I see an awful lot of Face F1st’s work dotted around the Stokes Croft area and at the M32 roundabout, but this is the first piece I have seen where he has a message for us all. And the message is quite clear – ‘no ads on free walls’. What he is referring to is the increase in street art in this area that is advertising events in the local area. I have to say I have quite a lot of sympathy with him.
The face is angry, which again is quite unusual for this artist. The rest of the piece is colourful and bright and the word Face can be made out in the writing. An artist whose work I continue to enjoy, especially when it has this bit of edge to it.
Over the Christmas break, I took a train from Waterloo to Woking to visit the inlaws. I allowed myself some extra time to take a quick look at the graffiti art in Leake Street tunnel which runs under Waterloo Station. There was a great deal of wildstyle writing which I was not familiar with – London art is still a bit of a mystery to me – but I did recognise a couple of pieces by Sky High, of which this is one.
I know his work from visits he has made to Bristol in the past to Moon Street, Magdalen Place and Dean Lane. The piece features his characteristic block lettering in multiple styles and a curious snake at the left hand end. I have to say I am not sure about the snake, it is incongruous and I think the piece would be better without it. Maybe that is just me though.
This is the second piece by Fiva (Fiver) to appear on this hoarding in recent weeks, the first was featured in a post recently and that one was the first work I have seen from this artist in a while. It seems he is on a roll, and that his inspiration would appear to have come from (I think) recently becoming a father.
I do like these kind of writing pieces which conflate words and styles to create a layered puzzle. This is accomplished work from a good artist, and I’d like to see more of his work on the streets – as a new father though I expect his opportunities might be limited.
The truth about Face F1st is that I simply can’t keep up with him at the moment, he is being so incredibly productive. Another thing about his work is that it is largely confined to Stokes Croft and the M32 roundabout. I think I have only ever seen one piece of his in Bedminster.
In this piece we see Face F1st using some rather more upbeat colours compared with the sober tones he usually uses. I’m afraid that the focus in the feature photograph is really poor, and I might have to replace the picture when I next get a chance. I really like this piece.
It is always a pleasure to see a piece in progress and, if you are lucky enough, to see it again once completed. This was one such work by Ugar, our very own Hungarian Maestro.
I am really interested in seeing how he layers his work and that in common with many other writers, he starts with draft outline letters and then fills in the background before filling the letters. This feels counter-intuitive to me…being a non-artist, I would simply slap the background down first and then work up from there…this is one of the reasons why I am not out there spraying (apart from an utter absence of talent).
The final piece of wildstyle writing is exquisite and all the more admirable for being worked onto the pre-existing colourful piece beneath it. I must confess that I had come to photograph the Erase piece that Ugar sprayed over, and was a little disappointed initially. That was until I saw the final product. I am looking forward to seeing more from Ugar in 2018.
You’d have to go back to July 2017 to see this, although it remained for a few months. The fine Deamze piece was sprayed on the Where the Wall curated wall in Wilder Street and was one of three pieces sprayed at that time, the others being by Aintzane Crucet and Hide2
Deamze is the local artist of the three and probably played host to the other two, making arrangements for them to spray this wall. His is a technically fabulous piece, and the colour selections were made to blend in with the other two artists. I love the way that artists cooperate and collaborate like this, it certainly seems to bring out the best in them.
It is always a pleasure to come across writing by Whysayit. I know that it almost certainly isn’t everyone’s cup of tea, graffiti writing rarely is, but once you have a taste for it and ‘get your eye in’ it becomes rather compelling and addictive.
In this piece, Whysayit is playing with the last letters of his usual moniker, so it has a slightly different form from the usual YSAE. Graffiti writing lends itself to this playful approach and it is all part of the game. As usual he has some decent colour selections and interesting shadow patterns in this one. Lots more of his work out there…finding it is the trick.