It feels like it has been a very long while since I saw anything new from Deamze, so this piece came as a long-awaited pleasure. In one of his favourite spots (I’m not sure anyone else sprays this wall) alongside the M32 he has created one of his most riotously colourful pieces to date.
On the left hand side we see a fabulously intricate and sophisticated piece of wildstyle writing, spelling out DEAM, and on the right a trademark cartoon from this brilliant artist.
Often the characters that Deamze recreates are from ’70s to ’90s TV shows, but I just can’t make out who this one is, and there isn’t a lot to go on to ‘Google it’ either. The whole thing is very refreshing and a reminder of just how good some of the Bristol street artists are.
It is always great to find another Epok piece, especially when not expecting it. I don’t often get to St Werburghs tunnel, so when I do pretty much everything is new to me. I hadn’t seen this piece on social media, and although it is a fresh piece, I obviously didn’t get here in time to see it clean.
One day I would live to get into the mind of taggers and bombers to understand their thinking. Are there any protocols? Is everything a fair target for their graffiti? What do they respect/disrespect? Do they care about anything? My guess is that they have little conscience and genuinely don’t care what they do. Wreckless anarchy, which is probably quite an attractive option for some people. The class and quality of Epok’s work shines through though – this is a really good piece by him. Hats off.
I was very fond of these hoardings in Brunswick Square, but alas, they are long since gone.I still have several pieces that I have not posted, and this is one of them by Dibz. I am more used to seeing his work at Dean Lane or on Instagram, so it is nice to have another location for the collection.
As always his deep shading and complex letter patterns are technically superb, and there is a cleanness of the lines in all his work. The blue line and its glow add something special to a very nice piece indeed.
Ugar is a promising young artist, originally from Budapest but now living in Bristol, whose unique style of writing is getting better and better. It is the organic nature of his letters and the kind of marbelling effect he uses to fill them that stands out in his work.
This piece , which is really rather beautiful, is on the curved wall at Dean Lane and has been well prepped and uses the wall to its full potential – not all work here is afforded the same thoughtful approach. I am enjoying watching Ugar develop.
This is one from the archive that I can release, because I recently posted my first work from Amoe which he sprayed at the M32 roundabout. The reason it took me so long to identify thisartist is that he is only an occasional visitor from Cardiff, and my knowledge of artists is pretty much confined to Bristol.
There is something very forgiving about his writing style, the curves create a softness that is very easy on the eye. Some writing can be much more challenging than this. It feels good to liberate this picture after a little over two years. The wall however has not fared so well and there is now only a small stretch of hoarding left at this spot.
A few weeks back there was a bit of an informal paint jam at the M32, with artists from Swansea, Cardiff, Tiverton and Taunton all represented. I managed to be there at the right time and photograph the artists at work. The interesting thing for me was that most of these artists/graff writers were completely new to me.
This is a lovely piece by Karm Amoe from Cardiff. He has a website, but it doesn’t say too much and appears to be incomplete, so I really don’t have too much information on the artist.
There is something very pleasing about the form of his letters, and the colours he has selected are outstanding. The swirly pattern at the base of the piece and white at the top adds some real class. Nice to be able to see something new (to me).