We have discovered lately that Smut is not a one-trick pony, far from it, and his last few pieces have demonstrated that he has great versatility and has managed to be consistently tidy with his writing (sounds a bit like a school report – perhaps I should have been a teacher).
This piece on the M32 roundabout is a long way from his curvy, thin script writing that we have become accustomed to seeing from Smut. I don’t know how he does it, but Smut has the cleanest, sharpest lines imaginable and really knows how to turn out a supremely classy piece. The letter shapes are good, the colour selections fantastic and the shading/details of the green and yellow brilliant. This is an excellent, high-quality piece from Smut.
Oof! Mest can really dial it up when he feels like it, and with this birthday celebration piece for Stivs, he has absolutely smashed it. I am guessing that during this birthday paint jam, Mest took his time to create this really tight piece.
The first thing to note is the unusual colour combination of cream pink and blue, which might not be an obvious alliance, but somehow he has carried it off. His letter shapes are a little more dynamic than usual and all the additional little details pick our different aspects of the writing. A very nice piece indeed, lifting Mest up into the next level. Also a fabulous tribute to Stivs on his birthday.
Until a couple of days ago when I posted a piece by Phour, there had been a long gap since the last one, and now today we have another one. Throughout the drought period, Phour has been painting, but I simply haven’t been able to find space to include any posts by him. My job of recording street art and graffiti in Bristol gets more difficult by the day because of the sheer amount of work that is appearing. You might have noticed that I am starting to drop three posts a day when I can, just to share as much as possible.
This one from Phour is a particularly good example of his work, with some stunning fades in his letter fills and a clean, crisp yellow border. The whole thing is set on a cosmic cloudy backdrop, which keeps it all tidy. More great work from Phour.
By the time I got to it, half of this collaborative wall had been taken out, within 24 hours of being painted, fortunately, this part by Mr Penfold survived. It can be frustrating when pieces are overpainted so quickly, but everyone who paints in Bristol knows the score.
The work in this piece is so obviously by Mr Penfold, and needs no signature. Nobody else in Bristol creates these amazing abstract pieces. This one is a little different from some of his work, for example there are no shadows of any of the shapes, and it all feels a little bit more random than usual. Great to look at, and although short-lived, magnificent while it was there.
In one of his favourite stretches on one of his favourite walls, Corupt brings another in a series of fabulous of graffiti writing pieces in his beautiful style that is so unique to this particular artist. I almost missed this piece, thinking that it was one of his previous ones in the same spot, which goes to show that it is so important to look carefully and not to make too many assumptions.
Writing Korupt, with a K, which is one of his variants, he has chosen a superb colour palette of browns and oranges set on a blue background, the whole, being festooned with gorgeous fill decorations. A very classy piece indeed.
This subtle piece is by an artist who has slipped off the radar a little bit, Dog Bless the Band, so it was a pleasure to find it on the southern wall of the M32 roundabout recently. I feel like I have posted many more of his pieces than I actually have, such is the impression they have made on me.
The giveaway element, apart from his modest colour selection, is the distinctive letter ‘M’ at the start of the MOTEL. This time he has animated the ‘O’ with a rather gentle face. There is an organic nature to his work, which has a rather calming effect. Nothing urgent and sparky. As well as having the best name since Stupid, Stupid Meathole, his style is one that I really like.
Slakarts isn’t painting quite as much as I would like to see, but in this piece on the roundabout he has turned out an absolute beauty. It is almost like he has applied the Picasso cubist treatment on his stylised face, and the result is something rather special.
I am not the biggest fan of chrome, as I think it tends to dominate a piece – great for throw ups and bubble writing, but difficult to pull off with tidier pieces. Slakarts has more than pulled this off, he has smashed it with the interactions between chrome blues and white and the overall effect is stunning. Beautifully conceived and executed, this is a magnificent specimen from Slakarts.
You know when an artist is in high-productivity mode, when the frequency of meetings is high. In the past week or so, I have met Klashwhensober twice, and both times stopped for a nice chat. I had shared links to posts on Natural Adventures, and bless him, he had read them, which was most kind, so we chatted a little about that. This piece is one of several that I photographed a couple of weeks back, investigating all the tunnels under the M32 roundabout, junction 2.
I am not a big fan of tunnel pieces, because the lighting is always very tricky, and it is difficult to capture a whole piece in the frame due to the narrowness of the tunnel. The colours used in this ‘FLASH’ piece are most striking, and there is a creative and interesting cow-spot pattern fill. I mentioned to Klashwhensober that I might have to start posting several pieces of his at a time, because there are just too many to do single posts each time – there would be precious little else on the blog.
I was fortunate enough to meet Corupt, just as he was finishing off this wonderful Stick piece. What I didn’t know until I returned a day or two later was that he still had quite a lot more work to do on it, and you can see what he added if you compare the two pictures below.
One thing I have noticed from watching Corupt while at work a couple of times now is that he is very diligent and careful, taking plenty of time to get things just right. In this piece he has absolutely nailed it, with a perfect background, outstanding letter shapes (so Corupt), fabulous 3D shading in black and grey stripes, sensational fills and a wonderful white highlight to help the letters pop.
The final touches included a yellow border and some shout-outs. The piece was a birthday tribute to his friend Rapa.
Over the last month or so, Laic217 has produced four wonderful pieces, three of them linked to support for Ukraine and this one, reverting slightly back to the territory we are used to seeing from the artist.
The backdrop of multiple colours layered horizontally, almost looks like paint brush work, and is quite crude. There is nothing crude about his greyscale skeleton character, however, picked out with a fine white border. There is threat and misery in this piece, all part of Laic217’s narrative and fascination with decay and distortion.