You can rely on Mr Draws to come up with something light and cheerful, and this recent piece at the far end of the tunnel does just the trick. In this piece he has diverged from his usual DRAWS letters and written, in thin lettering, Kunst, which in German means arts.
Mr Draws had flirted with the idea of living in Germany a few years back, but it all fell through. Germany’s loss was Bristol’s gain, but this might be harking back to a desire to go there still. The letters are characteristically colourful and the whole thing very tidily painted. This blog would not be what it is without the likes of Mr Draws.
Kosc appears to have made himself very much at home in Picton Lane and the surrounding area in Montpelier. If you visit Bristol and want to see some sensational street art, then you could do a lot worse than head down to Picton Lane for a quick gander. This piece is from a little while ago, but I photographed it along with two others on a recent visit.
The whole thing reminds me of a Canadian Mountie, which may or may not be the intention. Knowing Kosc, there is probably a whole story behind this piece, but I don’t know what that might be. Kosc is experimenting with distortion, a common theme for street artists, and carries it off with some style.
The portrait is the O in the letters K SC to make KOSC. The whole thing is painted on a garage door (one for a future Thursday doors methinks) which is not the easiest of surfaces, but the artist has done well to make it work. There was a van parked in front of the piece when I visited, but fortunately the driver was sitting in it and very kindly moved out of the way for me to take pictures, we then struck up a conversation about the artwork – it is nice how things like that happen.
DFC1848 doesn’t really need much of an introduction on these pages, but it has been a little while since he last painted in Bristol. This rather cute column piece is a reversion to his ‘go to’ character that he has been nurturing for a few years now. However, DFC 1848 has been developing and improving so much, with each new piece and I would recommend a quick look at his Instagram account to get a sense of what I mean.
The cheeky character is very nicely done with string solid fills, clean lines and a rather nice twinkle on his tooth. It is obvious that DFC1848 is very comfortable and confident with his work. Great to see.
This is my second post of amazing writing from Trafficity. What stands out with his writing is that is comes at you as a large, solid block, with few gaps. The opposite end of the spectrum, I suppose, of thin script writing, both of which are naturally welcome in this blog.
His letters spell out ZIOM (which means GREAT in Polish), and in this piece he has gone for three horizontal colour sections and some nice little details throughout. I have a feeling that there are more letters concealed within the piece, but part of the skill of some writers is in making their work as cryptic as possible, and Trafficity certainly excels in this respect. Some lovely work here.
This hoarding is so difficult to photograph. it is a long landscape format with tons of light above and below, which interferes with the brightness of the artwork. it doesn’t seem to matter what time of day I take pictures here, I am never really satisfied. I think I might just have got away with it with this stunning sunflower piece by Farrah.
What an amazing welcome for people arriving in Bristol Temple Meads station, as they exit from the front of the building and walk or drive out to join the main road. Farrah’s paint brush style lends itself very favourably to the textures and forms of Van Gogh, and this is a perfect example.
Farrah is the darling of commissions in Bristol at the moment and deservedly so too I might add. This is an absolute corker and another fine example of her unique work.
On the same day that I met Asre for the first time, I also met Chill and although he wasn’t painting at the time, he had come along to watch his friends paint. There is something really nice and supportive about the graffiti/street art community. Chill, although he has been around for a year or two, has definitely upped his game in recent months, and we tend to see something new once a fortnight or so.
This character in the tunnel proved to be a bit tricky to photograph because of a car parked in front of it. I have since taken better pictures, but have left these in to demonstrate the challenges of photographing street art… I wouldn’t want you to think it was too easy. The character is nicely painted, with plenty of detail on the cartoon-style features. The inclusion of spray cans is common in character street art, and balances the piece out nicely. More great work from Chill.
Another very quick one today, as I am in Somerset at the declaration of a new National Nature Reserve. I have drafted up this post yesterday evening so that I can participate in Thursday doors (going above and beyond).
These doors are some more street art doors, all of which have been posted on my blog before, but not as Thursday doors, so most of you won’t have seen them before. They were originally posted in October and November last year, I hope you enjoy them…
There are definitely one or two crackers in that lot. I hope you enjoy them.
Quick and simple this week – I might have time for some more Westminster doors next week…
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
I photographed this piece on the day I first met Runaway Joey, or Asre as he signs himself. He was painting another face only yards away from this one. We stopped for quite a long chat, and I was touched to find out that he not only knew who I was but also had been chatting with his friends about me and what I do, later describing me as a ‘top bloke’ in an Instagram post later that day. It is so gratifying to know that that some of the artists I write about have read this blog and appreciate what I do here. For the record, Asre is a really decent guy who made plenty of time for a chat about his work. I look forward to meeting him again.
This wall used to ‘belong’ to Laic217, and is one of my favourite walls in Bristol (definitely a candidate for my ‘one wall, many faces’ series of posts). The face from Asre is rather more elaborate than some that he paints, with rather scary teeth, a green face and a magnificent crown. There is something menacing and slightly evil about this piece, which also introduces some different elements to the typical format Asre uses for this series. There is so much more to post from Asre, I am struggling to know where to begin. I have some much better photographs of this and will try to replace these when I have a moment.