I cannot begin to explain why it has taken me so long to post this outstanding piece by Deamze, especially as I am a lifelong fan of Goscinny and Uderzo’s Asterix the Gaul books. I guess that part of the reason is that my words simply can’t do justice to the genius of this piece, and so I left it, always meaning to come back to it.
I rarely use the word genius, but I atcually think that Deamze is the absolute master of his craft and in this work, he has mashed up characters in the correct colour palette from Uderzo’s illustrations to draft out his name in his own style and it is all utterly commensurate with the ethos of the comic books. This is interpretive art at its very, very best.
Deamze leaving Bristol for Hobart is surely one of the greatest creative losses for the city, and I am full of jealousy when I see his work from the other side of the world on Instagram. Maybe sometime he’ll pay us all a visit and drop a few pieces while he’s at it. One of my all-time pieces of Bristol street art.
Taken back in June 2019, this might be the last Soge piece that I have seen. Soge, who often paints with Hire has gone very quiet indeed and I wonder if he is still in Bristol at all. I do hope the absence is temporary because this style of graffiti writing seems to be pretty much the domain of these two artists.
Soge (I think) is Polish and one of several artists fom Poland, including Hire, Laic217 and Skor and without whom the Bristol scene would be less diverse and interesting. This magnificent piece of gothic-style graffiti writing is a little bit more organic and softer than Hire’s spiky work (to the left) and is technically superb. Look carefully and yu will be able to make ut the letters SOGE. A fabulous piece. I hope there will be more to come this year.
Although I have seen a few pieces by Rapt recently, this is my first post featuring the artist from Newport across the Severn Estuary. He seems to favour St Werburghs tunnel and I think he probably lift-shares with Elvs, as they are often to be found painting side by side.
Rapt has a strong and bold writing style and tends to stick to his basic font which includes an upside down ‘T’ at the end of it. In this example he has some nice cracks in the lettering, some great shading and bullet holes and blood for good measure. Look out for more from this artist.
From the moment I saw this piece I have had a terrible earworm and as the Coronavirus pandemic has worsened so has the earworm. To avoid the perilous infection don’t read the small writing under the ‘U’ of Subtle.. oh oh, too late… you’ve done it now! This is a cracking and topical piece by Subtle under Brunel Way in one of his favourite spots.
I have seen several Coronavirus-related pieces lately and some are humorous and some less so. It is difficult to know where the lines are in making light of the pandemic – this is uncharted territory. In my view Subtle gets away with it in this piece, mainly because I now he is a great bloke and also it is a rather good piece.
Ryder has stamped his moniker all over Bristol, either with the letters RYDER or with his ‘R’ character. Because his work is everywhere, it is sometimes difficult to know whether you have already photographed a piece or not, and that was the case with this one on the M32 cycle path. While I might have photographed it, I haven’t posted it until now.
The obvious thing to comment upon is the dynamic and free-form fill that Ryder has used – not solid, but rather more organic, like the kind of fills you might see from Ugar (what’s happend to him recently?). The whole thing is unusually subtle from Ryder, but look closely and you’ll see that it is a real gem.
Elvs has spend a lot of productive time in St Werburghs tunnel this winter and created a crop of stunning pieces. I’m not sure about the significance of the bunch of grapes, but the leaves are more like those of an olive tree rather than a grape vine (#onlysaying).
Set on a yellow background, and sticking to his tried and tested formula of letter font and shapes, Elvs has a horizontal grading through the piece from pink to dark pink to brown. He has cleverly incorporated black 3D shading on the top half of the piece and yellow outlines at the bottom. This is another fine piece, but I have to say that I don’t think the yellow background does the whole thing any favours.