OK, so I’m cheating a little bit. Some of you might have seen this piece in my Thursday Doors post last week, but it is deserving of a mention in my street art section too. A ‘belt and braces’ approach to sharing this one.
Face 1st and Soap, Mina Road, Bristol, February 2019
It is, of course, a collaboration between PWA members Soap and Face 1st and has such a charming quality to it. Add to that the location on some kind of municipal building behind a secured gate and you have all the makings of great urban street art.
Face 1st and Soap, Mina Road, Bristol, February 2019
I can’t quite figure it out, but there is something about the balance of the piece and the space it occupies that makes this a real winner for me.
I love visiting new spots, and although I have known about Lawrence Hill roundabout for a little while, I just haven’t managed to visit until recently. Actually I took the dog for a walk there, killing two birds with one stone.
Zake, Lawrence Hill, Bristol, February 2019
There is a lot of graffiti in each of the tunnels, but of really variable quality. It also looks like turnover is pretty low as some of the pieces looked rather old and tatty. Not this wonderful piece by Zake though. I am more used to seeing his faces on the columns under the M32, so it is great to see something that doesn’t have a width restriction. Three brilliantly expressive faces in differing aspects. Lovely work.
This is quite an unusual hoarding in the centre of Bristol for a couple of reasons. First, I’m not sure what it is protecting, it certainly doesn’t look like anything is being redeveloped. Second, it seems that graffiti writers from ASK are tolerated. Perhaps it is a curated wall, I don’t know.
Voyder, Nelson Street, Bristol, February 2019
The middle piece of this ASK collaboration is by the brilliant Voyder, and is one that incorporates his clever brush stroke effect. He really is the master of playing with his audience and introducing stunning ideas and effects. Quite an old piece, but I’ve not had my camera when walking past it before.
As long as Soker keeps turning out fabulous graffiti writing, I will keep photographing and sharing them. This one from a few weeks back was part of a wall shared with Dibz, which I have already posted. It is a beautiful chrome piece with blue and black shadows. Showy and subtle both at the same time.
Soker, Dean Lane, Bristol, January 2019
It is interesting that when I post his pieces on Instagram, they generally get fewer likes than street art pieces, which leads me to conclude that graffiti writing is more of an acquired taste…that is except for his Upfest 2018 Simpsons piece, which was my all-time most popular Instagram post. I wish I knew how these things worked.
Something a bit different today. Where Stokes Croft and City Road meet, there are some poster frames on a wall, which I think have been installed by the People’s Republic of Stokes Croft (PRSC). The posters here could easily be mistaken for the random advertising we are subjected to on a daily basis and which we tend to ignore and filter out as white noise. But take a slightly closer look and you’ll see something quite different.
Unknown artist, Stokes Croft, Bristol, January 2019
I don’t know who the artist(s) is/are that put these posters together, but I thoroughly enjoy seeing them when I walk past. Often with some political undertone the wry humour shines through. The first is of a spoof Evening Standard (check the spelling) billboard, stating that ‘things can only get bitter’ a direct reference to the current Brexit crisis that continues to divide the country.
Unknown artist, Stokes Croft, Bristol, January 2019
The next poster shows a portrait of David Cameron with paper peeling off where his face is to reveal large corporate office blocks (banks?) behind – surely they are not suggesting the ex PM was driven by capitalist ideology..?
Unknown artist, Stokes Croft, Bristol, January 2019
The third poster is a commentary on the ‘social media brain drain’ with a character, loosely based on Mickey Mouse encouraging people to look up from their phones. I wonder how many people look up and read this poster…not many I would guess.
All of these posters are provocative and humorous and I’ll keep looking out for more. Perhaps I’ll get lucky and find out who is behind them too.
In a spot in Moon Street that is favoured by Laic217 and Rezwonk is this relatively new piece by Run Z. Like most of the abstract artists in Bristol, he has his own particular and distinctive style. Usually only spraying in one or two colours Run Z creates these swirling designs that have an organic feel to them.
Run Z, Moon Street, Bristol, January 2019
Since visiting Lawrence Hill roundabout the other day, I note that Run Z is much more productive that I had first thought, but perhaps just not in the places I’m used to looking. I like his work and would like to see more of it… I’m especially interested in seeing how it develops.
Fingers emerging out of clouds set on a blue background with pink spots. Unmistakably a piece by Object… but what is different about this is the gentleness of it and the pink spots are something I’ve not seen him use before.
Object…, The Bearpit, Bristol, January 2019
I love the passion and often rage in Object…’s pieces but every once in a while it is great to see something that is perhaps more subtle. I’m not too sure what the story is here, or why one of the fingers appears to be pushing the crown down, but there is a story. Also I rather like the broken nail by way of observation. This bit of wall is a devil to photograph, but thankfully I was there on an overcast day and so the shadows were not too much of a problem. Nice piece.
