4029. Stokes Croft

This outstanding Frankenstein’s monster piece is definitely a Halloween contribution from Kosc, an artist on fire at the moment. Look at how the piece stands out and demands to be looked at against the dreary backdrop of hoardings and buffed wall outside the Blue Mountain.

Kosc, Stokes Croft, Bristol, October 2021
Kosc, Stokes Croft, Bristol, October 2021

This series of greyscale pieces set on an orange background is becoming a bit of a strong theme in Kosc’s portfolio, and a thoroughly enjoyable one at that. There is great use of tone in this piece, providing depth and facial contours that lift the features on the monster’s face so well.

Kosc, Stokes Croft, Bristol, October 2021
Kosc, Stokes Croft, Bristol, October 2021

I first came across this artist’s work in Moon Street, which runs parallel with Stokes Croft at the back of Blue Mountain, and it would seem that this is a spot favoured by Kosc. This is good news indeed, because few artists seem to bother with the area these days, compared to a few years ago. Great stuff, and enjoy a spooky evening.

4028. Sparke Evans Park (16)

A bit of a scary monster piece from Tack Jucker, or is it a hippopotamus kind of creature? I prefer to plump for the former, because it is Halloween today, and it is always nice to mark the occasion. Generally speaking the Halloween pieces that have been painted this week won’t appear on Natural Adventures for a little while, so I am simply cheating a little.

Tack Jucker, Sparke Evans Park, Bristol, October 2021
Tack Jucker, Sparke Evans Park, Bristol, October 2021

Tack has really entered the Bristol stage with a bit of a bang, and his character pieces add another little something special to the array of artistic talent in the city. There is a lot of expression in this piece, and it is achieved with the minimum of paint colours – four that I can see (black, red, and two shades of light grey-green). A nice, quick one that is helping this young artist make his mark.

4027. Upfest 2021 75×75 (71)

We have been so spoiled this year with the Upfest 75 walls in 75 days event, and in particular with some extraordinary pieces by Irony. This is the second Irony piece from the event, and is an absolutely extraordinary portrait.

Irony, West Street, Bristol, October 2021, Upfest 21
Irony, West Street, Bristol, October 2021, Upfest 21

Irony is known for his female portraits that it is difficult to keep your eyes off. The photorealistic detail and depth is beyond astonishing, and puts this artist right up into the world top league alongside other artists like Bubblegum in Barcelona.

Irony, West Street, Bristol, October 2021, Upfest 21
Irony, West Street, Bristol, October 2021, Upfest 21

Looking deep into those eyes, it is impossible to know what the girl is thinking, and as with many of his portraits, her emotions are not easy to read, inert almost, and yet she is wonderfully animated. I think the blue hair is a touch of genius that works so well with this wall and this spot.

Irony, West Street, Bristol, October 2021, Upfest 21
Irony, West Street, Bristol, October 2021, Upfest 21

I made several attempts at photographing this wall, but it is not easy as the immediate front yard has become a bit of a building site and there are two rather unhelpful black wheely bins that are totally in the way most of the time.

In my view, this is one of the best pieces to appear in Bristol in 2021.

4026. M32 roundabout J3 (356)

This is the first of a swathe of wonderful pieces by Logoe, who seems to have sparked into life with at least five pieces in a little over a week. It took me a moment to recognise the artist, because it is such a long time since I last saw any of his work.

Logoe, M32 roundabut, Bristol, October 2021
Logoe, M32 roundabut, Bristol, October 2021

The script-style writing spells out Logoe and the vertical fill autumn colours in the letters is truly exceptional, looking like huge paint drips on the wall. Many of Logoe’s pieces have some philosophical or song writing in them, scrawled over his work, and here it says ‘I sware on my muver’s life’. A lovely piece, and watch this space for a whole lot more.

4025. Brunel Way (128)

I am a little annoyed with myself, because I was actually very close to Pekoe while she was painting this piece, but was having a long conversation with Tack Jucker at the time. When, finally, I walked under the bridge to see who was painting, I saw that it was Pekoe, but she had gone, and I missed her by minutes. Such a pity as it is a while since I last spoke with her.

Pekoe, Brunel Way, Bristol, September 2021
Pekoe, Brunel Way, Bristol, September 2021

Notwithstanding my irritation, the piece she painted is a good ‘un. A classic Pekoe portrait in a vibrant red with decorated big white hair. The tears are there, which always makes me a little sad, because it projects a sadness in the character, and maybe in the artist too. Great to see another piece from this prolific Bristol portrait painter.

4024. Dean Lane skate park (435)

` There is something rather nice about finding Tuco pieces. They don’t appear all that often and never seem to hang around for too long, often on account of the fact that the walls he chooses to paint have a high turnover.

Tuco, Dean Lane, Bristol, September 2021
Tuco, Dean Lane, Bristol, September 2021

I love this picture. A deep blue sky, one of my favourite walls, a nicely buffed grey background and the bright ‘Tuco-green’ he seems to favour, shouting out TUCO! Nothing pretentious or showy, just a banging shout. The smiley just rounds off the whole thing perfectly. More of your joy please Tuco.

4023. M32 roundabout J3 (355)

Stivs has been working overtime of late, painting pretty much every week, and each time turning out something of great interest and style. This recent one, whilst visually attractive, might not be everyone’s cup of tea.

Stivs, M32 roundabout, Bristol, October 2021
Stivs, M32 roundabout, Bristol, October 2021

Spelling out DogShit, I suppose what this piece does is challenge us to accept the word through the beauty of the writing, and believe me, this is a very classy piece of writing. Stivs just seems to be getting better and better, and he switches up his writing style all the time, keeping things fresh. The vibrant colour selections work really well, and there is still a touch of calligraphic strokes to the letters. A very nice piece indeed.