2156. Upper York Street (14)

I love it when it happens, when an unannounced collaboration appears as if by magic. This sensational work from Smak and Hazard is one of those special pieces, and I think they have absolutely smashed it.

Smak, Upper York Street, Bristol, April 2019
Smak, Upper York Street, Bristol, April 2019

Smak has again gone for one of his double burners, where he has cleverly crafted two versions of his name into one piece. If you look carefully, there is one in blue and one in mostly orange. Such an accomplished thing to do from an artist who seems to be at the top of his game at the moment.

Hazard, Upper York Street, Bristol, April 2019
Hazard, Upper York Street, Bristol, April 2019

Then to Hazard’s fabulous frog, which I have to say has come as a huge surprise because I am more used to seeing her portrait pieces. I am a naturalist by training, and I have always had a bit of a soft spot for amphibians, especially frogs, so this piece really chimes with me.

Hazard, Upper York Street, Bristol, April 2019
Hazard, Upper York Street, Bristol, April 2019

Everything about this frog is good, the colours and the shading and the light reflecting off the body and the eye. Such an unusual piece to find on the streets of Bristol, but a wholly welcome one. More of this kind of thing please! A great collaboration on Upper York Street, so utterly well worth a look.

Advertisements

2154. Moon Street (65)

I recently posted a collaboration piece by ‘Ware’ and Jaksta from Upfest 2016, and I stated then that I wasn’t very familiar with ‘Ware’s work. Well nothing has changed there except that I now know his Instagram moniker is @mickeyraw and I able to see when he has painted new work. I found this one down in Moon Street recently, and it is a fine piece of wildstyle writing by this RAW artist.

Ware, Moon Street, Bristol, April 2019
Ware, Moon Street, Bristol, April 2019

The colours work really well together and the execution of the piece is truly first class. I am looking forward to seeing more from ‘Ware’ or do I call him Mickeyraw? I started with Ware, so will continue until I know better.

2152. St Werburghs tunnel (73)

Another fine combo from Laic217 and Cort in St Werburghs tunnel. I feel like I haven’t seen too much from Laic217 in recent months, although actually he is still reasonably productive and I see maybe a couple of new pieces each month.

Laic217, St Werburghs, Bristol, April 2019
Laic217, St Werburghs, Bristol, April 2019

The Character piece has several themes that we have seen from Laic217 before. A skull, a brick wall, this time in the form of glasses and a brilliantly crafted hoodie jacket complete with zip.

Laic217, St Werburghs, Bristol, April 2019
Laic217, St Werburghs, Bristol, April 2019

More than other pieces that Laic217 has produced, this one feels surreal, probably because the brick wall obscures the eyes, or more correctly the eye sockets, so the character is dissociated from its surroundings… warning, beginning to sound a little pretentious.

Cort, St Werburghs, Bristol, April 2019
Cort, St Werburghs, Bristol, April 2019

It would seem that Cort recently has been rather fond of extending the length of his name, and in this case to CORTONE. I wonder if by lengthening it he gives himself more scope to play around. I like what he has done here, and I particularly like the random white surround with trios of black dots in it. All in all a nice collaboration from these two friends.

2151. M32 roundabout J3 (138)

There was a recent paint jam down at the M32 with fur artists participating. The only one that I recognised was Smak, so I guess the others were visitors to Bristol, or don’t paint all that often. This piece by Smak was the pick of the bunch, although the others were pretty good too, and I’ll post them in due course.

Smak, M32 roundabout, Bristol, April 2019
Smak, M32 roundabout, Bristol, April 2019

The colours of this piece stand out so brilliantly against the white background and I consider this to be a truly masterful piece of writing. I am pretty hacked off that I cut off the ends of the piece in both photographs but the pavement here is pretty narrow and it is difficult to get the full span of a piece in shot. I am even more annoyed that I went back there last night and forgot to retake the pictures. Sensational work though.

2145. Dean Lane skate park (205)

I haven’t seen a whole lot of Mr Draws’ work lately – I think he has been out and about, but by the time I get to find his pieces they have been over-painted, so it was most gratifying to come across this one in Dean Lane last week.

Mr Draws, Dean Lane, Bristol, April 2019
Mr Draws, Dean Lane, Bristol, April 2019

His ideas are simple and his execution very much in the style of high-class bombers, but in my mind what really sets him apart from others is his willingness to try new concepts and colour patterns. This piece really works for me, it is easy on the eye and I just can’t stop myself following the purple spiral from the centre outwards and back again. The multicoloured fill is a joy. All good from Mr Draws.

2140. Dean Lane skate park (204)

Not very often, but often enough to satisfy the appetite, Dibz creates one of his extremely precise and complex pieces of wild style writing. I have seen a few where he uses this black and red combination which he seems to favour.

Dibz, Dean Lane, Bristol, March 2019
Dibz, Dean Lane, Bristol, March 2019

Somewhere in there it probably says DIBZ, but I’ll be darned if I can find it. The whole thing is just so sharp and crisp, and technically pretty close to perfection. This is what the highest quality writing looks like. Bravo Dibz.

2135. M32 Cycle path (21)

Well here is another one from Decay, with a little bit of collaboration from Rezwonk who provides the orange patterned base. I have to say that of Decay’s recent pieces I think this one just shades it as my favourite. You can find it on the M32 cycle path, which looks like it will be reopening very soon, and perhaps elevate access to this wall which has been a little neglected over the last year or so.

Decay and Rezwonk, M32 cycle path, Bristol, March 2019
Decay and Rezwonk, M32 cycle path, Bristol, March 2019

I think it is the first time I can remember Decay using this colour palette and I think that it works really well with his writing style. The evolution of his work is a journey I am enjoying very much, and each piece seems to push the boundaries just a little bit more. Still a whole bunch more to come. Rezwonk is a fine artist in his own right, but his tight, bright designs work extremely well in collaborations. All round great piece.