Maybe has made Brunel Way his spiritual home and several of the columns holding up the dual carriageway bear the delightful small pieces created by the relative newcomer. Although Maybe has branched out into a couple of other spots, the vast majority of his work is here.
Two more of his pieces are featured in this post. It seems a little unfair that I bunch them together, but he is so prolific that if I didn’t post two at a time, some might never get posted at all. This first one is a sensational colour burst of faces in a circular pattern and in rainbow sequence, although there is an extra blue/green colour included for good measure and symmetry.
The second piece combines the egg character he painted before with his planetscape that he has been developing to great effect over recent weeks. Curious and compelling. I recommend a trip to this spot which has become a bit of a gallery of Maybe’s work.
I mentioned in a recent post that Zake has been busy of late, and this new piece is a fine example of the rich vein of form he is in at the moment. Painted in collaboration with Soap and arte.mis.29 on the M32 roundabout wall.
The face (what else?) appears to be that of a woman and her hair blends into a head scarce, and it is hard to know where the one ends and the other begins. As always with Zake’s work he pays a lot of attention to shading and shadows to create relief in the feature of the face. A really lovely piece.
It is a great pleasure to bring you two more delightful pieces by Maybe from beneath the rather noisy Brunel Way flyover. Particularly gratifying is observing the tangible improvements being made in his work, and with these two examples, it is easy to tell which is the older and which is the newer.
The space kite is a sophisticated piece in which the artist has really nailed his planet ecosystem – I’d love to know the technique he uses to get this effect. A kite, with a face, drifts serenely through space. This is a wonderful creation and one of my favourites.
Rather less sophisticated, but using the two interlocking face theme, is this simple circle. With all his work there is a dream-like quality and an element of humanity, hope and joy. These are all things we could do with these days. Keep it up.
Oh my goodness! There are some pieces that you look at and, well, they simply take your breath away. For me, this is one of those pieces. Painted for Upfest’s 75 walls in 75 days event, this astonishing collaboration from Mishfit and Mazcan simply blew me away, and I look at now as I am writing and wonder at its magnificence.
These two portraits work so incredibly well together and are perfect for the space vacated by Caro Pepe and AgeAge. To the left is a stunning portrait from Mishfit painted with incredible graded skin tones and a beautiful headdress, the colours of which are reflected in a cloud to the right of the subject. I haven’t seen any of Mishfit’s work before, but what an introduction.
Mazcan on the other hand has visited Upfest on a couple of occasions, but this piece is definitely a step up from before, and I think she must have been practising. This blue face has quite a lot of attitude and there is so much depth and bone structure created with clever use of shading. The red streaks in the hair add so much to the depth and contrast of the piece too.
Genuinely, this is a bloody brilliant collaboration and will definitely stick in my memory for a long, long time.
This is another opportunity to showcase the wonderful and slightly different work of Bristol artist Maybe. This artist burst on to the scene earlier this year, painting pretty much exclusively in a stretch of concrete columns supporting Brunel Way, a busy road crossing over the river Avon at Cumberland Basin. His small pieces are little treasures and rather fun to seek out.
The first piece is one of Maybe’s trademark reversible faces combined within a rectangle, each painted in its own wonderful colours and shades. There is something about the simplicity of these pieces that makes them rather calming and easy to look at and enjoy.
The second piece is a rather clever little design of a moon eating a banana in some kind of reflective motif idea. I am a fan of Maybe, and am enjoying the progress being made. I look forward to maybe finding some pieces in other parts of Bristol.
The nice thing about dropping down beneath the M32, where a canalised section of the River Frome flows, is that it seems to be a popular spot for visiting artists to paint, often accompanied by Bristol friends showing them around.
This delightful piece by Wee Nuls was painted a few weeks back by the Belfast-based artist who, it appears, cut her teeth with spray painting in Bristol some time ago. I love this kind of portrait piece that sits comfortably alongside Slakarts, Pekoe and others who create bright and colourful faces about the city. I hope that Wee Nuls makes more trips to Bristol soon.
It would appear that Zake is off the leash. Over the past month, I have seen and photographed several Zake pieces that seem to get better and better. This is the first one in a series, and a good starting point.
I first came across Zake’s work on the columns under the M32 several of which still remain, which is remarkable really and shows the respect from other artists. Although this is not his best work, it does hark back to those earlier pieces. There is some great uplighting going on here and an exaggerated characterful face. Watch this space for more from Zake.
Another wonderful column piece from Maybe under Brunel Way and one in which he has combined his faces theme with his more recent cosmic theme to great effect. I have said before in posting Maybe’s work, that I like street art like this because it is a little different and another legitimate form of artistic expression.
I would love to know the secret behind the technique used to create the the planets and stars, the shading on the planet surfaces is particularly nicely done. Maybe’s work just goes from strength to strength.
I am thoroughly enjoying this relatively recent design format from Face 1st, and I think that this is roughly the fifth or sixth piece that I have seen in this style. One of the pleasures of taking an interest in street art is watching how each of the artists evolve their styles and subjects… what they practice and what they choose to discard. Few things on the street/graffiti art scene remain static.
This piece appeared a couple of weeks back, quietly and quickly and unusually not as part of a collaboration with PWA friends. The block letters spelling FACE are filled with the dynamic (crazy) blue hair belonging to the smiling girl, whose omnipresence is at the heart of all of Face 1st’s work. I like the darker tones of the piece, which seem to work really well. Another beauty.
Judging by the number of photographs I have of these delightful small pieces by Maybe, I will be posting them pretty regularly over the coming weeks and months, which can only be a good thing. I expect it won’t be too long before I have enough to do a gallery. I love this kind of quirky and different street art, as it represents another element on the vast spectrum of styles and techniques used to brighten up our streets.
Maybe tends to paint only under Brunel Way, and I haven’t seen any of his work anywhere else in Bristol. This is a calm and meditative piece that really demonstrates how far Maybe has come in such a short space of time. The signature profile face is in the form of a balloon, but in this piece the introduction of planets in a star-studded sky is a theme that the artist returns to in several more works. Lovely to see, and something a little different.