2444. Dean Lane skate park (246)

Photographed on a sunny afternoon, this is a beautifully thought out piece of writing by Cassette in the fine tradition of using a different style for each letter. Particularly pleasing is the way the artist has crafted the ‘SS’ in the form of a snail and the ‘TT’ as a couple of  palm leaves.

Cassette, Dean Lane, Bristol, August 2019
Cassette, Dean Lane, Bristol, August 2019

This is the second time I have seen work from Cassette in Bristol this summer, and both pieces were on this wall. The other was of a very nicely painted whale. I believe the artist is from the Southwest, but it is nice to see that he finds time to visit Bristol from time to time.

 

2322. Brunel Way Bridge (15)

You can always spot a high-quality piece of graffiti writing. There is something about the confidence with which it is painted, the clarity of the lines and competence of the fills, not to mention the accoutrements. This piece by Turoe has it all.

Turoe One, Brunel Way bridge, Bristol, June 2019
Turoe One, Brunel Way bridge, Bristol, June 2019

Tucked away under the Brunel Way bridge, the piece was completed during a paint jam with Veks (to follow) and really is of the highest quality. I don’t have many pictures of Turoe’s work, so it was great to capture this one.

2249. Dean Lane skate park (215)

Elvs is a fine wildstyle writer from Wales, although I don’t know if he lives in Bristol or in Wales, but he tends to do several pieces every year in the popular Bristol graffiti spots. This is one of at least two pieces he did during May this year (more on his other one soon) and it really shows mastery of his elaborate ‘tag’, which remains broadly similar in shape from wall to wall.

Elvs, Dean Lane, Bristol, May 2019
Elvs, Dean Lane, Bristol, May 2019

This piece is characteristically clean and sharp, with three lovely horizontal layers of pink acting as a backdrop to the detailing in black that makes this so obviously an Elvs piece. I’m not certain what the Japanese writing says, but I do know that it is in the Katakana form. It might say HiSoKu. I’ve noticed that Elvs quite often has this Japanese influence in his pieces. I’ll have to ask him to elaborate next time I see him.

2217. M32 roundabout J3 (144)

On the M32 roundabout we have yet another wonderful Cort and Laic217 combination. These two really do seem to enjoy painting together and somehow that personal chemistry comes across, even though their styles are completely different.

Cort, M32 roundabout, Bristol, May 2019
Cort, M32 roundabout, Bristol, May 2019

The Cort writing is so typically in his style, with unusual shaped lettering combining straight lines with curves and some rather tasty fillings too. The whole thing is set on what looks like a brick wall where the render has started to flake off, a great effect.

Laic217, M32 roundabout, Bristol, May 2019
Laic217, M32 roundabout, Bristol, May 2019

To the right is the Laic217 writing bookended with characters in one of his favoured red colours. For me this piece is the epitome of everything that Laic217 brings to his pieces, some great writing, great textures and skeletal characters with an element of menace about them. Nice to see a little shout out to Ryder on the right hand side of the piece too.

Laic217, M32 roundabout, Bristol, May 2019
Laic217, M32 roundabout, Bristol, May 2019

I could sit and look at Laic217 pieces all day. I don’t think I necessarily share his fascination with death, acid, bucket hats or brick walls, but I appreciate how he conjures up these extraordinary pieces. A rich and magnificent piece.

2205. St Werburghs tunnel (81)

Diced Mango is an artist reasonably new to me, having only been aware of his street pieces for about six months or so. He has become rather busy lately and his letters are appearing in various spots around the city.

Diced Mango, St Werburghs, Bristol, January 2019
Diced Mango, St Werburghs, Bristol, January 2019

This piece, from January this year was in St Werburghs tunnel and shows how the artist plays with shapes and shadings to make the letters look like they are twisted a little. Clever stuff and it gives me ideas for things that I can try out at home. Several more to come from Diced Mango soon.

2143. Moon Street (64)

In Bristol it would seem at the moment that one is never far away from a Mr Klue piece. He is keeping very busy indeed, and this was from a couple of weeks back, during a paint session with Mr Sleven and DNT.

Mr Klue, Moon Street, Bristol, March 2019
Mr Klue, Moon Street, Bristol, March 2019

Using, what I am guessing are his favourite colours (he uses them a lot) he has created another calming abstract writing piece that possibly spells out KLUE (or you can even read WONE – Mr Klue’s surname). His light touch pieces always have an ephemeral feel about them, that they might just waft away on the breeze. Still loads more to come.

2129. Dean Lane skate park (202)

Another supreme example of gothic graffiti writing from Hire, who seems to have a real soft spot for this left-hand end of wall in Dean Lane. He has sprayed several other pieces here before. Hire used to work quite a lot in The Bearpit, but I haven’t seen anything of his there for an age.

Hire, Dean Lane, Bristol, March 2019
Hire, Dean Lane, Bristol, March 2019

This is a bright, confident and strong piece that is impossible to ignore. It screams out at the passer-by ‘look at me’. The letters I think spell out HIRE – I can see it whether it is there or not. He has also written quite cryptically ‘The BF One’ along the base of some of his letters. I have seen BF written before, in fact Hire’s Instagram handle is #hireonebf, but I don’t know what it relates to. He is a man of few words. I’ll have to ask him next time I see him.

Hire, Dean Lane, Bristol, April 2018
Hire, Dean Lane, Bristol, April 2018