A week or two back it seems Elvs hit the town with at least three pieces of which this was the second. This one was on the long wall at Dean Lane. The subtle and toned-down writing is in marked contrast with the scarlet backwash which brings the whole piece to life. I’m not sure the impact would be the same on a dull background.
Elvs offers another reworking of a successful style and two things stand out for me. First is the vertical graded shading of the piece which is graduated from bottom to top, and second is the central vanishing point which is central to the work of Elvs. A fine piece.
I haven’t seen any work from Ments for quite a while, so it was great to see this piece which was recently painted as part of the ASK crew paint jam. His work is quite different from other writers, having this rather organic feel to it, rather than the harsher straight lines and angles associated with most block writing.
The letters spell out MENTS, but it is difficult to make it out. I think this is a wonderful piece, but I feel that a little more prep work on the wall would have made it stand out even more. The piese was opainted the day before I took the picture, and the suitcase in front of it belongs to Sled One, whose piece I will feature soon.
I had to ask Sled One (who happened to be painting further along the wall) who this piece was by, because I didn’t recognise the style when I first saw it. He told me it was by Joe Poe or Poer who is from London. This would explain why I am not familiar with it.
This really is a top drawer piece of wildstyle writing from a classy artist who I really know little about. He seems to be a member of ASK or possibnly just received an invite to paint with them. I’ll have to do some more digging.
A few days ago, it would appear that the ASK crew and some friends held a paint jam down at the M32 roundabout. This tends to happen three or four times a year and is always a hugely welcome event. Over the next few days and weeks I will post all of the pieces from the session, starting with this outstanding work from Epok.
The first thing to notice about this is that the wall has been prepped really well – this is no throw up, but a fine work presented almost like a gallery. The nicely prepped wall complements the sharpness that Epok achieves with his work. Beautiful angular clean lines and fills, and a nicely chosen pallette. It might not be obvious, but the writing spells EPOK which is beautifully disguised. Epok never ever disappoints.
Ah, how nice to see a fine collaboration piece by Cort and Laic217 down at the M32 roundabout. I was actually on the lookout for some ASK crew work, but this piece was also there.
I think that this time Cort worked on all the writing while Laic217 concentrated on the bookend characters. I say this because the style of the writing is consistent throughout.
Laic217 is doing here what he does best, giving us skeletons busy spraying their work. His fantastic use of greyscale colouring is masterful and he is continually improving the textures of the different types of clothing worn by his characters.
Of course, no Laic217 piece is fully complete without a bucket hat or brick wall – motifs that he usually adopts. I really like this collaboration, and it is great to see Laic217 up to his productive best again.
Not too long after Kid Crayon painted his 420 piece (which included a tribute for my dad ‘RIP Gledders’) this collaboration between NEVERGIVEUP and Ugar went up across the bottom half of the wall.
I think this might be the first time this pairing have worked together, although I know Kid Crayon and Ugar have worked together before. Well this is a rather attractive collaboration with some writing from Ugar bookended by NEVERGIVEP’s rather cute bunnies.
The writing from Ugar (which spells out UGAR) is typically ornate and the fill he has used is in a style that immediately identifies the artist. Not many other artists in Bristol use the same kind of patterns, he really has a unique style.Of course the bunnies are fun and nicely done, balancing the piece nicely. I don’t think I will ever tire of NEVERGIVEUP’s rabbits.
I recently found out, via social media, that Rezwonk is a reasonably new citizen of Bristol having originally come from Devon. This would explain why his work has only been on my radar for the last few months. I rather enjoy writing about new artists, because they are not part of the establishment, and everyone else knows as much or as little about them as I do. Sometimes it can feel a little intimidating when reporting on the activities and artwork of some of the more established folk.
This piece went up about a week or so after his previous piece on this spot, which got bombed almost imediately. I think it demonstrated what a brilliant artist Rezwonk is. His lettering in different fonts is outstanding and he has a real knack for picking out the right background designs, colours and tone to set off the writing. It feels like a very designed approach, but one that works extremely well on the streets. Looking forward to seeing so much more from this fine artist.