2576. Cheltenham 2019 (21)

Anyone who made their way into Cheltenham for the Paint Festival from the station along the Honeybourne Line would have seen this utterly striking piece by Fink. Three stylised faces in bright and beautiful colours on a brick wall between the two tunnels. If you look carefully you will see that within each of the faces, there is a background of countless more faces. Fink creates these faces in one single spray movement.

Fink, Paint Festival 2019, Cheltenham, Bristol, September 2019
Fink, Paint Festival 2019, Cheltenham, Bristol, September 2019

I don’t know too much about Fink other than that at one time he used to spray little characters in Bristol and I assume he used to live here. I have seen on his Instagram account that he is currently working in Dubai, so I guess his visit to Cheltenham was combined with a trip home. A great opener for the festival.

2574. M32 Cycle path (39)

When I first started posting street art on Natural Adventures about five years ago I thought that it might be dominated with 45RPM and RichT pieces, because at that time I would come across them all over the city. I don’t know if, as my interest has increased their activity has waned, or whether there is some other explanation, but I just don’t get to see enough from these artists.

RichT, M32 cycle path, Bristol, October 2019
RichT, M32 cycle path, Bristol, October 2019

I was watching RichT as he was prepping the brown letters for this piece, but because I didn’t know him, I thought I’d let him just carry on without disturbing him. I think the letters say LUIS, but I can’t be certain, but the star of the piece is the schoolboy cartoon face, done in the great style of Beano, Dandy or Beezer comics – I just love it.

I regret not introducing myself to RichT and 45RPM while they were painting this wall together, but I’m sure there will be another time.

2570. M32 Cycle path 37

Ahh! Lobe with another exceptional, bold, stylised, portrait, this time of an unshaven man with spectacles and woolly hat. I have only seen a few of her pieces, but every single one of them has brought a smile and I get a real sense of excitement each time l find a new one.

Lobe, M32 cycle path, Bristol, November 2019
Lobe, M32 cycle path, Bristol, November 2019

It is funny how different graffiti spots in Bristol can undergo peaks and troughs in terms of turnover. The cycle path has been quite dead for a while and then suddenly over the last couple of weeks it has kind of got busy again, this being one of several recent pieces. It just shows that constantly patrolling each of these favoured graffiti spots is utterly worth it.

 

 

2567. Dean Lane skate park (263)

When I saw this little collaboration from Tasha Bee and Stupid Stupid Meathole, my first thought was that it looked a bit old and weathered, and I wondered if I might have overlooked it on previous visits to Dean Lane… in other words I have absolutely no idea when it was painted.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

The collaboration is bookended with two beautiful faces from Tasha Bee and filled with what looks like the word ‘meat’. These two have collaborated before in the past, but not for some time. In fact I don’t recall seeing much from Stupid Stupid Meathole for quite a long while.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

I’ll always have time for Tasha Bees stylised faces and am equally fond of SSM’s rather grotesque figures. This piece of writing though is quite uncharacteristic because there is lots of colour, not just the single pink SSM usually uses. A nice low-key collaboration.

Stupid Stupid Meathole, Dean Lane, Bristol, October 2019
Stupid Stupid Meathole, Dean Lane, Bristol, October 2019

2562. Brunel Way bridge (24)

Wow, wow, wow. Face 1st is really going for this new look girl’s face with tears flooding from her sad eyes. This is the third crying piece I have posted recently and it is a trend that seems to be a commentary on the state of our nation at present.

Face 1st, Brunel Way, Bristol, October 2019
Face 1st, Brunel Way, Bristol, October 2019

This is a crisp and clean piece down under Brunel Way, next to the Bristol New Cut. Face 1st often paints the columns round here, but less frequently paints the main walls, so this is a bit of a treat. An artist who consistently ticks all my boxes.

2553. Dean Lane skate park (262)

One of the things I love about going through my archives is that I get to re-visit a whole bunch of gems that for one reason or another I didn’t publish at the time – often because I operate with a monumental backlog. I reckon that for every piece I post on Natural Adventures there must be five or six that never see the light of day.

Slakarts, Dean Lane, Bristol, January 2018
Slakarts, Dean Lane, Bristol, January 2018

This overlooked and yet utterly wonderful piece is by Slakarts and was painted in Dean Lane back in January last year. His trademark stylised faces are always recognisable and he seems to favour a soft or gentle colour palette. This face has been adorned with plenty of little decorations and some nice painted drips. More in my archives to come.

2547. M32 Cycle path (35)

How fantastic to see these two PWA artists hooking up again after what feels like way too long. Soap and Face 1st have been painting buddies for a long time, but lately have been doing their own thing. I was beginning to think that they might have fallen out and may maybe they had, so it was with some relief  that I came across this fine collaboration on the M32 cycle path.

Soap and Face 1st, M32 cycle path, Bristol, October 2019
Soap and Face 1st, M32 cycle path, Bristol, October 2019

The collaboration itself is a lovely crisp piece, which is tapping into Face 1st’s recent theme of a crying face, which I interpret as a metaphor for the desperate state of our nation. This collaboration is really tight and one of my favourites that this pair have produced. The yellow boundary contains the two elements into a ‘proper’ collaboration of shared paint and merged ideas rather than the loose collaboration of when artists paint different things together.