is a pity, but it goes with the territory. My message – artists…take your empty cans home and dispose of them properly.
I have noticed a few pieces by Mind Control appearing in Bristol recently, which is no bad thing. I first encoutered his work back at Upfest 2017 and wrote this post which has a link to a rather good interview with the young lad who was only 16 at the time.
Mind Control, St Werburghs, Bristol, September 2020
Although he is from the Midlands, I guess that at 19 he has a little more mobility and trips to Bristol might become more frequent. I think I have a couple of other pieces in my archive that I will have to dig out. This is nicely done with a clear message and one that carries huge support with it.
This is a straightforward protest piece calling for the cessation of the badger cull, an unpopular approach to reducing the imfection and impacts of bovine turberculosis. The cull will be reaching its peak this year and then drop off over the coming years. Has it made any difference? We’ll have to wait and see. Have animals suffered? almost certainly. It is a complex disease control problem for which there are limited options.
I have been meaning to photograph this wonderful portrait by Hazard for quite some time, but the door to Jamaica Street Stores is rarely kept open for long enough to grab a picture. With the coronavirus restrictions in place, the door is kept open to aid ventilation and I grabbed my chance to dive in and take a couple of snaps.
Hazard, Jamaica Street, Bristol, September 2020
This is so typically Hazard and couldn’t possibly be by anyone else although it does share some characteristics with Jody’s work, such as a female portrait and plento of delicious flowers. I haven’t eaten at the Jamaica Street Stores, but in preparing this post I glanced at the menu, and I don’t think it’ll be too long before I bring the family down for a meal (restrictions permitting).
Hazard, Jamaica Street, Bristol, September 2020
There is a lovely contrast in the piece between the grayscale (tinged with yellow/golden reflected light) face and the surrounding colourful flowers. This is a fine Hazard piece that I am pleased at last to have captured.
Yet another outstanding piece from Inkie in this purple patch we are lucky enough to be witnessing in Bristol at the moment. I am guessing that Inkie has a bit of time on his hands at the moment… maybe it is a pandemic thing and if it is then it is an upside as far as I am concerned.
Inkie, M32 Spot, Bristol, September 2020
Alongside some of his friends (posts to follow soon) this appeared about a week or so ago at the top end of Stapleton Road. It is an absolute classic and painted in colours that he has used before, from memory he painted a van in similar shades. Those of you who follow Thursday Doors, might well see this piece again sometime in the future (door hidden under the I and E). I will never tire of his work and am really enjoying this current spate.
On the opposite side of the Dare To building from the Smak piece in my previous post on Natural Adventures is a fine quintet of pieces of which this is one. Each piece hosts the writers name together with a little character. This gorgeous rhapsody in green is by Hemper.
Hemper, Alfred Street, Bristol, September 2020
Spelling out HEMS, this intricate piece is absolutely amazing and incredibly detailed. The letters seem to pop out all over the place thanks to the skillful 3D shading effects. This is a work by a fine craftsman. I’m not too sure who the little green character is to the top left, but I think I recognise him from a contemporary cartoon series.
The paint jam at Dare To a couple of weeks ago really did throw up some fantastic work from an ‘A’ list of Bristol artists and it would seem that each artist bounced off the next to up their game a little.
Smak, Alfred Street, Bristol, September 2020
This is a cheeky number (getting into the spirit of the adult nature of the Dare To club) by Smak. Tucked away, and slightly awkward to photograph, this bright and colourful piece includes a little devil complete with cherries on his pants. The writing is typically top quality and has that double letter style where each letter seems to have been painted twice over. More excellent work from Smak.
At last Cheo has broken cover. He seems to have spent much of the last six months on his studio work and commercial activities and painting walls has taken a back seat. This new piece on the wall outside the Souk Kitchen (a favourite for Upfest) is actually a kind of promotion for an augmented reality piece he has done recently.
Cheo, Raleigh Road, Bristol, August 2020
The crisp piece shows a character fusion with a television set – a proper old one like we grew up with… It is called ‘Retro Flow’ and is the first time Cheo has worked with augmented reality. It is so good to see something on the street from Cheo after such a long break, looking forward to more soon.
