I don’t get to see nearly enough work from Piro, he tends to paint in some secret abandoned building locations in the Stroud Area which I have never been to. Just occasionally though he paints in Bristol and this was part of a long collaborative wall from a few weeks ago.
His style is most akin to Epok, who he often paints alongside and did so again on this occasion. These highly designed letters spell out PIRO, although I cannot be entirely certain. The combination of straight lines, curves and colours is beautifully put together and has a touch of Art Deco influence about it.
Aah, the familiar and comforting letters spelling TES from Slim Pickings (as I call him) in Dean Lane. When all else around us is in utter chaos and flux, it is nice to have constants like this to ground us for a while, albeit a fleeting moment.
This is a big TES and very nicely done. Just two colours with a little bit of white 3D accent work demonstrate the confidence and skill of the artist. No need to embellish the work, although embellishment is always great too, don’t get me wrong. A strong and knowing piece.
Doors 139 – Once again it is some random doors from Bristol
I have a big work squeeze today, so a very short post from me. A mixture of Bristol doors. Some from last week, others from the May lockdown last year… how things are dragging on.
I hope you enjoy this little selection:
So that’s your lot for this week. Sorry for the brevity.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
Because I don’t get to photograph up at Purdown Battery very often, I am not too sure whether this is a recent or an old piece by Rosalita, but either way it is an absolute cracker. This wall is tucked away a bit and takes a little bit of finding, so I don’t imagine that very many people have seen it, which in one way is a bit of a shame, but in another way it is how some artists like to do things.
The subject of the piece is a mermaid, whose hair is made up of octopus tentacles, but instead of looking rather disgusting as in the Bill Nighy portrayal of Davey Jones from Disney’s Pirates of the Caribbean, her hair is beautiful. This is an outstanding piece and another example of great work coming from Rosalita at the moment.
It’s official, Hemper is on fire at the moment and having as productive a time of it as any that I can remember. I wonder if the ongoing lockdown situation has freed up some artists to paint walls more often than they normally would, and other ones to become almost invisible over the last year or so.
I think that Hemper has a very good eye for colour combinations and the purple and green combinations in this piece work fantastically well. Spelling out HEMS, the letters alternate between the two main colours, but each letter is uniquely fashioned and filled. Another outstanding piece of graffiti writing from this master.
Right, let’s get down to business. Merny, or Morny as I call him, because that is how he signed himself once in the past at a time when he first appeared on my radar, is an artist I really like. His naive style, with children’s crayon-like scribbles is so unique and refreshing and adds a wholesome and entertaining aspect to our walls.
In this piece Mo(e)rny gives us a super truck to marvel at. Irregular wheels and a curious child-like perspective add to the interest of the work. Sadly it didn’t last very long, and there are some taggers who appear to have a particular dislike of Morny’s work, which is a little ironic, because the stuff they slap over other people’s work is usually pretty shoddy. Is it jealousy? Or just wilful nastiness? Who knows, but I hope it doesn’t discourage Morny from continuing to create these lively vibrant pieces.
Aah! Pura Decadensia – pure decadence, that’s what I’m saying. It is so refreshing to have this ‘new’ artist about town, in a short time she has already made a great impact and found some walls that I haven’t even found. She is also unafraid to paint on high profile walls like this one. Great to see.
Pura Decadensia likes painting mouths and also vampire teeth feature highly in her work. This piece is figuratively and almost literally on fire and conjures up an image of a saucy kind of hell where fun is to be had. Really enjoying her work and hope that as the weather improves we’ll get to see a whole load more of her about the place.
There are two excellent calligraphy writers in Bristol who stand out and who throw paint at walls on a fairly regular basis. One of them is Todoaciem and the other Stivs – this is a fine piece from the latter.
I like the way that Stivs has slotted this piece of writing into a rather slim piece of wall, where the embankment rises up to the main roundabout road. The writing that spells out STIVS y nicely constructed, and as well as the regular and disciplined lines, he has also incorporated some embellishment and drips which always adds kudos to a piece. Nicely sited, beautifully painted, great work from Stivs.
Up at Purdown there are several walls painted by Zace, it certainly seems like he enjoys practising his craft on the square concrete walls. Among the customary alien faces is this outstanding manga style profile portrait.
This is an eye-catching piece and one that I like a lot. There is a simplicity of composition about the whole piece, but it comes together nicely, and I’d love to see more like this coming out of the rather productive Zace stable. Shame about the mud splatters on the face.
Yet another debut artist for Natural Adventures in 2021 – they just keep coming. Lee Roy has been writing for a while, but a recent spate of pieces in Bristol has drawn him to my attention and his unique style is worthy of representation on this blog as part of the vast spectrum of talent in the city.
His work is loud and overt and easy to read. This is a bold statement – Lee Roy was here. His letters are framed within a bounded black background and are in an interesting font that is rather forgiving of irregularity. The fills are intricate and fun which grow on you the more you look at them. Lee Roy describes himself as a ‘lazy writer’ which I think is a little bit too modest and self deprecatory. Look out for more coming soon.