2157. M32 Spot (40)

I spotted this one a couple of days ago while searching out some of my favourite spots. I almost drove straight past without seeing it because it is a thin bit of one way road with double yellow lines that is difficult to be observant and drive properly.  I just caught it out of the corner of my vision and parked up further on.

Face 1st, M32 Spot, Bristol, April 2019
Face 1st, M32 Spot, Bristol, April 2019

Ah what joy, Face 1st at his best with my favourite beautiful character. This is a large piece on a great wall which allows Face 1st to show us what he can do. The striking thing for me is the flowing pink hair that has been filled with pretty intricate patterns that give it something special. This kind of filling is a technique used by a few other Bristol artists such as Tasha Bee.

Face 1st, M32 Spot, Bristol, April 2019
Face 1st, M32 Spot, Bristol, April 2019

The other obvious feature of the piece is the skull being held by the woman. I have seen this before in Face 1st’s work and must remember to ask him what it symbolises next time I see him. I love this piece and am so glad I managed to see it in such good condition.

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2142. M32 Spot (40)

I haven’t posted much by Tasha Bee lately, not because she hasn’t been painting, but more because I haven’t been able to get out much over the past fortnight. This one is under the M32 in the wet-weather DIY skate park, known as the M32 Spot.

Tasha Bee, M32 Spot, Bristol, March 2019
Tasha Bee, M32 Spot, Bristol, March 2019

Sprayed on one of the ramps rather than on a wall, this is another of her calm, soulful trademark figures with beautifully decorated hair. Recently she has been working or her writing which from the Instagram shots I have seen is really exciting. Unfortunately I’ve not seen any yet… it’s a turnover thing.

2004. M32 Spot (39)

A little while back I posted a piece by an unknown artist, which regular readers will know I really don’t like doing, but I did it anyway because it was so unusual. When I posted the piece on my Instagram feed, a kind soul filled in the blanks for me and mentioned the artist in a comment. Brilliant, brilliant, I now know the artist to be Panskaribas (Pangiotis Skaribas) and feel somewhat pleased with myself for posting the first piece as he has an extraordinarily distinctive style.

Panskaribas, M32 Spot, Bristol, January 2019
Panskaribas, M32 Spot, Bristol, January 2019

There seems to be a mash-up of picasso and 1950s cartoons going on in this piece, or at least that is what I see. I love the doodled style of the character, but feel there is a lot of sophistication to it that might be missed without a proper look. Going through my archives, I have found more pieces by Panskaribas and am instantly taken with his artwork. I look forward to seeing more of this very unusual style.

Panskaribas, M32 roundabout, Bristol, December 2018
Panskaribas, M32 roundabout, Bristol, December 2018

2002. M32 Spot (38)

In this game it is sometimes hard to work out whether artists are new to the scene or whether you have simply not seen any of their work before. Diced Mango very much fits into this category for me.

Diced Mango, M32 Spot, Bristol, January 2019
Diced Mango, M32 Spot, Bristol, January 2019

I only became aware of the artist a few weeks ago, and posted his piece in Dean Lane, and now, so soon afterwards, I found another one, this time in the M32 Spot. It is another portrait, painted in a rather naive style and with the bright colours that seem to be a feature of his work. I am looking forward to following the progress of Diced Mango and finding out a little bit more about the artist.

1998. M32 Spot (37)

Well I think we all know where Zake’s favourite place to spray his work is. I think all but one of my posts have described his work on these columns under the M32 leading into Bristol. This one is recent, and he has signed it much more boldly, unlike some of his earlier pieces which were difficult to identify. Maybe he is becoming more confident in his statements now.

Zake, M32 Spot, Bristol, January 2019
Zake, M32 Spot, Bristol, January 2019

There is something a little ghoulish in his characters, but particularly in these two, with the white of their eyes prominent and the slightly strange idea of one of them spewing out of the mouth of the other. He seems to use the column space really well, which is a skill in itself. I only wish that I could find a good time of day to come and take pictures. I expect it would be best at night with a flash, because the bright light during the day plays havoc with the camera’s automatic settings.

1902.M32 Spot (36)

This Deamze burner photobombed a recent post of a Silent Hobo column, but in my view deserves a post all of its own. This writing is one of the forms that Deamze uses in his work. It is much simpler than his wildstyle work, but still has a clean and sharp look to it.

Deamze, M32 spot, Bristol, November 2018
Deamze, M32 spot, Bristol, November 2018

The colours and drift of shading work really nicely and the whole thing stands out and looks so fresh. You could give a hundred artists a can and a wall and ask them to recreate this, but none would be as good. At the top of his game.

 

 

1893. M32 Spot (35)

Back home to Bristol and yet another rather charming column piece by Silent Hobo at the M32 Spot. As I have said before, Silent Hobo has a knack for capturing the mood of youth culture, and gives his characters a soulful poise.

Silent Hobo, M32 Spot, Bristol, November 2018
Silent Hobo, M32 Spot, Bristol, November 2018

The girl with the microphone and ‘BOOM’ written on her bottom is wonderfully crafted by one of Bristol’s most established character artists. It is always a pleasure to see his work.

You might also have noticed a rather nice Deamze piece lurking in the background.