I think that this is the last piece to be posted from a recent and most welcome spate of excellent work by Flava136 in Bristol. Having said that, maybe his trips will continue to be more frequent, and he seems to clicked with quite a few members of the LRS crew in the city.
As with the last piece I posted, Flava136 has produced some cryptic writing into this monster piece. I guess it says FLAVA or part of it, where the F is obvious, but thereafter I am clutching at straws a little – perhaps there is an L just above the tongue. Anyhow, this is yet another outstanding, sharp piece from Flava136.
It was a case of third time lucky with these pictures… my previous efforts were taken in bright sunlight and a shadow was cast across the middle of the piece, so while the colours were perhaps a little more vibrant the photographs were shit (pardon me). (my spell checker has just highlighted a profanity, ha ha).
Taboo is a real favourite of mine and his wacky of-beat pieces are a fantastic challenge to all that is conventional in street art. Taboo’s writing is eratic and unpredictable and usually in a monotone, somewhat akin to the writing of Alos and other similar writers, but then, alongside this unconventional writing, Boom! Taboo gives us a perfect rendition of Mini Mouse.
This juxtaposition is what gives his work its unique and memorable identity, something we can all identify with while at the same time be puzzled by. I have made it no secret that I am a big fan of his work and get a buzz whenever I see his stuff.
I met Pl8o for the first time a couple of weeks ago while he was painting at Brunel Way, and what a nice fellow he is. He talked a little about his recent experimentation with styles, but said that he was lining up some more ‘blocky’ pieces, of which I guess this is one.
This piece is a delightful sleepy nighttime piece with a moon and stars for added interest. Pl8o has painted some large block letters, nicely filled and decorated, but the star of the show is the moon face blowing clouds into the night sky. A fun and light-hearted piece.
Another debut on Natural Adventures in 2021, this time from Chill. It would be interesting to look back on 2021 and look at how many artists appeared on these pages for the first time, and which artists featured the most. Perhaps a little New Year exercise for me to do.
I know nothing about the artist, but I absolutely love this black and white cartoon trio of characters, painted in a very Beano/Dandy/Viz kind of style. Loads of mischief and fun and really tight artwork. There is a simplicity and symmetry to the piece that makes it so easy to enjoy. I really ought to do a little more research to find out more about the artist. Maybe if I find another Chill piece.
I was lucky enough to meet Mest when he was painting this piece, just a couple of days before the Italy v England Euro 21 cup final. Perhaps the less said about the result of that match, the better, although being an Italophile, losing to the Italians wasn’t so bad.
Mest wasn’t at all what I expected, but then I can’t think of a single artist who looked anything like I thought they might before I met them. His simple large letters in white are embellished with a large red cross through the middle to create a Mestivellian St George cross, The whole thing neatly bound with a black and blue border. A nice patriotic football piece. I must be getting close to having enough of his work for a gallery.
Ah! Sweet joy – another splendid piece from Bristol’s reliable and faithful Laic217. Of all the artists in Bristol, I think that the one that brings me most pleasure is Laic217, because I have been following his progress closely and watched him develop into a first class graffiti artist.
This classy piece on the M32 cycle path returns to a melting face theme that Laic217 was rather fond of a few years ago, but it is now embellished with so much more detail and technique. His name is concealed in the melting face, and there is a nod to his crew PAD too. The bucket hat has some slightly peculiar eyes peering through, and I love the way he has painted the ridges in the brim. Another wonderful piece from Laic217.
As if things weren’t busy enough on the streets of Bristol, I take a week’s holiday, and the turnover of pieces has been phenomenal. Possibly the pick of the bunch (but I am biased) is this door piece from Laic217.
Laic217 seems to have settled into a pattern of painting that I can just about keep up with, roughly a couple per month, which seems sensible to me. This piece is perhaps a little more unsettling than some of his skeleton pieces, because of the satanic references. The face is a design idea I have not seen from Laic217 before, but it has a horror film feel about it.
As always the execution of the piece is first class and the detail in the character’s coat, the creases and yellow cord, are fabulous. The blue smoke too is nicely done. Laic217 keeps on turning out brilliant work, no fuss, no bother.
In the midst of all the excitement of the Upfest 75 walls in 75 days summer event, it is easy to forget about the beating heart of the Bristol graffiti art scene. Writers like Phour put in the hard graft day in, day out, honing their skills, making adjustments and having fun. Without these people, Bristol would simply be a high-end clinical showcase of wall art, and I could name one or two towns and cities in the UK that are just that, where there is no sub-culture to speak of.
Phour’s letters are distinctive and regular, spelling out the name. In this piece there is a fine horizontal transition running across the letters with some decorative bubbles. The green bubble background and bright green border help to give the letters a bit of a lift. A nice piece from Phour.
When I saw this piece for the first time, I was instantly drawn to it – there was something about the form and colours and of course the penguin. It had been painted alongside work from LRS artists Eman and 3F fino, but I didn’t know who the artist was. I got lucky a week or two later when I met the artist, Apex_aloy, during a paint jam at Cumberland Basin and was able to put a name to the piece.
I believe Apex_aloy comes from a town near Bristol and visits from time to time, which is something I’ll have to look out for. I had difficulty making out the letters initially, but they spell out STIKA, and have been worked nicely to complement the colours of the penguin. The piece was painted freehand and has turned out rather well. A few more minutes working on the backwash would have taken it up a level… small details. Looking forward to seeing more from Apex_aloy.
One of Bristol’s most prolific writers of recent years has recently moved out of the city, and don’t we know it. There was a time when hardly a week would go by without a new piece from Decay, but now they are something of a rarity. This one was painted alongside LRS crew fellow Eman a little while ago.
Decay seems to reinvent his basic design every year or so, and this is his 2021 look with the letters D and K and a more prominent ‘Chuck’ character in the middle. There are some lovely design features in this writing, and I love the neon pink triangle on the K. I hope that as things return a little bit to a new normal, Decay will be able to come in to Bristol a little bit more often, his work is missed.