955. Upfest 2017 (21)

I had been waiting for a long time to at last meet up with Mr Klue, and the one place you can be more confident that such a meeting will take place is at Upfest. I found him just as he was finishing off this beautiful abstract piece in a corner of the South Street Park site.

Mr Klue, Upfest, Bristol, July 2017
Mr Klue, Upfest, Bristol, July 2017

Mr Klue is a disarmingly modest man whose style of abstract work is unparalleled in Bristol. I’m not entirely sure he knows how gifted he is, and his works convey great skill and thoughtfulness. I particularly like this one with its wispy smoke and swirly shapes shifting to a vanishing point.

Mr Klue, Upfest, Bristol, July 2017
Mr Klue, Upfest, Bristol, July 2017

I don’t know how we got onto the subject, but Mr Klue told me that he does all his drawings in biro…an implement I can’t stand, but one that allows his work to flow, he likes the feel of it. Now there’s something you didn’t know.

A great piece from a great young man who I was so very pleased to catch up with. I hope our paths cross again soon.

949. Upfest 2017 (19)

Many will instantly recognise the wonderful abstract work of Decay instantly. A Bristol-based graffiti artist who has appeared in numerous posts on this blog, with his characteristic concentric shapes of black, white, grey and red. He was very smart this year – he is a quick worker, and he sprayed his piece early on the Saturday morning before the rain came, and was then free to enjoy the festival with the rest of us punters.

Decay, Upfest, Bristol, July 2017
Decay, Upfest, Bristol, July 2017

I met up with him in one of the venues, I think it was the Rising Sun, by chance which was lucky, because I had told him via Instagram that I wanted to buy one of his lovely new T-shirts and would do so if I met him. The shirt is great, and a nice souvenir of the day. I also had another little souvenir in the shape of one of the spray cans Decay used to spray this piece (the one on the left of the feature image).

Mrs Scooj was not impressed and said that I was behaving like a groupie and should grow up a bit. I prefer to think of myself working alongside these artists, and whilst I admire them I don’t think I idolise them. Without archivists and rapporteurs, our world would be transient and ‘in the moment’ but there would be little in the way of context.

Another fine Decay piece.

941. Upfest 2017 (15)

Oze Arv was a very busy man during his short stay in Bristol for Upfest. This Portuguese artist from Lisbon uses patterns to mix expression and graphics. His style is instantly recognisable, as you will see as I post all of the work he left behind for Bristolians.

Oze Arv, Upfest, Bristol, July 2017
Oze Arv, Upfest, Bristol, July 2017

This is a lovely shutter piece on North Street, one of two ‘official’ pieces he sprayed for Upfest. Shutters are always hard, but he has been smart with this one, laying down a white background, which lifts the whole piece really well. I think most of his work tends to include the natural world.

Oze Arv, Upfest, Bristol, July 2017
Oze Arv, Upfest, Bristol, July 2017

I like the combination of the abstract and natural, I think it works well. I caught up with him for a few minutes, and he seemed like a really nice guy, happy to chat about his work. Lots more to come.

926. Wilder Street (16)

Decay is a very fast worker, and this was the second piece that he sprayed on this particular day back in April after a paint jam in The Bearpit. Although much of his work follows a similar formula, each piece is different, and brings his hallmark to a wall.

Decay, Wilder Street, Bristol, April 2017
Decay, Wilder Street, Bristol, April 2017

I wanted to post this piece before It got lost in my archive (like hundreds of others) and before I get too carried away with Upfest 2017 pictures. Those of you who know the Bristol street art scene will notice the work of another great abstract graffiti artist, Mr Klue, just to the left of this piece.

Decay, Wilder Street, Bristol, April 2017
Decay, Wilder Street, Bristol, April 2017

It is interesting to see how Decay has sprayed beyond the doorway as if it wasn’t even there, mentally filling in the gaps. Happy face.

910. Wade Street (1)

I took a new route whilst going somewhere with the family a few weeks ago, and in my rear view mirror caught sight of this fabulous Shab piece. I made a mental note of its location and returned to photograph it a few days later.

Shab, Wade Street, Bristol, June 2017
Shab, Wade Street, Bristol, June 2017

I don’t think it is a new piece, but it certainly is a belter. There are four of his characteristic line drawn figures sprayed over a textured background created with a blue roller. The overall effect is quite stunning, and I think this is one of the best I have seen to date.

Shab, Wade Street, Bristol, June 2017
Shab, Wade Street, Bristol, June 2017

Of course, each figure has eyes, and oh, what eyes these are. There is a story here – maybe of love, indicated by then heart, or maybe other things going on. Overall it is simply spectacular. A lucky spot in my rear view mirror.

862. Greville Road (6)

A rather poor featured image picture of a rather unusual collaboration by Beastie and Decay. This is not the first time these two have collaborated – or rather shared a wall – and I posted this Raleigh Road piece a few weeks back. The picture is poor, because I took it on a bright day with the sun behind the wall…never a good idea.

Beastie, Greville Road, Bristol, June 2017
Beastie, Greville Road, Bristol, June 2017

This shared wall – I use this expression rather than collaboration, because the two works were painted at the same time, but there is little read-across between the two, each having its own distinct style.

Beastie, Greville Road, Bristol, June 2017
Beastie, Greville Road, Bristol, June 2017

On the left is an unusual piece by Beastie featuring what I would describe as a fictional bird (I might be wrong here) near a small woodland and pond. I don’t know if it is symbolic or representative, but it is a rather pretty bird. I love it when artists incorporate the street furniture, in this case a litter bin, into their works.

Decay, Greville Road, Bristol, June 2017
Decay, Greville Road, Bristol, June 2017

On the right, is a nice piece by Decay. His work, arguably, is the most distinctive in Bristol. There is absolutely no way that it could be confused with anyone else. The abstract symmetry and concentric bands of reds, greys, whites and blacks have Decay written all over them. Really good drips here too.

Decay, Greville Road, Bristol, June 2017
Decay, Greville Road, Bristol, June 2017

Overall this is a lovely shared wall, but it will be here only for a fleeting moment as  we approach Upfest at the end of the month, and this wall is a popular one for the festival.

844. M32 Spot (6)

Another column piece at the M32 Spot, but this one is rather easier to photograph (marginally) because it is on two faces only. The artist is, of course, the fabulous Decay.

Decay, M32 Spot, Bristol, June 2017
Decay, M32 Spot, Bristol, June 2017

To those that know his work, probably the most striking thing about this piece is that he has introduced some additional colours into his palette, notably yellow, orange and blue. The centre and bottom half are in the colour scheme that I am more accustomed to. To cap it all off, he has wonderful drips. Great work.