On a fairly regular basis a mixture of visiting and resident artists come to Bristol for a paint jam, which tend to include artists like ARSA, Corupt, RBN One, Solar etc, and very occasionally they are joined by Rusty (who in a previous post I referred to as Rusta).
Rusty, Cumberland Basin, Bristol, May 2026
I absolutely love the look of this anti-style graffiti writing. There is something really organic about it, and I like the sketchy quality of the black lines and fills. The impression this piece gives is one of freedom and spontaneity. The touches of orange add that little bit of extra class. A lovely piece of writing from Rusty.
Sub, M32 roundabout, Bristol, April 2026Sub, Peel Street Green, Bristol, December 2025Sub, Frome Side, Bristol, December 2025Sub and Bloem, Frome Side, Bristol, December 2025Sub, M32 roundabout, Bristol, November 2025Sub, Monarch’s Way, Bristol, October 2025Sub, Peel Street Green, Bristol, July 2025Sub, M32 roundabout, Bristol, July 2025Sub, M32 roundabout, Bristol, July 2025Sub, M32 roundabout, Bristol, March 2025Sub, River Avon, Bristol, February 2025Sub, Greenway Bush Lane, Bristol, January 2025Sub, Frome Side, Bristol, January 2024Sub, M32 roundabout, Bristol, December 2024Sub, M32 roundabout, Bristol, November 2024Sub, Peel Street Green, Bristol, October 2024Sub and Bloem, M32 roundabout, Bristol, March 2024Sub, Greenbank, Bristol, February 2024Sub and Bloem, Greenbank, Bristol, February 2024Sub, Peel Street Green, Bristol, February 2024Sub, M32 Spot, Bristol, January 2024
Silent Hobo and Logoe, M32 roundabout, Bristol, May 2026
Silent Hobo and Logoe have been painting together for a few years, and are obviously paint buddies. The first of their collaborations that I photographed was way back in April 2017, but I imagine they had been painting together for some time before that. This is a wonderful, colourful combination collaboration.
Silent Hobo and Logoe, M32 roundabout, Bristol, May 2026
The character by Silent Hobo, looks like he is standing in the face of a force 9 gale with his cap blown off, his hair pushed backwards and his hands in front of his face. I am guessing that this force is coming off Logoe’s bright writing.
Logoe, M32 roundabout, Bristol, May 2026
This beautiful script writing by Logoe was painted on a recent visit that was a precursor to the pair painting for Upfest (to come). Perhaps this was a practice session, although these two don’t really need much practice to be fair. The script letters spell Logoe and are decorated with vertical pink and bronze stripes. The piece is set on a white patterned cloud with purple borders. Altogether this is a high-impact collaboration.
Conrico, Noise and Stivs, Sparke Evans Park, Bristol, May 2026
This is a wonderful collaboration painted by Conrico, Noise and Stivs, who were participating in the World Wall Stylers challenge (Chapter 26) on reggae legends. Although these were painted in April, they were still looking pretty fresh in May.
Conrico, Sparke Evans Park, Bristol, May 2026
First up is a lovely portrait piece by Conrico of Pablo Gad, a lyricist of ‘when I was a yout’ by Ed Solo. I grabbed that information off Conrico’s Instagram thread, without which I wouldn’t have known any of this. The red, gold and green are well represented, and the portrait presented in Conrico’s distinctive brush stroke style.
Noise, Sparke Evans Park, Bristol, May 2026
The middle section is a lovely bit of chunky graffiti writing from Noise that also carried the red gold and green colours that stand out beautifully against the black background.
Stivs, Sparke Evans Park, Bristol, May 2026
The collaboration is rounded off with an outstanding portrait of Lila Iké by Stivs. His portrait work is hitting new levels at the moment, which makes for very enjoyable viewing. Stivs is a little more subtle with his incorporation of the red, gold and green colours, incorporation them as part of the border surrounding the portrait.
