2883. Shoreditch, London

This picture was taken in August 2016 during one of my reasonably infrequent trips to Shoreditch. I am beginning to think I need another trip there, but for the moment I’ll be staying put. This gorgeous piece is by Mr Cenz, whose etherial portraits are emblematic of the London street art scene.

Mr Cenz, Shoreditch, London, August 2016
Mr Cenz, Shoreditch, London, August 2016

There is something about the colors green and purple that work so well together and Mr Cenz has worked his magic in this piece, creatinng a metallic sheen to the whole thing with carefully positioned white highlights.. The strange thing about this piece is that the familiar female features are held together by shades and abstract shapes that on their own wouldn’t look like anything. Clever work.

 

 

2790. Gloucester Road

I have waited a long while to photograph this mural from Mr Penfold, mainly because it is not in a place I frequent all that much, there isn’t any other street art to speak of just in this spot, so it requires a special trip or an occasion when I happen to be in the right place at the right time.

Mr Penfold, Gloucester Road, Bristol, February 2020
Mr Penfold, Gloucester Road, Bristol, February 2020

That time was about a month ago on one of those rare sunny days in an otherwise very wet (the wettest on record) February. This mural is what Mr Penfold does so well and so distinctively. In his ‘liquorice allsort’ colours and 1980’s designer patterns Mr Penfold presents with a pleasing abstract pece that turns a boring wall into a point of interest. This is most likely a comission from the shop or possibly from the Business Improvement District. A nice piece.

2770. St Werburghs tunnel (146)

Mr Klue is going through a productive and creative patch at the moment, and it is a real pleasure to see his work springing up all over the place. This large piece in the tunnel at St Werburghs is a bit of a feast for the eyes.

Mr Klue, St Werburghs, Bristol, February 2020
Mr Klue, St Werburghs, Bristol, February 2020

Unfortunately, the light in the tunnel has goofed up the colours a bit and a car was parked in a place where I couldn’t swing to the right to get more natural light on the image. Why do people park in the tunnel? Sadly I can’t go back to get more pictures, because it has already gone. Turnover in the tunnel is so high at the moment, probably because we have had so much rain.

Mr Klue, St Werburghs, Bristol, February 2020
Mr Klue, St Werburghs, Bristol, February 2020

The piece itself is classic Mr Klue fare with the added bonus of a character and his top hat, most likely influenced by Carroll’s mad hatter. Mr Klue has used this imagery several times in his murals and it adds another layer of mystery to his abstract work. A grand piece.

2745. Picton Mews (2)

I don’t get to see nearly enough of 3Dom’s work. In the five or so years I have been doing this, his pieces have consistently been of the highest quality. Crazy and quirly at times, he seems to be constantly evolving his style and keeping things interesting.

3Dom, Picton Mews, Bristol, February 2020
3Dom, Picton Mews, Bristol, February 2020

This very recent piece in Picton Mews combines two of his fascinations, a skull and his abstract flowers. The dark skull contrasting with the vibrant colours of the flowers kind of gives me a sense of hope, beauty emerging from despair type of thing. As always immaculately executed and beautifully set on a dark blue background – an unusual colour in street art. More of this would be a great thing.

2720. St Werburghs tunnel (138)

In one of his favourite spots, Mr Klue has painted this bright and breezy piece as part of a 64 Dot Com collaboration with DNT and Mr Sleven. In this more than in other pieces you can see the letters KLUE if you look carefully, with the U and E being especially clear.

Mr Klue, St Werburghs, Bristol, January 2020
Mr Klue, St Werburghs, Bristol, January 2020

The abstract style so unique to this artist is soft and ephemeral and like a cloud looks like it might evaporate altogether at the slightest gust of wind. In this piece there is a return of some steps, a feature I always like in his work. Capping off the whole thing is a halo in yellow, which adds a touch of humour. A lovely piece.

2687. Turbo Island

Turbo Island Has seen quite a bit of action in the last month. First there was a reminder to vote in the election from DNT (not posted), then there was a happy Christmas message from Rezwonk and Decay, and then early in the new year, Mr Klue gave us this lovely abstract piece.

Mr Klue, Turbo Island, Bristol, January 2020
Mr Klue, Turbo Island, Bristol, January 2020

Nothing lasts long on this hoarding before it gets tagged, and I was a bit slow in photographing this one. I do think though that it is a great place for street/graffiti art and I would like to think that this will become a high quality high turnover space for local artists. It certainly is in a fantastic spot with a whole ton of cars passing by every day, and I think that there is an element of curation from the Peeople’s Republic of Stokes Croft.

Mr Klue has included a Mad Hatter’s hat, which is a motif used reasonably frequently in the artist’s work. Great to see a flurry of Mr Klue pieces this winter, because as many will know I am an admirer of his nicely understated work.

2638. St Werburghs tunnel (121)

Mr Klue doesn’t seem to be hitting the walls as often as he used to, so finding one of his pieces these days is all the more pleasurable. This one, at the Farm end of St Werburghs tunnel (a favoured spot for Mr Klue) appeared a couple of weeks ago.

Mr Klue, St Werburghs, Bristol, December 2019
Mr Klue, St Werburghs, Bristol, December 2019

As always there is a whimsical and mysterious look to the piece. The whispy abstract form often spells out KLUE, but I must say I am baffled by this one. Maybe it says nothing at all. Always great to see his work, however infrequently.