I have only seen three pieces by Hanski, and this one is a little different from the other two. Tucked away in a bit of a hole, this piece will be missed by many, which is a pity. It is an unusual and unconventional piece, blending the abstract with a face.
The colours are eye-catching and certainly command attention. I think that this is a great beginning from Hanski and hitting walls is the first step in building up confidence and capability (something I haven’t yet had the courage to do). I wonder where her adventure will take us next.
It doesn’t seem to matter how far back in time you go, those wheelie bins are a real nuisance. In another blast from the past, I have dug out this Mr Penfold piece from 2017, in a spot that the artist has made his home. I have at least three versions of his work in this archway and I am sure there may be others.
If you can ignore the bins for a moment you will see a beautifully designed piece incorporating a cocktail glass and some random abstract shapes. This is so unmistakably the work of Mr Penfold and forms a part of Bristol’s artistic DNA, along with artists like Andy Council, Alex Lucas and Tom Miller, whose murals around the city remind us of who we are. I’m so pleased to have liberated this one from my archive.
Bragg’s Lane is a little bit off the main drag of street art spots, and although there are pieces here from time to time, I can’t think of quite such a good ‘gallery’ as there is at present. This is a fine contribution from Mr Klue and Mr Sleven, who often collaborate and who were very busy in the tunnel at the back end of last year.
I’m not entirely clear when this collaboration was painted, but it is looking bright an clean and is I tagged, so it must be relatively new. Mr Klue provides the foundation for the collaboration with his inimitable abstract style in his preferred purple and pink tones with dashes of yellow. One of his key motifs, the mad hatter’s hat, makes a welcome appearance to the right of the piece.
Mr Sleven has made great use of the shutter door to frame his bright and vibrant piece. The face appears to be that of a very unscary monster with three eyes and a mouth displaying four gold teeth spelling out LOVE. The multicoloured skin of the monster is stitched together a la Frankenstein’s monster, and the artist has spelled out his name using the same stitch technique. This is a fine collaboration and well worth seeking out, but it is a bugger for parking.
More great work from Benjimagnetic who is on fire these days, this time with a nice piece of heavily disguised writing at Dean Lane. This one was painted alongside Acer One who also seems to have had a new lease of life in recent weeks.
Benjimagnetic has used his favourite colour palette of reds, purples and blues, but rather than spelling BEN as is usual he has spelt something else here. My usual uselessness at reading his writing means that I can’t tell you what this says… it starts with a T but I lose it after that. Whatever it says, it is still a fine piece.
This surely is a collaboration made in heaven. When two artists combine, whose styles somehow mesh together so well, then the outcome is going to be rather special, and this is what happened recently in this fabulous collaboration from Mr Penfold and Zoe Power.
I love this, because both artists have contributed to the whole and there are elements of their work evenly distributed throughout the piece. The colours too are a great combination of their individual preferences. I know that I could identify each of the artist’s contribution, but many looking at it would not. Some great ideas and a superb abstract piece. More, please Mr Penfold and Zoe Power!
Although not a frequent painter, Ments is quite regular, so one’s year is nicely sprinkled with these fine organic pieces. This one was painted as part of a three-way collaboration, including Sled One and Smak from a couple of weeks ago.
Ments has adapted his style a fair bit over the past year and although still organic and irregular in structure he has moved to a more fluid and metallic look and feel. His pieces are a thing of abstract beauty, and still spell out MENTS. The white triangle reminds me a little of a Voyder piece in London from a few years back. All good.
There has been a surge of activity by Mr Klue over the last month, most of it at the farm end of the tunnel which he seems to favour. This one is a tribute piece, and the first of several from an assortment of artists, to the late rapper MF DOOM whose passing in October last year seems to have been made public only recently.
MF DOOM was famous not only for his music, but also for his face mask which is the central Icon in the tribute pieces being paid to him. In this ephemeral work by Mr Klue, the mask is picked out in the middle in reds and whites, emerging from the wispy swirls all around. A fine tribute piece.
I am writing this on Christmas Eve Eve (last night) and really ought to be asleep, so please excuse typos or nonsense. I have Paul H to thank for this post. Last week I had been down to the river to check out Brunel Way and to walk the dog. On the way back to the car I bumped into Paul and we chatted for a while under darkening skies. I jumped into the car to head over to Dean Lane and then the heavens opened. Just as I got back to the car, Paul called me and said I simply had to get over to the other side of the river by the Create Centre to see a whole bunch of new stuff. I was reluctant because of the rain, and I had to get back to work to chair a Zoom meeting. I had just enough time and braved the weather. It was so worth it too. This is the first piece from a fabulous paint jam from the day before.
Ments has always been a favourite of mine because of his organic, abstract writing style of which this is a perfect example. It would seem I got there just in time, because such was the force of the rain that some of the paint was running (can that happen?). Thanks Paul, thanks Ments, fabulous piece.
I managed to catch up very briefly with Mr Klue as he and Mr Sleven were just finishing off this new piece in St Werburghs tunnel. The turnover of art in this end spot is relatively high because it has a good amount of daylight, and it is always worth photographing something new, because you just can’t be sure how long it will last.
This is a true collaboration with the work and styles of both artists blending well together. The character with a TV head and outstretched arms is by Mr Sleven and the wispy orange and red abstract patterning by Mr Klue. These two collaborate quite often together and along with DNT and others form part of COM.64.
The two styles come together really well in this piece and the colours are striking. I like this one a lot.
I must admit to being very taken by this piece on the wall facing the river, and I have absolutely no idea who the artist is. If I find out at any time I will add the name in because I don’t like posting pieces by unknown artists, but sometimes they are just too good to leave in the archive.
To me the whole thing simply screams out Matisse with perhaps a touch of Miro, maybe Chagall and is worthy of hanging in any fine art gallery, but is also worthy of a wider reach and audience alongside the Bristol Avon. A lovely piece of abstract street art.