1079. M32 roundabout J3 (50)

This is the first piece that I have posted from Elvs, but it is not the first I have seen and I will have to dig out others from my achives, because this is very fine wildstyle writing indeed. There is little on the Interweb about Elvs, and I guess he would want it that way. but I suspect he is a London-baased artist who comes occasionally to Bristol.

Elvs, M32 roundabout, Bristol, September 2017
Elvs, M32 roundabout, Bristol, September 2017

This stunning piece has adopted the same technique that I have featyred from Deamze and Voyder, where there is a diagonal split through the writing, and in this case the primary colours, black and white, are reversed either side of the diagonal. Thuis is highly accomplished stuff and beautiful crisp writing. I can’t think why I haven’t posted any of his work before.

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1036. M32 roundabout J3 (48)

Another quite old one from the archive, this time from Soker. You can see that this was sprayed on an outing with Deamze, on the left and Voyder on the right, all using the same colour palette.

Soker, M32 roundabout, Bristol, March 2016
Soker, M32 roundabout, Bristol, March 2016

This is nice crisp writing from Soker, and really didn’t deserve to be in my archive for so long. Well it is out there now.

1013. New John Street (3)

Another fabulously intricate piece of wildstyle writing from Deamze accompanied by a cartoon-style character. There is a lot to like about this piece…it is clean and crisp, the design is highly detailed, the cartoon character is beautifully done and is holding a spray can, which is always a good thing.

Deamze, New John Street, Bristol, September 2017
Deamze, New John Street, Bristol, September 2017

This is a site tucked up behind Cameron Balloons, and is a favourite for several members of the ASK crew, including Cheo, Soker and Deamze himself. I don’t come here very often, but it would appear that I visited pretty soon after a whole new bunch of work had been done. I like it when I get lucky like this.

Deamze, New John Street, Bristol, September 2017
Deamze, New John Street, Bristol, September 2017

992. Dean Lane skate park (75)

This is another fine piece of wildstyle writing from Soge on the long wall at Dean Lane. I believe that Soge is a friend and neighbour to Hire, and is another of the Polish contingent of artists that is making a big impression on the Bristol graffiti art scene at the moment.

Soge, Dean Lane, Bristol, August 2017
Soge, Dean Lane, Bristol, August 2017

It is interesting that both Soge and Hire have a style that feels rather gothic and jagged – it is different from most of what you see from the established Bristol artists. This piece is vibrant and colourful and fun too – there is a boar’s head lurking between the S and O.

Soge, Dean Lane, Bristol, August 2017
Soge, Dean Lane, Bristol, August 2017

I expect to see more from Soge – probably at Dean Lane, which seems to be a favoured spot for these artists.

963. Dean Lane skate park (72)

This is the first time I have seen a rabbit and writing from Hire sprayed together at the same time. I think Hire likes to hang out at Dean Lane, as most of his recent pieces have been there. At first I wasn’t too sure that the writing was by Hire, because he usually spells out his name, but the style is his.


At first I wasn’t at all sure what the writing said, but there is a small clue at the bottom of the piece where it says ‘Anna’. Looking back up at the writing, it then becomes obvious. Is this an expression of admiration I wonder?


The rabbit is fantastic as I would expect, I do like his rabbits and am building up quite a collection of them. As a whole, the wall comes across as two discreet pieces, which is often how collaborations work, where two artists will spray together using the same paints, but there is no read-across from one to the other. I like this collaboration with himself.

960. Wilder Street (18)

This is another little post-Upfest ‘gift’ this time from Hide2 in the Stokes Croft area of Bristol. It is one of three pieces on Wilder street, the others being from Aintzane Crucet and Deamze, courtesy of the curated wall from Where the Wall.

Hide2, Wilder Street, Bristol, August 2017
Hide2, Wilder Street, Bristol, August 2017

This is not Hide2’s Upfest piece, which will be posted in due course, but it is nonetheless a wonderful work of wildstyle writing and of a really high standard. The colour choices are excellent and definition and shadows in his lettering is highly accomplished.

Hide2 is based in Malaga, Spain and I highly recommend a quick look at his Instagram feed. All good.

951. New Stadium Road (3)

In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. ┬áThis is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.

Deamze, New Stadium Road, Bristol, July 2017
Deamze, New Stadium Road, Bristol, July 2017

Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.

Voyder, New Stadium Road, Bristol, July 2017
Voyder, New Stadium Road, Bristol, July 2017

This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.