Members of the PWA (Pirate Wall Art) crew have been rather active of late, none more so than Face 1st. In this collaboration he is joined by his friend soap and this piece is opposite some writing, featured in an earlier post by Sikoh.
When Soap and Face 1st get together, they quite often create one of these vertical collaborations, with the distinctive mouths of Soap on the top and beautiful face underneath by Face 1st.
There are a couple of nice touches on the work. The hair of the girl is made up of wiriting that spells out Face, and forms the lower jaw of Soap’s mouths. There is a little slogan ‘peacefully writin’ art‘, picking up on the crew name. I am always delighted to find work by these two.
A quick one in The Bearpit from Face 1st going back a little. The main reason that I have posted this is because I remember at the time being incenced by the aggressive graffiti cross in the middle of the face with its far right connotations. When I see this kind of disruption, my immediate thought is ‘what kind of idiot would do this?’. I guess I still find myself constantly challenged by this mindless behaviour. I know that pretty much all artists expect this on the street, but it doesn’t necessarily make it right.
I don’t think I will ever tire of Face 1st’s work, and I get real pleasure out of each and every piece of his that I find.
When I saw this piece on Face 1st’s Instagram feed, I knew I had to get down to Moon Street straight away to find it. Find it I did, and I think it is probably in my top 3 all time Face 1st pieces.
There is so much to like – rarely, if ever, have I seen more than a face in any of his characters…and here we have the full body complete with frilly pink knickers. The soft colours and tones contrast wildly with the bold graffiti aurrounding the piece, making it stand out from the crowd – it is nicely framed in the doorway.
Face 1st has always a productive artist, but recently he appears to have gone into overdrive, and he seems to be collaborating a lot too. I’m not sure where this new lease of life has come from, but whatever the reason I love it.
Once you get your eye in for a particular artist, it seems that you see their work absolutely everywhere, and so it is with Pekoe. Her work was, until recently, off my radar until I saw a piece at the M32 roundabout. Since then I have found three more pieces dotted about the place, including this one and an Upfest piece.
This interesting work was painted as part of a collaboration which included Mr Sleven and one other. Pekoe appears to be fond of the third eye and its symbolism, as it appears in other work. I am still learning about her work and style, and really look forward to discovering more.
Well, well, well, the gifts just keep coming. Regular readers will know that I have only recently discovered the wonderful art of Pekoe and I have featured her work a couple of times in the last month. It turns out that while I was going through another batch of pictures from my Upfest 2017 archive, I found this piece by an ‘unknown’ artist who I now know is Pekoe. I love it when this kind of thing happens.
Her Upfest piece was definitely one that caught the eye and is rather more polished than some of her street work – it is a festival after all. She sticks with the female portrait formula that appears to be her preferred subject matter. I am reliably informed by Gary, the art blogger that this wea actually a collaboration piece with Mr Sleven and DNT.
Pekoe is a talented Bristol-based artist whose work I am just getting to grips with and I certainly want to see a whole load more. Looking forward to it. Worth a quick peek at her Linked-in page too.
One of the great joys of trawling through my archives is finding pieces that were never posted because the artist was unknown to me. Fast forward to the present day and I have since discovered the talent and feel like I know a little more. So it was with this old one from Tash Bee back in July 2017.
I liked the piece enough to photograph it, but then it sat dormant in my archive until now. Liberation. It is signed with a large B, but I didn’t know that was her signature back then. This is another serene piece beautifully put together by an artist who is fast rising up the tables of my Bristol faves. Same about the evening sun and shadow.
This piece is actually not really on Brunel Way, but is in the Cumberland Basin where the Brunel Way bridge/flyover begins. And who should pop up here but Pekoe, who until a couple of weeks ago was completely under my radar.
This piece, in doodle style, is actually really nicely presented and has a great balance of bright colours and squiggle elements to make up a fine portrait. I am new to her work, but I am enjoying what I see and look forward to finding more of her pieces in Bristol.