Writer – Natural adventures

7787. Brunel Way (363)

Sled One and Oust, Brunel Way, Bristol, April 2026

I was very happy to catch up with Sled One as he was finishing off his snail, way back in April – a piece that nearly slipped through the net. Happy, because I hadn’t seen him for a long while, which was perhaps not too surprising because he told me that he was a bit of a ‘fair weather’ artist with regard to his street work. Here he teamed up with Oust, amongst others is an outstanding collaborative wall under Brunel Way.

Sled One, Brunel Way, Bristol, April 2026

The Snail is so full of character and a multitude of charming details – his face with those eyes on stalks is a picture. Three cheeky ladybirds are hitching a ride on the snail’s back and his shell is a clever representation of planet Earth. The snail is sliding his way through the grass.

Next to the snail set in a grassy landscape is a wonderful piece of graffiti writing from Oust. The letters and drop shadow pick up on and reflect the colours used in Sled One’s adjacent snail. The wildstyle writing is beautifully presented with organically blended colours in the letters, with some spots, and a blue background with further spot decorations. This is a superb pairing from the overall collaboration.

7786. M32 Cycle path (318)

Werm, M32 Cycle path, Bristol, April 2026

It feels like I have posted a lot of pieces by Werm recently, probably because I have. This is another in a sequence of high quality and original pieces of graffiti writing the artist is producing with great regularity and panache.

The symmetry, while there, is less strict than in other pieces, with the ‘W’ and ‘M’ being opposite ways up and the ‘E’ and ‘R’, being readable. The overall shape however is symmetrical. Three central colours dominate, orange, green and light blue, although the latter is a little lost alongside its stronger neighbours, which unbalances the piece a little. Some nice squiggles break up the solid fills enough to add variety, without being over-fussy. Another very nice piece by Werm.

7784. Sparke Evans Park (158)

Solar, Sparke Evans Park, Bristol, April 2026

I am enjoying Solar’s ‘renaissance’ very much. In recent months there appears to have been an upwards shift in the quality of and confidence in his work. He has always had a recognisable style, and now he appears to be firming it up and creating consistent excellence.

This is a lovely tribute piece to Paroe on the long wall at Sparke Evans Park, which must be an anniversary piece a year or so on from the original tribute wall. The anti-style writing, spelling PAROE is painted in beautifully blended yellow and turquoise colours, presented on a neutral beige background. There is some nice marbling and detailing throughout the piece, which is a fine tribute to a popular artist who is obviously much missed.

7783. St Werburghs tunnel (589)

Mr Draws, St Werburghs, Bristol, June 2026

I am so pleased to see that Mr Draws is getting out and painting more regularly once again. He is an artist who goes through peaks and troughs of activity, and it looks like he is approaching another peak. I have followed his work for 10 years, and he has always been great for a chat every time I have met him – his work always feels a bit special to me.

This is a colourful piece at the end of the tunnel in which he has switched up his letters to spell RAWSD. Mr Draws is often playful with his letters, but it is always easy to identify his work, because his style is so recognisable. This is a piece which has a lot of freedom, with colours seemingly randomly blending throughout to great effect. A happy piece from Mr Draws.

7782. St Werburghs tunnel (558)

I have mentioned in the past that much (not all) of Donz’ work is quite flat in terms of perspective, as you can see from this updated gallery of his work. But every once in a while he includes a 3D drop shadow, and this is the finest example of this that I have seen.

Painted as part of his own birthday paint jam in the tunnel, Donz has seriously stepped up to the plate and produced a classic. The clean colours, painted into nicely designed letters are lifted perfectly by the purple shaded shadow. The whole thing isn’t overworked, instead a clean and clear attractive piece. Happy Birthday.

7781. M32 Cycle path (317)

Kid Crayon, M32 Cycle path, Bristol, June 2026

This wonderful combination piece by Kid Crayon is his contribution to the Mexican-themed wall painted alongside the M32 a few weeks ago. KC has embraced the theme with gusto, using the colours of a parched desert for his lettering and decorating the piece with cacti. These might be stereotypes, but certainly chime with a British characterisation of Mexico as a hot, dry country.

The character is a masked Mexican wrestler (luchador), and is accompanied by the word Lucha and a little enacted wrestling scene in the bottom left of the piece. Loads of fun in this beautifully finished celebration of Mexico.

7779. Sparke Evans Park (157)

Werm, Sparke Evans Park, Bristol, June 2026

Just when you think you have seen all the improvements and variations Werm can make with his letters, he comes up with an original piece like this one. Spelling out the letters WERM, the piece is almost (but not quite) perfectly symmetrical.

The thick letters are filled with blues and oranges, with a pink and purple puffy background… not a combination of colours that should work in my mind, but somehow it works really well and draws the eye. I think that this piece really demonstrated that Werm keeps pushing boundaries and developing his style. Never a dull moment.

7778. Cumberland Basin

Turoe, Jody and Fade, Cumberland Basin, Bristol, June 2026

I’m not sure what the occasion was, but it doesn’t really matter when three such accomplished artists come together. The triptych combination collaboration is by Turoe on the left, Jody in the middle and Fade on the right.

Turoe, Cumberland Basin, Bristol, June 2026

Turoe has been a little more active of late which is great to see, and it might signal an improvement in his health which I understand has been a challenge for him in recent years. This is a gorgeous piece of graffiti writing, which with its white and grey fill, gives the impression of being reflective chrome or other metal. A decent red drop shadow lifts the letters above the dark velvety purple background.

Jody, Cumberland Basin, Bristol, June 2026

Any reference to Star Wars is always welcome on these pages and this outstanding portrait of Darth Maul by Jody is top drawer stuff. (note to self – prepare a Star Wars gallery). Jody has captured the character perfectly and manages to convey his attitude and menace. The background of the planet Mustafar works well with Darth Maul’s lightsabre

Fade, Cumberland Basin, Bristol, June 2026

Fade had a quiet winter, but now that the weather is fine (almost too fine) he has been out and about more frequently. This classy bit of wildstyle graffiti writing is vibrant and full of movement augmented by the squiggly border. Some nice transitions in the fills with reversed bubbles appears to have been applied with such ease. None of this is easy, and these three artists are at the top of their game.

7777. Dean Lane skate park (933)

Every once in a while I come across a piece of writing from a writer I don’t know, and just have to offer a nod of appreciation, saying to myself – ‘that is pretty good you know’. This piece by Sindo, is one of those.

Many visitors to Bristol don’t make it into the hollowed pages of Natural Adventures (I jest), but Sindo – who hails from Northern Italy – easily made the cut with this stunning chrome piece. Set on a purple cloud, the nicely presented letters with an interesting black/grey 3D drop shadow, is augmented with a scattering of blue marks which give additional life to the piece. Benvenuto a Bristol.

7776. M32 Cycle path (316)

Hugs, M32 Cycle path, Bristol, June 2026

I know that I have quite a few pieces by Hugs in my archives, which I will have to dig out. Hugs’ work has some similarities with Dog Bless the Band, in that the anti-style writing is made up of large conjoined letters, filling the space, with fine details subtlely scattered around.

In this piece, which Hugs has annotated with the words ‘Vein melter’, the fill is like a blended wash of orange and light brown, with what look like inky doodles dotted about. I imagine that if Gerald Scarfe were to write graffiti, it might look a little bit like this. There is something about Hugs’ work that I find quite compelling – nice one.

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