What a very nice piece of classic wildstyle writing this is from Soker, especially welcome as he has been fairly quiet in recent months, and as one of the godfathers of graffiti writing in Bristol, things just don’t feel quite right when he isn’t out there painting.
The class and confidence ooze from this piece, which reads PUKE. I am not too sure about the back story to this one and I’m not too sure I want to know. Some classic features, the arrow and star, have been incorporated in this nicely proportioned piece. Great to see Soker out and about.
Some pieces simply ooze class, and this outstanding surreal artwork by Sled One is one of them. In my view, this is Sled One at his best, creating a fantastical and unusual scene using only spray paints and a brick wall canvass. Simply amazing.
The central part of a three piece collaboration (the rest to follow) features a baseball, but not any old baseball, no, this one has a mullet haircut, a bird beak, a mouse in his cap, a rather nasty looking baseball club, a spotty pair of boxer shorts all capped off with some comfortable slippers. Would anyone mind explaining to me what on earth is going on here? I don’t actually care too much, I just know that I love this piece a lot. Bravo!
It is not often that I am in the right place at the right time, but I got lucky with one of my lunchtime walks with the dog when I bumped into Ments and Sled One painting this collaboration. Actually I made my own luck a bit, because I spotted them painting from the other side of the river and gave myself enough time to swing by and have a chat.
Sled One reminded me, not for the first time, that it was he and Ments who first started painting this wall, before it became one of the more popular Bristol spots. I think it is good for artists and photographers/viewers alike due to the open space and length of wall, although with long shadows and reflections photography can at times be a bit of a challenge.
On the left of this beautifully prepped wall is Ments’ contribution, with a rather jazzy rendition of the ASK crew letters. Wall prep can definitely enhance a piece, and with this collaboration, the reddy-magenta works a real treat. There are definitely some strong Ments elements in the piece, but I am not certain I would have known it was by him if I hadn’t seen him painting it.
To the right is an interesting piece by Sled One, because it says 3Dom. It is most vexing, deceitful and confusing when artists write other artist’s names as a kind of shout-out to their mates, and makes misidentification a strong possibility. Again it was lucky I saw them painting this or I might have had egg on my face. This is a stylish collaboration from two very classy Bristol artists.
There are about eight panels of graffiti writing at Peel Street Green, and I have to confess that there are several by artists that I don’t recognise, which only goes to show that there is a great deal For me still to learn. No mistaking this lovely piece of writing, which is by Smak.
The colour palette works really well, and Smak does have a really good eye for his colour combinations. Spelling SMAK, there is a whole lot of movement in the piece, which is dynamic and full of interest. Swapping the base blue and orange from letter to letter is cleverly done, resulting in a complex piece that is easy on the eye. The work of a craftsman.
It’s Christmas Eve, hooray! I am going to give us all a bit of a break and keep my commentary of this sensational collaboration by Sepr and 3Dom brief. Characters accompanied by writing in this long panel. Great stuff.
I haven’t really left myself enough time to write very much about today’s wonderful piece by Smak. For some this might be a blessing… consider it an early Christmas present.
I have neglected Smak for far too long, and haven’t posted anything by him for months. The reason is simple, there is so much great and new stuff being created out there that the competition for space o Natural Adventures is as high as it has ever been. This is classic Smak wildstyle graffiti writing. Subtle colours, great design and lovely tight artwork. Standards are still high in the Smak camp.
It is always worth going the extra mile, or a few hundred yards at least. I recently followed the River Frome from the M32 roundabout into town, because I wanted to stretch my and the the dog’s legs a bit. What we found was a little green with a long wall covered in graffiti writing, that I have long been aware of, but never actually found before. Well now I have found it and the spot will be assimilated into part of my regular ‘rounds’ when I have a little extra time on my hands (some chance these days).
Opposite the long wall and on the other side of the green is a small wall with this single recent piece from 3Dom. This is so typical of his surreal style, featuring a character with a cloud head, dotted with a string of alternating happy and sad smiley emojis. This beautifully painted and colourful piece probably has a back story going on, but I am not too sure what it is. Might it have something to do with the changing climate?
The giant has awoken. For much of the lockdown period Soker had kept a low profile, with only two or three pieces painted over a very long period. Thankfully that lean time has come to an abrupt end and in the last couple of months Soker has graced us with his presence once again with some superb graffiti writing.
This is a lovely piece spelling out SOKEM, a variant of his usual SOKER. So much colour and energy is contained in this piece and it has been painted, as we expect, with consummate expertise. More to come from Soker… when I have a moment.
I feel another ear worm coming on. What is it with these street artists and music anyway…? Inkie has returned to his native Bristol to paint for Upfest, as he does every year and this time he was handed a nice new wall to play with.
I have a feeling that Kylie sand this line followed with ‘na na naa, na na na na na, na na naa’ if my memory serves me well. I suspect that Inkie’s reference might be a different one. The piece itself is rather special, with the words written out in the big hair of the female character, and a lot of mystery in the air. No features on the woman’s face and a question mark medallion around her neck. I’m not sure hat the reference ’84 21′ is, although that might be the dates that Inkie started painting and today.
Although the basic design ideas are there from Inkie, I feel like the piece is a bit of a departure from his normal style, particularly the block letters. Excellent stuff.
Ooh! a mouthwatering, commentary collaboration piece by 3Dom and Sled One taking up a large stretch of the Skate Spot wall at the top end of Stapleton Road. This spot is often taken up by ‘top end’ art work and is favoured by the ASK crew, and when you see something like this it is easy to see why.
The first time I passed by, Sled One was still painting his half of the collaborative wall while 3Dom had departed and was due to return later or the following day to tidy up. We stopped and chatted for a while before he continued with the piece. His work is extraordinary and his talent is there for all to see.
The two halves of the collaboration represent a stark contrast between the choices we have as citizens of planet earth. We can work with the planet which is reflected in Sled One’s contribution or we can destroy it through the pursuit of material wealth and greed. It is interesting how the choice of colours can set a tone or a mood and Sled One’s ‘mother earth’ character is full of positivity and hope. The only out is in.
3Dom got the short straw and his half of the piece is a portrayal of capitalism and greed where the earth is to be divided up like a cake for profit. The cigar-puffing pig is brilliantly painted and instantly creates a sense of disgust and loathing. Dark satanic mills be here.
What an outstanding collaboration of contrasts from two of Bristol’s top street artists.