831. M32 roundabout J3 (40)

It has been a little while since I have seen a Sled One piece, but this one has been worth waiting for. A crocodile, or is it an alligator? with SLED written into the main part of the body.

Sled One, M32 roundabout Bristol, June 2017
Sled One, M32 roundabout Bristol, June 2017

There is a lot to like about this piece; the colours, the backdrop design, the writing and of course the reptile with its stylish purple glasses. This was my second attempt at photographing the work. The first time was on a very bright day, and there was a shadow cast across half of the wall…sometimes overcast days can be a blessing.

Sled One, M32 roundabout Bristol, June 2017
Sled One, M32 roundabout Bristol, June 2017

825. Raleigh Road, Vector (13)

The temporary hoardings in Raleigh Road are something of a honey pot for several members of the ASK crew. Given that there is little, if any, tagging on this space, I wonder if it is a curated legal wall. I guess I ought to know really.

Soker, Raleigh Road, Bristol, May 2017
Soker, Raleigh Road, Bristol, May 2017

This is an amazing wispy and colourful piece by Soker, and slightly different from the work we are used to seeing from him. It is interesting that the board had been blacked out before the piece was sprayed, suggesting that this was part of an organised event.

Soker, Raleigh Road, Bristol, May 2017
Soker, Raleigh Road, Bristol, May 2017

Soker, Keeping Things Fresh (KTF).

775. Kings Square Avenue (4)

There are several street/graffiti artists in Bristol who never seem to stop, and ranking high amongst those is Deamze. This compressed piece is from a few weeks ago and takes the format of his wildstyle lettering and a character.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

I am guessing that the character is some kind of hog or pig – probably from a cartoon series that I never watched on TV.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

The colours in this work, especially the dayglow pink and green set on a purple background create an eye-catching piece for passers by. Deamze has occupied this spot for as long as I have been blogging, and probably sometime longer than that.

 

 

756. Cowmead Walk (1)

This is a fabulous collaborative wall by Deamze (on the left) and Sepr (on the right). I found the wall quite by chance on my wanderings and it is always so rewarding when you come across something as impressive as this. There is also a moment of anguish and doubt that questions your knowledge of the street/graffiti art spots in your patch.

Deamze, Cowmead Walk, Bristol, December 2016
Deamze, Cowmead Walk, Bristol, December 2016

I don’t quite know why I haven’t posted it before. Probably because I have a backlog the size of a small planet and this one just got stuck there for a while.

Deamze, Cowmead Walk, Bristol, December 2016
Deamze, Cowmead Walk, Bristol, December 2016

On the December day that I took these pictures, there was a gentleman with several little dogs that kept running backwards and forwards in front of me. I hope they don’t distract too much. The Deamze wildstyle piece is of the high standard turned out by the artist, and the pink colour selection stands out really well against the green background.

Sepr, Cowmead Walk, Bristol, December 2016
Sepr, Cowmead Walk, Bristol, December 2016

The Sepr end of the piece is an entertaining scene, which looks to be of mice cleaning the component parts of a head. This is a theme I have seen before from Sepr, and he has mastered the stretching out and dissection of the head really well. The shadows add a perspective to the whole piece too.

Sepr, Cowmead Walk, Bristol, December 2016
Sepr, Cowmead Walk, Bristol, December 2016

Although the two halves of the piece do not tell the same story, they are coordinated and complement each other well. Great work from two of Bristol’s finest.

746. Wilder Street (15)

There is a lot to say about this remarkable recent piece by 3Dom in Wilder Street. I found out, while speaking to Alex from Where the Wall, that strictly speaking 3Dom did not have permission to spray the piece. Furthermore he sprayed over one of the landmark pieces left behind by Shalak Attack and Bruno Smokey when they visited Bristol last year.

3Dom, Wilder Street, Bristol, April 2017
3Dom, Wilder Street, Bristol, April 2017

I get the feeling that 3Dom got away with this misdemeanour on two counts…firstly his status as a local artist and secondly it is quite simply outstanding. The work in my eyes represents quite a departure from the usual wild and weird characters normally associated with his work. Here we see an intricate and beautiful study of floral patterns, shapes and colours, so very different from his previous work.

3Dom, Wilder Street, Bristol, April 2017
3Dom, Wilder Street, Bristol, April 2017

This is a truly outstanding piece and worth a trip to Wilder Street to grab a look. I noticed via 3Dom’s Insta account that he not so very long ago produced a similar style piece in London. This is the mark of an artist exploring new ideas and expressions, not something all are blessed with. I look forward to maybe seeing more of this stuff, which I understand was freestyled. Bravo!

3Dom, Wilder Street, Bristol, April 2017
3Dom, Wilder Street, Bristol, April 2017

732. Raleigh Road, vector (10)

This is the second of two consecutive posts of work from Soker at the same Raleigh Road spot. This one was actually sprayed before the one in the previous post. There is little more to say about the quality of Soker’s work, it speaks for itself.

Soker, Raleigh Road, Bristol, February 2017
Soker, Raleigh Road, Bristol, February 2017

I expect there will be more from Soker on this site over the coming weeks.

 

726. Dean Lane skate park (40)

Well it seems that lightening does strike twice after all. Inkie has returned to exactly the same wall he sprayed a couple of weeks back, leaving another one of his trademark pieces.

Inkie, Dean Lane, Bristol, April 2017
Inkie, Dean Lane, Bristol, April 2017

This time the base colours are green pink and black. You can just about see the outline of his previous piece underneath this one. He really is a master of his craft.