Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024
What stands out for me in this lovely piece of graffiti writing by Claro_que_sssnoh is the subtle colour selection and slight softening of his letter style. The writing runs smoothly, where often his letters can have a slightly staccato feel running through curvy to straight lines in abrupt fashion.
Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024
I am not entirely clear what the writing spells as I would usually expect to see HONS. Claro_que_sssnoh has managed to do just enough of a background and ‘sparkles’ to differentiate his piece from the pre-existing pieces on the wall, and drips ad further interest. For me though, it is the colours that shine. Nice work.
Some artists are content to stick with what they know and play safe, others are constantly pushing the boundaries, and Laic217 has undergone something of an epiphany recently, taking his distinctive style into new and unexpected places, and as an observer, I am enjoying the trip.
Laic217, Greenbank, Bristol, April 2024
This outstanding portrait piece on the long hoarding at Greenbank features a man holding a miniature trumpet, all in greyscale except for the instrument. The piece is not signed, but there are some telltale signs that this is by Laic217, namely the unusual proportions of the character’s head, and more obviously the folds of material in his clothes, a speciality perfected by Laic217. This is a wonderful piece.
This is something a little different from Mr Draws, and I really rather like it. The colour scheme that he has selected works really well with the verdant spring growth at the base of the wall and the trees behind set on a stunning blue sky (something of a rarity this year).
Mr Draws, M32 roundabout, Bristol, April 2024
The character hand and letters combination looks really good and is nicely proportioned. This is so typically Mr Draws, and I can’t fully explain why, but his whole approach to graffiti writing is unconventional, which is great to see, as there is quite a lot of ‘Samey’ stuff out there. I love the hand, and I think that it is something he should bring into his work more often. A great piece from an artist I really like.
Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024
I am not sure that I have seen this wall painted as much as it has been over the last year or so, not just painted, but painted with so many high-quality pieces. This recent collaborative piece is by Fade, Dibz, Awkward and Noise.
Fade and Awkward, Dean Lane, Bristol, April 2024
The left-hand end of the wall is collaborative combination from Fade and Awkward. Starting with the latter, I think that this is the most extensive bit of work I have seen from him, with so much more than his usual mega-tag face. Here Awkward has included a complete character as well as some woodland beasties and flowers, with loads of little details. The character is wearing a Cheech Wizard hat and surreptitiously holding a spray can. Fade has painted some beautifully finished letters, acting as a central platform for Awkward’s decorations.
Dibz and Awkward, Dean Lane, Bristol, April 2024
The middle section is by Dibz with a combination of outstanding writing and a couple of characters… a Vaughn Bode Lizard and another masked character whose name I don’t know, both faithfully reproduced. There have been a whole ton of Vaughn Bode inspired pieces lately, and I guess it is a theme from World Wall Stylers or something like that.
Noise and Awkward, Dean Lane, Bristol, April 2024
Rounding off the wall and sticking with the colour theme, Noise, who seems to be enjoying a spate of collaborations, has produced another of his NOISE pieces composed of dense letters with stunning fills and transitions. Awkward makes another appearance with a character peeping over the ‘S’ along with a couple more woodland bugs. Altogether a wonderful piece from the foursome.
I have enjoyed immensely the vigour with which Hypo has upped his game over the last year or two, both in terms of the quality and quantity of his painting. Sticking with his HYPO letters, he has come up with a sequence of colourful and strong designs of which this is one of his more recent.
Hypo, M32 roundabout, Bristol, April 2024
Unfortunately I captured this piece on a late sunny afternoon, and there is a bit of glare, but it doesn’t hide the excellence of the artwork. The colour palette is really good and the transitions through greens to yellows and oranges and blue are really well done. some spots are added for decoration, but it is the overall design of the letters and the clean finishing that I am particularly attracted to in this piece. Great work from Hypo.
We are lucky that SkyHigh and Roo appear to have a strong association with Bristol – I believe that they have family here. This is good, because every time they come to visit, they drop a couple of pieces, which mixes things up nicely.
SkyHigh, Greenbank, Bristol, April 2024
This is a beauty from SkyHigh in which he has spelled out his name with several optional variations in how you choose to read it. The block letters, each in a different font/style, have loads of depth to them and are displayed in different orientations creating a kind of 3D collage effect. The tried and trusted pink and blue combination is a winner, and is augmented with some splashes of yellow in the form of smiley ‘stickers’. Tidy.
It feels like only a matter of months but is actually more than three and a half years since I first encountered Mudra’s work, and over that time it has improved immeasurably from the small character-based pieces to complex pieces of writing/character combinations.
Mudra, Frome Side, Bristol, April 2024
This piece underneath the M32 reminds me a little of Minto’s work, with its combinations. The colours red and green work well together and rather contradict the fashion industry maxim that ‘red and green should never be seen’. The letters are quite fancy and the face in the centre of the piece a little odd. Overall though, this is a nice piece that shows how the artist is constantly stretching himself.
Mote is an artist who emerged as a Bristol-based artist in the spring of 2022 and has been developing his craft steadily since then. His early pieces were relatively simple constructions with solid primary colours and thick solid lines, but he has quickly developed his style which is altogether more sophisticated while sticking to his monster characters.
Mote, Cattle Market Road, Bristol, April 2024
This monster at the back of the Temple Meads development site is carrying a theme that Mote recently appears to be playing with which is to have the eyes appearing quite differently, one wide open, the other heavily lidded. this asymmetry certainly lends itself to the monster-like appearance of the character. There are just so many good pieces by Mote out there.
Last month I visited Peterborough for work, and because it is some distance away from Bristol, I stayed the night before the workshop I was leading, in a hotel. On the way to my lodgings, I took a meandering route (as I always do when visiting an unfamiliar town or city), and was rewarded with this unbelievable mural by Nyces (Nathan Murdoch).
Nyces, Peterborough, April 2024 (afternoon)
It appears that Nyces is ‘the’ street artist in town, and although there are small pockets of graffiti writing in various places, Nyces ‘owns’ the walls of Peterborough. This outstanding piece is obviously a reflection of the horrific war in Gaza, with a child in combat gear sitting forlornly in a desert near a makeshift dwelling. A spray can sits amongst pebbles in the foreground, but the small bacon of hope comes from the snowdrop flower emitting some sparkles of light. This is a moving piece that has a calm about it, a sense of resignation – very powerful. It is superbly painted too.
I got really lucky on my way back to the station after my workshop. I had been told that there was an artist painting in the shopping centre opposite the station, and indeed it was Nyces who was painting a series of large murals to brighten the place up. Naturally I introduced myself and has great chat with him. Although he doesn’t leave Peterborough too often, he has visited Bristol once or twice in the past. One or two more pieces to come from Peterborough’s Nyces.
These pictures are my second attempt at capturing this fine bird piece by Mr Crawls, the first effort resulted in photographs that had the piece in brighter light but scattered with shadows. Sometimes overcast days are much better for certain spots, such as Greenbank and Sparke Evans Park, as well as anywhere with overhanging trees or herbage.
Mr Crawls, Dean Lane, Bristol, April 2024
Mr Crawls has been having a great few months, especially since joining up with Mote, a partnership that appears to have stretched both artists with some terrific outcomes. In this bird piece, Mr Crawls has used his favoured chrome background as a backdrop for his raptor(?) character sporting a rather nice hat. Although Mr Crawls has been experimenting with all sorts of creative monsters, it is comforting when he returns to one of his classic birds.
Natural adventures 