Kid Crayon is a busy man at the moment, and seems to really be enjoying his work and his collaborations. This piece was sprayed the day after his rain-interrupted exertions at Upfest 2017. A little bit of decent weather and he creates this fantastic blue face.
I really like this piece, and two things stand out for me. The first is the crazy eyes – like ping pong balls and an interesting take on the iris. The second is the signature, that looks rather different from ones I have seen before…perhaps he is experimenting with it.
This is a fun, creative piece that, for me at least, shows Kid Crayon’s enthusiasm for his art. Love it.
So here is our weekly dose of Laic217. Reverting back to the format that Laic217 used when I first became aware of his work a couple of years ago. His name and a character . The big difference over the two years is the whole quality of his work, which has improved ten-fold.
His techniques are producing more forgiving textures in the features of the characters, and the clothes are well studied, with beautiful folds and creases. In my view this is an artist who is constantly improving. However, he is sticking to his themes of bucket hats, acid, smileys, flaming spray can and of course facial distortions.
I have just been to the cinema to see The Mummy (Cruise and Crowe…6/10) and although these eyes are stacked vertically, there is something unsettling about multiple eyes. (In the film, the evil character has two pupils and irises in each eye). A digression I know.
A rather nice quick one from Whysayit. I particularly like the work of this graffiti artist because of the range of colour selections and fill patterns he uses to what is essentially the same tag. Sticking to his format, he can play with the decoration.
Another thing I rather like is that his work remains edgy, and as well as these ‘full-blown’ YSAE pieces, he also has shorter versions and still tags his letters. He hasn’t yet abandoned his beginnings, and I rather admire that…even though I don’t much care for tagging.
Another column under the M32, and another brilliant piece which is impossible to do justice to with my limited photographic skills. This distinctive and crisp piece is by Zase and Dekor with an imaginative and creative underwater scene.
I love the artistic style of this duo and the combination of the wildstyle 3D ZASE lettering combined with a fantastical scene.
The interesting thing about painting a column is that the story that unfolds is caught up in a loop, never-ending. There is no beginning and no end, simply a scene. This must present a bit of a challenge to the artists who choose to spray all four sides.
There is a wit and charm about this particular work – the diver is holding a roller and seems unaware of the looming shark. Perhaps he will beat it off using his artistic weapon of choice. I am a fan of this project, but columns really are a nightmare.
A couple of weekends ago, there was a small gathering of Bristol street/graff artists underneath the M32 in the dry weather DIY skateboarding area known as the M32 Spot. The Peoples Republic of Stokes Croft (PRSC) had used their reach, to encourage some artists to adorn the concrete pillars under the motorway. There will be several posts on this particular gathering.
First off is this fabulous piece by Jee See, whom I was fortunate enough to meet, at last, as he was just finishing off this piece (not the bloke in the picture). Square pillar works are a devil to photograph, due to the different light intensities on each of the sides and the background lighting ranging from very dark to very bright.
I guess the pillars must be rather challenging for the artists too. Jee See told me that Japanese the writing on the side of the pillar says Gothic Chav, although I might have got that wrong.
All in all this is a nicely thought out piece in which Jee See expresses his thoughts . I enjoy his work very much, and perhaps a little more now having seen him at work. An guy with some cool things to say/spray.
It has been a little while since I have seen a Sled One piece, but this one has been worth waiting for. A crocodile, or is it an alligator? with SLED written into the main part of the body.
There is a lot to like about this piece; the colours, the backdrop design, the writing and of course the reptile with its stylish purple glasses. This was my second attempt at photographing the work. The first time was on a very bright day, and there was a shadow cast across half of the wall…sometimes overcast days can be a blessing.
I was lucky enough to meet Ments at the Graffiti Nation exhibition opening evening at the Upfest shop in April. As with all other graffiti artists, he looked nothing like the image I had conjured up in my mind. It is interesting what assumptions we are capable of making before actually meeting a person.
Ments came to Bristol but is originally from East Anglia, and if street art is your thing, it is probably an obvious move to make. This piece is of such a high quality and showcases the organic feel he gives to his work.
This wildstyle writing is complex, but look carefully and you might be able to make out the letters MENTS. His work is so distinctive and seems to improve from piece to piece.