Elvs is a fine wildstyle writer from Wales, although I don’t know if he lives in Bristol or in Wales, but he tends to do several pieces every year in the popular Bristol graffiti spots. This is one of at least two pieces he did during May this year (more on his other one soon) and it really shows mastery of his elaborate ‘tag’, which remains broadly similar in shape from wall to wall.
This piece is characteristically clean and sharp, with three lovely horizontal layers of pink acting as a backdrop to the detailing in black that makes this so obviously an Elvs piece. I’m not certain what the Japanese writing says, but I do know that it is in the Katakana form. It might say HiSoKu. I’ve noticed that Elvs quite often has this Japanese influence in his pieces. I’ll have to ask him to elaborate next time I see him.
On the M32 roundabout we have yet another wonderful Cort and Laic217 combination. These two really do seem to enjoy painting together and somehow that personal chemistry comes across, even though their styles are completely different.
The Cort writing is so typically in his style, with unusual shaped lettering combining straight lines with curves and some rather tasty fillings too. The whole thing is set on what looks like a brick wall where the render has started to flake off, a great effect.
To the right is the Laic217 writing bookended with characters in one of his favoured red colours. For me this piece is the epitome of everything that Laic217 brings to his pieces, some great writing, great textures and skeletal characters with an element of menace about them. Nice to see a little shout out to Ryder on the right hand side of the piece too.
I could sit and look at Laic217 pieces all day. I don’t think I necessarily share his fascination with death, acid, bucket hats or brick walls, but I appreciate how he conjures up these extraordinary pieces. A rich and magnificent piece.
Diced Mango is an artist reasonably new to me, having only been aware of his street pieces for about six months or so. He has become rather busy lately and his letters are appearing in various spots around the city.
This piece, from January this year was in St Werburghs tunnel and shows how the artist plays with shapes and shadings to make the letters look like they are twisted a little. Clever stuff and it gives me ideas for things that I can try out at home. Several more to come from Diced Mango soon.
In Bristol it would seem at the moment that one is never far away from a Mr Klue piece. He is keeping very busy indeed, and this was from a couple of weeks back, during a paint session with Mr Sleven and DNT.
Using, what I am guessing are his favourite colours (he uses them a lot) he has created another calming abstract writing piece that possibly spells out KLUE (or you can even read WONE – Mr Klue’s surname). His light touch pieces always have an ephemeral feel about them, that they might just waft away on the breeze. Still loads more to come.
Another supreme example of gothic graffiti writing from Hire, who seems to have a real soft spot for this left-hand end of wall in Dean Lane. He has sprayed several other pieces here before. Hire used to work quite a lot in The Bearpit, but I haven’t seen anything of his there for an age.
This is a bright, confident and strong piece that is impossible to ignore. It screams out at the passer-by ‘look at me’. The letters I think spell out HIRE – I can see it whether it is there or not. He has also written quite cryptically ‘The BF One’ along the base of some of his letters. I have seen BF written before, in fact Hire’s Instagram handle is #hireonebf, but I don’t know what it relates to. He is a man of few words. I’ll have to ask him next time I see him.
This was my favourite wall from Upfest 2018 and it was the first time it had been painted by street artists. I love it that every year, the organisers of the festival find new places for artists to paint, especially as these pieces on permanent walls live long after the festival ends.
This is a gorgeous collaboration between Michel Velt and Elafil. The stunning portrait is bt Michel Velt, an artist from the Netherlands. I cannot tell you how much I admire this piece, it has such life and emotion in it – I feel like I could speak to the woman portrayed. Beautiful without being over-photorealistic if you know what I mean.
Elafil painted probably my favourite piece of the 2018 festival and here he gives us a little extra piece of 3D writing just for good measure. It is clear he had some paint left over from his piece in South Street Park to use in this fine collaboration. I love, love , love this wall.
Consistent… a word I would use to describe the work of Decay, and in that I mean consistently good. Of course, this year has seen Decay changing his designs considerably away from his trademark abstract work to writing, and what writing.
This piece is notable for two things: first, it is really neatly done and fits the board perfectly and second, it is something of a rarity in The Bearpit these days and very welcome indeed. A beautifully worked piece with some fabulous attention to detail. Always great to see the instantly recognisable colour palette brightening up the place.