The turnover at Dean Lane is beginning to pick up and this wonderful piece of graffiti writing by Remer from earlier in the month has now gone. I haven’t seen anything by Remer in Bristol before and am guessing that he is a visitor to the city and in some way part of or related to the No Frills crew.
This writing is highly stylised and beautifully presented, combining both curved and straight lines to great effect. The fill is interesting, with a variety of shapes and blocks in complementary colours in two main shades. This is an accomplished piece nicely done, bith crisp and clean. Remer is always welcome to come back to Bristol.
Finding a piece that is not only from a new (to me) artist but is also rather different is always one of the great pleasures of being a graffiti hunter. On the famous curved wall at Dean Lane, this delightful portrait appeared a couple of weeks back. It is by artist Lucy Danielle who is a midlands-born Bristol-based illustrator and graffiti murallist. Although she has painted quite a few walls, I don’t think I have knowingly ever seen one before.
I understand that this is a portrait of her sister which is a really nice thing to do. Set on a black background, the face really stands out, and the additional decorations help the to fill the space without distracting from the subject too much. Imagine how different the whole thing would look without the purple circle and yellow squiggles. I need to find some of her other work.
For want of a nail the shoe was lost.
For want of a shoe the horse was lost.
For want of a horse the rider was lost.
For want of a rider the message was lost.
For want of a message the battle was lost.
For want of a battle the kingdom was lost.
And all for the want of a horseshoe nail.
As a child I was fascinated by this proverb, which I suppose is like an extremely simple version of chaos theory, but looked at another way small positive actions when combined can create something great.
Back to the battery, and this time a piece by Daz Cat painted back in August last year. This is a rather touching and gentle piece with the cat holding a little bird on its hand. I rather hope that this is a kind gesture rather than a hungry cat one.
The shadow on the piece fortunately doesn’t iterfere too much. Daz Cat’s work has really grown on me over the last couple of years, and I love the way he constructs the cat’s faces, this one in semi-profile, so the eyes are quite different. I love the signature mark above the nose that appears on all Daz Cats’ cats. More from this spot to come.
It took me a while to get a clean shot of this wonderful piece by Subtle because on my first two visits there were cars parked immediately in front of it. I ask you… cars parking in the tunnel! what is the world coming to?
Anyhow on my third visit I managed to get some nice shots, although as always, the artificial light played havoc with my camera settings and I had to do a little bit of post-production work to try and convey the true magnificence of of the piece.
I understand Subtle has had a lay-off from painting walls following an accident, but he is well now which is great news, and he appears to be painting like there was no tomorrow. Two things I particularly like about this one is the skull and the drips, both beautifully crafted and enhancing the piece enormously. More to come.
I don’t think I feature enough of Ryder’s work on Natural Adventures – there is no obvious reason for it, I guess the same could be said for any number of Bristol artists. I would think that for every piece that I post here there are probably two or three that never make it.
This particular offering is a simple chrome graffiti piece with trademark faces worked into the lettering. The chrome colour in the tunnel picks up all sorts of light bouncing around and it is difficult to believe the artist hasn’t used more than one colour. Altogether a nice one from one of Bristol’s best.