1902.M32 Spot (36)

This Deamze burner photobombed a recent post of a Silent Hobo column, but in my view deserves a post all of its own. This writing is one of the forms that Deamze uses in his work. It is much simpler than his wildstyle work, but still has a clean and sharp look to it.

Deamze, M32 spot, Bristol, November 2018
Deamze, M32 spot, Bristol, November 2018

The colours and drift of shading work really nicely and the whole thing stands out and looks so fresh. You could give a hundred artists a can and a wall and ask them to recreate this, but none would be as good. At the top of his game.

 

 

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1893. M32 Spot (35)

Back home to Bristol and yet another rather charming column piece by Silent Hobo at the M32 Spot. As I have said before, Silent Hobo has a knack for capturing the mood of youth culture, and gives his characters a soulful poise.

Silent Hobo, M32 Spot, Bristol, November 2018
Silent Hobo, M32 Spot, Bristol, November 2018

The girl with the microphone and ‘BOOM’ written on her bottom is wonderfully crafted by one of Bristol’s most established character artists. It is always a pleasure to see his work.

You might also have noticed a rather nice Deamze piece lurking in the background.

1870. M32 Spot (34)

Sadly I didn’t get to this lovely piece by Tasha Bee quickly enough before it had been tagged. Hers was not the only piece on this column that had been tagged, but that doesn’t make it any less annoying. I really do wonder what goes on in some people’s heads that they think it is ok to spoil deliberately other people’s work. I guess I’ll never really fully understand.

Tasha Bee, M32 Spot, Bristol, November 2018
Tasha Bee, M32 Spot, Bristol, November 2018

Here we have two of her serene characters, one atop the other, almost as if they are in a moment of meditation. A decent column piece from this prolific artist.

1865. M32 Spot (33)

Silent Hobo has absolutely mastered these columns under the M32. His characters lend themselves really well to the tall thin format of the concrete pillars and there is now rather a gathering of these gentle giants seeking refuge from the roaring motorway above.

Silent Hobo, M32 Spot, Bristol, November 2018
Silent Hobo, M32 Spot, Bristol, November 2018

I have said before that Silent Hobo portrays these youths with such empathy, really getting under the skin of what it is like to be a young person in a modern world. I feel at times that his characters come across as rather sombre or sad, and I think that has something to do with the closed eyes. There is a kind of visual tautology going on here of a piece of street art portraying a street/graff artist. A common and enjoyable theme.

1856. M32 Spot (32)

This quick one from Soap is another fine example of a Halloween piece which cleverly incorporates a pumpkin into the trademark design that Soap uses. The eyes doubling up as mouths complete with tongue and teeth works pretty well for a spooky effect, but is something Soap does with many of his pieces.

Soap, M32 Spot, Bristol, November 2018
Soap, M32 Spot, Bristol, November 2018

The columns in the M32 spot really lend themselves to these smaller vertical works, and because each one has four sides there is a whole lot of ‘canvas’ for artists to work with. Always fun with Soap.

1851. M32 Spot (31)

The M32 spot is a sprawling area of columns and walls underneath the M32 where skateboarders like to congregate when it is raining. The ramps and obstacles in this ‘unofficial’ skatepark are cobbled together by what I think is called DIY – a group of enthusiasts who create skating opportunities. It is also an area where street artists like to spray, and although turnover can be quite high, there are some pieces that have remained for ages and ages.

NEVERGIVEUP, M32 Spot, Bristol, July 2018
NEVERGIVEUP, M32 Spot, Bristol, July 2018

This piece, it will come as no surprise to you, is by NEVERGIVEUP or as he calls himself Nevergiveup Familia or NGU. It is one of his ever-multiplying rabbits, that really are hopping out of pretty much every piece of concrete in the city. This particular one is one of my favourites – the colours and his slight plumpness make him most endearing. This is not the last of his bunnies I will be posting here.

1850. M32 Spot (30)

I took this picture a little while back, and thught I had published it, because it is quite similar to a couple of other pieces by Kool Hand. But I hadn’t so here it is now. Kool Hand creates distinctive natural world creatures, such as this orangutan with strong black outlines and bold solid colours. The pieces are simple, but effective and he has carved out this neat style.

Kool Hand, M32 Spot, Bristol, May 2018
Kool Hand, M32 Spot, Bristol, May 2018

Most of his work is set on a white background, which probably brings out the pieces in a clearly defined way, uncluttered. He is a tidy artist. I haven’t yet met Kool Hand, but as with all artists in Bristol, it is just a matter of time before we both pitch up at the same place at the same time.