Logoe has painted a fair bit in Bristol this year, and as writing goes, this is one of his more conservative pieces without frills and decorations, just a straightforward example of script writing that he excels at.
Logoe, Brunel Way, Bristol, May 2026
The ‘wall’ in this case is actually a piece of canvas fabric that has been stretched between some fence posts, quite why I don’t know, in fact I’m not too sure what that bit of fence is doing in the first place, stuck under the flyover. Most of the pieces painted here tend to be fairly modest, perhaps it isn’t particularly inspirational. More to follow from Logoe.
Ments Upfest 2026, Greenway Bush Lane, Bristol, May 2026
At Upfest this year, there was a strong contingent of local artists, and some wall space made available to showcase everyday talent that I am privileged to see every time I walk out to take pictures, but that visitors to the festival might not be so exposed to. This balances out the presence of high-end murals in harmony with authentic street and graffiti art.
Ments Upfest 2026, Greenway Bush Lane, Bristol, May 2026
Ments is a Bristol artist who spans the gap between graffiti art and something more sophisticated. I spent a while chatting with Ments as he was finishing off this piece, and he explained that it was loosely based on the letters MENTS, although the ‘T’ kind of melted away. He was interested in the soft shapes and colours, presenting as an abstract form, being simultaneously both familiar and alien. A brilliant artist, and a fine Upfest piece.
Since ‘discovering’ RBN One a couple of months ago, I seem to be coming across his work with an unnerving frequency. How could this graffiti writer have been off my radar for so long? I don’t understand how this happens, but it happens.
RBN One, M32 roundabout, Bristol, May 2026
This is a beautifully colourful piece that is not only stunning to look at, but also technically well crafted and painted too. Each letter is independent of colour or fill pattern from the next, in the main, although there is a little bit of repetition through the piece. The contrasting drop shadow is perfect, and the whole effort is set on a silhouetted cityscape. Superb stuff.
The strong tradition of graffiti writing in Bristol, that first emerged in the 1980s, has been upheld by a handful of dedicated and talented artists, whose numbers have swelled thanks to their persistence. At the heart of this community is Turoe, who has created this lovely piece for Hemper, another in this merry band.
Turoe, Dean Lane, Bristol, May 2026
The letters spelling HEMS appear as a burst of colour on the black buffed wall, made all the more eye-catching thanks to the flames licking the perimeter of the piece. This is wildstyle graffiti writing at its best, and we are blessed in Bristol that some of the best in class call the city home.
Tera and Kid Crayon, Cumberland Basin, Bristol, May 2026
You don’t often get to see winter-themed pieces in the spring, but if anyone was going to challenge the viewer in this way, it was likely to be Tera and Kid Crayon. I can imagine them being rather pleased with themselves when they came up with the theme for this collaboration. Their contrasting styles really come across in these pieces.
Tera, Cumberland Basin, Bristol, May 2026
Tera tends to have quite an edgy take with his street art work, favouring demonic representations, which he has followed through with this icy combination piece. The cool letters (which I can’t read) are accompanied by a sinister skeleton snowman character holding a spray can in his right hand. The suggestion being that he has just written the letters.
Kid Crayon, Cumberland Basin, Bristol, May 2026
On the other hand, Kid Crayon’s take is much more cuddly, with a fun polar bear drinking a slushy next to his CRAYON letters looking like ice cubes or an iceberg – altogether a softer look. What a superb collaboration from the pair.
Neddy ned Ned presents the final part of the jungle paint jam, that included Jest Soubriquet, Buser and Mr Sce. His distinctive letters, spelling out WISKA, have a muted tone about them, almost as if lurking in the undergrowth.
Neddy ned Ned, River Avon, Bristol, May 2026
There is something quite organic about this piece that fits the jungle theme really well. The green and purple fill is quite subtle and there is some interesting patterning through the letters. A pale blue 3D drop shadow gives definition between the writing and the background. This is a well-considered and balanced piece by Neddy ned Ned.