This is the third piece from the PRSC outdoor gallery that featured Boogie and Voyder, and is by the organiser of the ‘Boogie Down Bristol’ event and all round godfather of bristol graffiti, Inkie.
This is a really wonderful piece from Inkie, and I think he was pulling out all the stops on this one to show Boogie what he was made of. The colour selections are great, and match those used by Boogie on the far left of the three. Voyder was clearly on his own agenda.
In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.
What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.
Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.
It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.
This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.
There was a recent event held in Bristol, organised by Inkie, entitled ‘Boogie down Bristol’ held at the Full Moon pub. In the days either side of the event, a whole ton of graffiti art and street art went up in the Stokes Croft area.
The PRSC outdoor gallery was one of the walls sprayed. The middle section here is another high-quality piece from one of the best writers around Voyder.
Every piece he produces, and there have been quite a few recently, is a winner. Clean lines, great colour selections and an incredible eye for shading and shadows. Brilliant as always.
When you see a really strong piece of writing like this and it says ASK, you can be pretty sure it is by Sled One, which indeed it is. This is a great work that the photograph fails to capture, there is some flaring on the lens, which is a bit annoying.
Although Sled One has been a little less active on the streets than he was, say a year ago, he is still capable of dazzling us with the quality of his pieces. He makes great choices with his colour selections and takes care with his shadings. I particularly like the eye sitting within the ‘A’, and the accent stars.
So I decided to round off this batch of last year’s Upfest posts with a very Bristol piece. This wonderful side of a bus was sprayed by the ASK crew, which comprises a great many of the Bristol graffiti/street artists I have covered in Natural Adventures passim. It would be fitting to end the 2016 posts with this, but I still have plenty more. I have decided to intersperse them with future posts, but obviously I’ll be concentrating on Upfest 2017 over the coming weeks.
Please don’t ask me to identify all the members of ASK, it could take me a while. The ASK (After School Klub) crew tend to dominate the street art scene in Bristol, but there is always plenty of space for others, and I don’t think they are too precious. Great colourful bus, but pretty dismal pictures. Nice eye – probably by Voyder.
Sometimes you get lucky and see pieces by great artists that come and go in the twinkling of an eye. This was a quick one sprayed by Inkie to celebrate the opening of the ‘Graffiti Nation’ exhibition at Upfest back on 28 April 2017.
Inkie told me that he had sprayed it quickly that day and had also worked on his contribution for the exhibition an the day as well. A busy man. This is a wonderful work, simple in its colour selection but with such beautiful writing and lines.
When I look at something like this, it appears to have an effortlessness about it, the work of someone completely in command of his craft. It was painted over fairly swiftly.
It seems that street/graffiti artists tend to have peaks and troughs in their activity. I suppose that, like the rest of us, life, jobs, family and so on just get in the way a bit. I introduce this piece with this observation because Sled One, who was extremely productive last year, seems to be a little quieter. This may just be a false perception, and I am not seeing his stuff as much as I used to – I might be in the wrong place at the wrong time.
This is of the usual high standard that Sled One attains, it appears, with such ease. This wildstyle writing is so very easy on the eye, like much of his work. I particularly like the ‘accent’ lines he uses to emphasise the letters or that wisp around the piece giving it a sense of animation. I will not tire of his outstanding work.