The work of Face F1st continues to develop and improve. Recently he has moved much more into pastel shades for much of his work, which gives his pieces an unassuming quality. They blend in more with the walls with modesty.
In this particular piece, Face F1st has become more elaborate with his wildstyle writing, and it is lees obvious that it says ‘face’. Also the face itself has less expression on it that in previous work, giving nothing away to the viewer.
The colours and the paisley patterning make this a really interesting piece. It is one that few stop to look at, even taggers, because, I would assert, of its subtlety. (whoah – slow down on the commas).
Kid Crayon is a busy man at the moment, and seems to really be enjoying his work and his collaborations. This piece was sprayed the day after his rain-interrupted exertions at Upfest 2017. A little bit of decent weather and he creates this fantastic blue face.
I really like this piece, and two things stand out for me. The first is the crazy eyes – like ping pong balls and an interesting take on the iris. The second is the signature, that looks rather different from ones I have seen before…perhaps he is experimenting with it.
This is a fun, creative piece that, for me at least, shows Kid Crayon’s enthusiasm for his art. Love it.
This year, because of the showery conditions at Upfest, it paid to get work started early. Copyright had completed this wonderful shutter piece on North Street before the festival officially started on Saturday and was spared the difficulty of working in the rain (on this piece at least).
The piece really stands out in what is a rather drab shop front, and the pink strip lifts the portrait out and smacks you in the face (figuratively speaking of course).
Upfest is one of the only times that you can get to see a majority of the shutter pieces on North Street, especially on the Sunday, because most of the non-food retailers shut for the weekend. I really like this one from Copyright – it would make a great album cover.
This piece was one of a series of ‘quick ones’ from Kid Crayon, and if I understood correctly, part of passing his skills on to another aspiring street sprayer. I love the way the community has a social structure of its own where artists respect and look after one another. Of course, like any society, it is not all easy; there are codes, ‘territories’, legality, status and hierarchy and so on to contend with every day.
This is a really nice simple piece by Kid Crayon, and something of a reversion to his wheatpastes that were so influential in getting me interested in all this stuff in the first place. Respect.
I was on the hunt for a new spot in Bedminster, wandering around an area I am not so familiar with, and would you believe it? I came across this fabulous Feoflip piece in the charmingly named Little Paradise.
This must have been yet another of his little surprises left behind for Bristolians to enjoy from last year’s Upfest. His work is just amazing, and this is a perfect example from him. What is amazing is that several other Bristol graff spotters also found this piece recently, even though it has been here for some time. Scarily, we obviously walk the same routes. I sometimes wonder if I have a doppelganger.
Skor85 is an artist I know precious little about, but I have been finding pieces by her all over Bristol. She is not the most prolific of artists, but her work is out there and some of it I have recently discovered in my archives. Her work is usually a little understated, and frequently accompanied with some message or other.
This piece is tucked away on the back of a skate ramp, and opposite one of the main graff walls. The more I look at it the more I like it. At first is appears to be a bit crude, but actually the layering is really good, and the fine lines creating the detail are nicely done. More to come from this artist, and best of all she will be at Upfest, so I hope to get a chance to meet her.
At Upfest 2016 there was one site where there were about thirty or so of these smaller (metre square) boards. I rather like seeing some of this smaller street art, which tends to have a bit of a crossover with fine art, perhaps exemplified by this portrait by Lauren Maria Hill.
This young Bristol artist appears to focus on portrait work and seeks out commissions and freelance work on her website. Her images, including this one seem to concentrate on the face itself with great detail, leaving the surrounding hair as a complementary feature, but somehow separate from the face. I like her work, and hope to see more of it around Bristol.