1181. Leonard Lane (13)

I love Leonard Lane. It is a strange thing I know, to love a narrow claustrophobic alleyway that smells a lot, but I can’t help myself. It was one of the first places I used to visit regularly to photograph street art and graffiti, and I return periodically soaking up its unique atmosphere.

Decay, Leonard Lane, Bristol, November 2017
Decay, Leonard Lane, Bristol, November 2017

It has been a long while since anything decent went up in Leonard Lane, and how fitting that it should come from Decay. I am still trying to understand the words that accompany this piece ‘my direction will not be controlled by my excuse’.

Decay, Leonard Lane, Bristol, November 2017
Decay, Leonard Lane, Bristol, November 2017

Reverting back to his normal reds, greys and blacks, Decay has really nailed this new addition to the Lane. It is also interesting how the piece has brought out the grille in the wall, which might otherwise have gone unnoticed. A lovely piece.

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1166. Chalk Farm (3)

When I saw this piece in the Chalk Farm housing estate I instantly recognised the artist as Jerry Rugg or Bird0. He painted a fabulous piece for Upfest 2016, which is still there and looks like it will remain permanently.

Jerry Rugg, Chalk Farm, London, November 2017
Jerry Rugg, Chalk Farm, London, November 2017

Bird0 has a great skill for fusing abstract shapes and designs with wildlife forms to create these otherworldly creatures. His pieces are characterised by the use of bright vibrant colours, lots of oranges and yellows.

Jerry Rugg, Chalk Farm, London, November 2017
Jerry Rugg, Chalk Farm, London, November 2017

This is a spectacular piece, but I had limited access to it, and took the pictures through some railings. I couldn’t work out how to get the other side and I was unsure about whether I was permitted to be there in the first place. I will go beck again and get some better shots.

1142. The Bearpit (107)

The weather, and time of day can be a real pain in the backside when taking pictures of street art. I always feel I have to take pictures, even if the light conditions are a bit crap, just in case the piece I am photographing isn’t there the next time I pass by…a very real possibility in Bristol. I am saying all this as a bit of an elaborate excuse for a rather poor picture of a beautiful recent piece by Decay.

Decay, The Bearpit, Bristol, October 2017
Decay, The Bearpit, Bristol, October 2017

This Halloween piece is notable because it is one of those rare examples of Decay’s work that departs from his customary reds, greys and blacks. I really love this piece, and love the way he has ‘respectfully’ sprayed around the sign that says ‘exhibition in progress, please respect’. It made me smile. Something different and yet so familiar from Decay.

1100. Dean Lane skate park (85)

A familiar piece in a familiar place from a familiar artist. This is a beautiful abstract piece by Shab, sprayed in one of his favourite spots in Dean Lane skate park. I do like it when artists kind of ‘claim’ a spot, although it is not so good when they guard it jealously.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

Always pleasing on the eye, Shab’s work holds a kind of mystery for the viewer, and a fascination too. Of course, the eye usually plays a part in his work, and adds some realism to this abstract world. Such subtle colours in the eye, set against the black and white surround.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

I have always liked and probably always like the work of this highly respected Bristol master.

1003. The Bearpit (88)

Another old one from the archive dating back to January 2017. This is a really great semi-abstract piece from the hugely talented Mr Klue. In this piece he uses his favoured colour scheme of purples and blues and incorporates a vanishing point around which the whole work focuses.

Mr Klue, The Bearpit, Bristol, January 2017
Mr Klue, The Bearpit, Bristol, January 2017

I like his work very much, but haven’t seen too much of it on the streets lately – in fact the most recent piece I saw was the one he did for Upfest.

Mr Klue, The Bearpit, Bristol, January 2017
Mr Klue, The Bearpit, Bristol, January 2017

I look forward to more of his work on the streets of Bristol. I hope I don’t have to wait too long.

999. Upfest 2017 (45)

I can see that this abstract piece may or may not be to everyone’s taste, however since seeing his work last year at Upfest I am a fan of the artist Angerami. He had two pieces at Upfest 2016, a fish his official piece and an owl tucked away in an alleyway.

Angerami, Upfest, Bristol, July 2017
Angerami, Upfest, Bristol, July 2017

This abstract piece is what I would call ‘architectural’ although that might not be the correct term. It is a bold work that may have some hint of or not to the animal kingdom, but that might just be my interpretation.

Angerami, Upfest, Bristol, July 2017
Angerami, Upfest, Bristol, July 2017

Angerami has a thorough website, and one of the most extensive biographies I have seen for a street artist – he also keeps it up to date – well worth a visit. It would appear, from looking at his artwork series that this piece is one of a series ‘from inside to outside’.

Angerami, Upfest, Bristol, July 2017
Angerami, Upfest, Bristol, July 2017

I stopped for a quick chat with Angerami and told him how much I liked his pieces last year, which he appreciated. A gentle and quiet man who appears to be highly thoughtful and I would guess academic. Hope he returns next year for a hat trick.

998. Upfest 2017 (44)

One of the most striking and rather psychadelic pieces of this year’s Upfest was this portrait incorporating a glitched abstract background in the form of 3D colouring. The work is from the Brisish artist (Dan) Newso.

Newso, Upfest, Bristol, July 2017
Newso, Upfest, Bristol, July 2017

This is quite a difficult and busy piece to look at. Do you look at the face and get distracted (I do), or look at the abstract surround and get pulled into the face? Either way it is amost impossible to look at the whole. A very clever piece.

Newso, Upfest, Bristol, July 2017
Newso, Upfest, Bristol, July 2017

On his website, Newso has published a biography, which reads:

‘Throughout 2016 Dan Newso developed his work combining figurative with abstract content in a glitch or implied collage style. This work is often painted on compressed cement board to give the feeling of a painting on a concrete wall.

Since 2008 he has been well known in Birmingham’s post-industrial creative quarter Digbeth, painting murals in public spaces. This work has largely been self funded and has been a process of getting to know the community to open up spaces to paint.

He paints commissioned artwork and murals in varied styles to suit clients needs; he has painted internationally with the latest project of 2016 being a residency in Perth, Western Australia.’

Newso, Upfest, Bristol, July 2017
Newso, Upfest, Bristol, July 2017

I like this piece, even though it confuses my ageing eyes. I hope he makes it back to Upfest next year.