DNT has a unique style that is difficult to describe sometimes. He has an interesting and thoughtful choice in colours in most of his work and the subject of his paintings often seem to be rather free and fluid, almost as if he created it on the spot. I’m not sure if that is how he works, but that is how it comes across to me.
This piece, on one of my favourite walls, is a striking lion’s head which kind of emerges from a background of about five strong colours. It is incredible how the face and mane stand out with all the busyness going on. While this might not be everyone’s cup of tea, I am rather drawn to it. Certainly it is unusual. I met DNT for the first time last week and he seems to be a really nice guy, larger than life and interesting, and in the short conversation we had, I can certainly see where some of his creativity and difference come from.
I spotted this one a couple of days ago while searching out some of my favourite spots. I almost drove straight past without seeing it because it is a thin bit of one way road with double yellow lines that is difficult to be observant and drive properly. I just caught it out of the corner of my vision and parked up further on.
Ah what joy, Face 1st at his best with my favourite beautiful character. This is a large piece on a great wall which allows Face 1st to show us what he can do. The striking thing for me is the flowing pink hair that has been filled with pretty intricate patterns that give it something special. This kind of filling is a technique used by a few other Bristol artists such as Tasha Bee.
The other obvious feature of the piece is the skull being held by the woman. I have seen this before in Face 1st’s work and must remember to ask him what it symbolises next time I see him. I love this piece and am so glad I managed to see it in such good condition.
I love it when it happens, when an unannounced collaboration appears as if by magic. This sensational work from Smak and Hazard is one of those special pieces, and I think they have absolutely smashed it.
Smak has again gone for one of his double burners, where he has cleverly crafted two versions of his name into one piece. If you look carefully, there is one in blue and one in mostly orange. Such an accomplished thing to do from an artist who seems to be at the top of his game at the moment.
Then to Hazard’s fabulous frog, which I have to say has come as a huge surprise because I am more used to seeing her portrait pieces. I am a naturalist by training, and I have always had a bit of a soft spot for amphibians, especially frogs, so this piece really chimes with me.
Everything about this frog is good, the colours and the shading and the light reflecting off the body and the eye. Such an unusual piece to find on the streets of Bristol, but a wholly welcome one. More of this kind of thing please! A great collaboration on Upper York Street, so utterly well worth a look.
I think that perhaps I should have posted this yesterday, what with it being Easter Sunday and all that, but hindsight is a fickle fellow and treats us with a level of contempt. This beautiful bunny from Nevergiveup is in one of my favourite named streets in Bristol – Little Paradise. There are two bricked out windows in this alleyway, the other is occupies by a gorgeous Feoflip piece that has survived since Upfest 2017.
This bunny is a little dumpier than many but is no less charming, in fact I think that this is one of my faves. The pink background decoration sets the rabbit off really nicely, and the whole thing is full of good cheer. I am getting so far behind with the rabbits, I have seen at least seven newish ones all over Bristol, but not yet had a chance to photograph them. Nevergiveup has an Instagram account called @followmyrabbits, and you can see his full collection there.
I recently posted a collaboration piece by ‘Ware’ and Jaksta from Upfest 2016, and I stated then that I wasn’t very familiar with ‘Ware’s work. Well nothing has changed there except that I now know his Instagram moniker is @mickeyraw and I able to see when he has painted new work. I found this one down in Moon Street recently, and it is a fine piece of wildstyle writing by this RAW artist.
The colours work really well together and the execution of the piece is truly first class. I am looking forward to seeing more from ‘Ware’ or do I call him Mickeyraw? I started with Ware, so will continue until I know better.
Now that the sun has at last arrived and the weather is beginning to warm up a little it seems that plenty of artists are coming out of hibernation, which on the one hand is a great thing, but on the other means that turnover is going to increase, and keeping up with new pieces in Bristol is going to be an impossible task.
This pair, Slim Pickings and Biers (who seems to have changed his handle to Jimothy Kool Aid) from No Frills have certainly awoken and this is the first of at least two recent collaborations I have seen. Slim Pickings in particular seems to have gone a little crazy, and I am going to have a job posting all his recent pieces. Love the colours in this one.
Biers has created this writing (I’m not sure what is spells out) and added in a character, which I believe to be Jeremy Beadle who amongst other things used to present the TV clips show You’ve been Framed. Such is his attention to detail, Biers has even incorporated the slightly small hand that Beadle had. I’m still loving the shapes of Biers’ letters.
Another fine combo from Laic217 and Cort in St Werburghs tunnel. I feel like I haven’t seen too much from Laic217 in recent months, although actually he is still reasonably productive and I see maybe a couple of new pieces each month.
The Character piece has several themes that we have seen from Laic217 before. A skull, a brick wall, this time in the form of glasses and a brilliantly crafted hoodie jacket complete with zip.
More than other pieces that Laic217 has produced, this one feels surreal, probably because the brick wall obscures the eyes, or more correctly the eye sockets, so the character is dissociated from its surroundings… warning, beginning to sound a little pretentious.
It would seem that Cort recently has been rather fond of extending the length of his name, and in this case to CORTONE. I wonder if by lengthening it he gives himself more scope to play around. I like what he has done here, and I particularly like the random white surround with trios of black dots in it. All in all a nice collaboration from these two friends.