A beautiful ‘TES’ from Slim Pickings, this time in the wonderful claret and blue colours that we might associate with Burnley or West Ham. Once again, and as one would expect, the lines are crisp and clean and the fillings solid and neat.
I think this is the last of Slim Picking’s work that I have in my archive, so I rather hope he will be out there at Dean Lane or somewhere else doing his stuff that he does so well.
Only recently on my radar, and now I see her work everywhere. This is a great fun piece by Pekoe in St Werburghs tunnel (a spot that is hosting some really great art lately) which displays her trademark third eye and female portrait.
What make this particular piece so appealing in my eyes is the nicely crafted bubblegum and the way it obscures all that lies behind it with just a hint of transparency. I am enjoying my voyage of discovery with this artist.
This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.
I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.
Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.
Gloopy dayglow acid house skeleton courtesy of Laic217. Is there any more to say about this wonderful piece in St Werburghs tunnel? Well as it happens there probably is…for example I rather like the way he has made his name stand out as if raised from the wall by the skilful application of light and dark shading on the edges of the letters – great technique.
I feel like I haven’t seen much of his work lately and I know I have missed several pieces, but it is always nice to catch one when in the right place at the right time. Where will I find the spray can skeleton next?
Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.
The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.
I really rather like this creature created by Kool Hand in the cycle path that runs alongside the M32. Technically, although a cycle path, it has been out of asction for several months now due to construction work, which probably makes spraying this particular wall a little less hazardous.
I’ve noticed that Kool Hand seems to favour using a white background, which really helps to bring out the contrasting colours he uses for his characters. Always crisp and clean, Kool Hand tends to use only a few bold colours, together with a little shading to create these striking pieces. This creature reminds me of primative marine life forms from earlier geological ages. Nice work.
I don’t visit Hillgrove Street as much as I used to when I first started writing about street art, probably because turnover of work is very low there, so there is rarely new stuff to find. However, it is always worth checking every now and then, and these two (relatively) new pieces bear this out.
The wheatpaste on top is by qWeRT, who seems to have blitzed Bristol some time during late spring or early summer. This is another charming googly eyed pair…there is always so much hope and love in these paste ups.
The bird below is a nice simple stencil by RIP who is an occasional visitor to Bristol, and always leaves behind as few treasures to uncover. Both pieces complement each other and are placed carefully. Placement is a key skill for small stencils and paste ups. All good.