1828. M32 cycle path (19)

I think the reason I didn’t publish this piece by the brilliant Laic217 at the time I photographed it is that the light was all wrong, and the colours of the piece were a bit disappointing. This narrow lane is a nightmare for photography if you are there on a bright day or at the wrong time of day.

Laic217, M32 cycle path, Bristol, February 2018
Laic217, M32 cycle path, Bristol, February 2018

The light is so bright above the hoarding, which means the artwork gets darkened by the auto settings. Now if I were a real photographer, which I absolutely not – I am an archivist – I would be able to use manual settings to overcome this conundrum. Enough excuses already…the piece itself is a nother fine work by this irrepressible artist.

Laic217, M32 cycle path, Bristol, February 2018
Laic217, M32 cycle path, Bristol, February 2018

This form reverts to his name accompanied by a character which is a distorted face, and the distortion carries on through all the letters as well. Signature bucket hat and smiley instantly tell you who the artist is. I rather like this overlooked piece and am glad that at last I have posted it.

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1827. The Bearpit (167)

I haven’t seen anything new from Decay since Upfest, and I know he has done some pieces in Cheltenham, but I still haven’t had time to venture over there, so I thought I’d post this oldie from my archive.

Decay, The Bearpit, Bristol, April 2016
Decay, The Bearpit, Bristol, April 2016

This piece was sprayed not long after Decay moved to Bristol and I think was the first deviation from his usual concentric shapes around a face that I had seen (I think from recollection). The piece oozes class and the drips , the drips are expertly done. Can’t think why it’s taken me so long to post!

1807. M32 roundabout J3 (99)

In the past when I have posted work by Ments, I usually describe it as being ‘organic’ in nature, with lots of swirls and unusual shapes making up the letters of his name. In this piece however, we see something quite different. What is interesting about this is that If he had used different letters for this piece, I would not have been able to identify the artist. Conversely, if he changed the letters on his regular style, I would still be able to identify the work from the shapes, tones and colours used.

Ments, M32 roundabout, Bristol, October 2018
Ments, M32 roundabout, Bristol, October 2018

This particular piece is easy on the eye and shows us a different side to the talents of the artist. I will be interested to see if he does more of this kind of work in future.

 

 

1801. Moon Street (56)

Rezwonk likes this doorway, and is enjoying getting to grips with his letters – R E Z W O N K – which he has been using recently, with particular great effect in his collaboration with Subtle a few weeks back. This work looks particularly time-consuming, but is worth it. This kind of work reminds me a little of the work of LA, a New York graffiti artist, in his collaboration with Stik.

Rezwonk, Moon Street, Bristol, October 2018
Rezwonk, Moon Street, Bristol, October 2018

I have seen more of this work by Rezwonk scattered about the place and will post it in due course. I think he should use it in collaboration with one or two more artists in Bristol as I think this particular approach really lends itself to it.

1730. Upfest 2018 (41)

Off we go again on another batch of fabulous street/graffiti art from Upfest 2018, starting with this stunner from Lokey. Lokey, a Bristol artist is a specialist at 3D writing, and this piece is close to perfection in my view. With subtle shading and clever ‘hourglass’ highlights the letters LOKEY are lifted out from the black background.

Lokey, Upfest, Bristol, July 2018
Lokey, Upfest, Bristol, July 2018

Everything about this piece is good – the colours, the design and proportions and the lovely clean sharp lines. This is definitely one of my favourite graffiti pieces from the festival this year. It took me a couple of days to get a good picture of it though, because every time I went to take a look at it, there were bunches of people standing in front of it. There should be a law against that.

1725. Dean Lane skate park (166)

I’m getting to see quite a lot of work by Kool Hand dotted about the place, and what I see I like. His work is distinctive, using only a few strong colours to fill strong clean lines around his characters. There is a light-heartedness about his work which brings a smile to my face.

Kool Hand, Dean Lane, Bristol, September 2018
Kool Hand, Dean Lane, Bristol, September 2018

The writing part of this piece spells out KoolH and is rather nicely filled out with what looks like a bit of a jungle scene commensurate with his crocodile character. It looks like his dark green might have been running a little low. I love the way he always preps his walls with a whitewash background, another tell-tale sign that Kool Hand is about.

1608. Dean Lane skate park (145)

A nice chrome piece from Cort in Dean Lane and one that incorporates an interesting decoration in the middle, the black lines with circles at the end, which reminds me of the work of the magnificent Joan Miro.

Cort, Dean Lane, Bristol, July 2018
Cort, Dean Lane, Bristol, July 2018

When I see Cort pieces, I am alwaus on the look out for Laic217, as they often paint together, but not on this occasion. I know little about the artist, but he seems to be a little overlooked on the scene, in spite of some really terrific work.