all around and before me
and the radio.
all around and before me
and the radio.
Dire and depressing
monotonous straight Tarmac
a means to an end.
Sometimes you can hang on to a photograph for so long that it becomes a bit of an albatross. I took these pictures back in January this year, and I have some that are even older. The reason that I haven’t posted them until now is that although I know who the street artist is – Kleiner shames – who writes FOIS in his pieces, I don’t know anything about him, so I don’t have a lot to say.
I think I have actually photographed him working on a piece in Hill Street, but I’ll save that for another time. Other than that, Kleiner Shames remains a complete enigma. His work is very elaborate wildstyling of his name, with a touch of what I would call art deco influences…I think it is the curves. This work can be found on the corner between Nine Tree Hill and Armada Place, another Stokes Croft hotspot.
The observant viewers might see an iconic Rowdy crocodile on the building behind. More about that in a future post.
It has been a little while since I posted anything about Silent Hobo. This is a shopfront commission in the wonderful St Werburghs area of Bristol, slightly north east of St Pauls.
Silent Hobo’s work often depicts a ‘happening vibe’ going on among the subjects in his pictures. Here he has captured the aspects of fun and leisure that cycling offers, and I’m sure it says more about it than some stock corporate photographs of people cycling.
I have never been to the Sportsman Bicycle Shop before as I have several closer to where I live and work. Maybe next time I am ‘snapping’ in the area I’ll pop in. I love the fun the couple are having on their bike, and the detail he includes of a little hedgehog…these days a rare sight.
All in all a really nice commission and one that showcases the best Silent Hobo has to offer.
You cannot run, you
cannot hide from the bad bunch;
you can’t slip away.
In the grubbiest little bit of street on the northern approach to St. James Barton Roundabout and The Bearpit from Stokes Croft, is a building that spans across the main road called 51º02. It is not the most beautiful of buildings. On a side wall is this incredibly well concealed Gregos face.
Gregos needs no introduction, but for those new to his work, I point you in the direction of a previous post about a mask he did in the other North Street in Bedminster. This face really has to be hunted down, most people pass by it completely oblivious…this is the joy and mischief of street art.
The forlorn face complements well the large metal disk it has been attached to, and indeed the general demeanour of this tatty stretch of road. Another great work from the Frenchman.
This is just brilliant. A pasteup of Jodie Foster from the 1976 film Taxi Driver up against a hoarding in Stokes Croft. There is something about the subject, the location and the shades that make this…well, as I said before, just brilliant.
I think Tian’s work taps into our formative years and triggers these iconic memories (‘yes, I remember that’ moments) and presents them as if they are faded by time. It really works for me.
Better still, Tian has left a trail of wheatpastes all over Stokes Croft and I look forward to sharing them with you, over the coming days.
Unfurl in my arms
unravel in my embrace
safety in numbers.
No self-respecting Bristol street art blogger can ignore what is probably regarded as the most Bristol Banksy of them all. The Mild Mild West still sits proudly on the wall outside the Canteen, and opposite Cosmo Sarson’s Breakdancing Jesus, in spite of attempts to vandalise it (layered irony there).
This iconic Banksy (and which ones aren’t) tells so many Bristol stories, which are really nicely captured in this 2008 article from the The Telegraph. I see this wall pretty much every day and it is special, really special. The area in which it stands is an area which has played host to several riots, the most recent of which was the ‘boycott Tesco’ riot.
So established is this piece, that it makes it into the ‘Visit Bristol’ website as a must see attraction. How things have changed from the days of rounding up and arresting Bristol street artists.
This work simply has to be one of my all time favourite pieces in my adopted city.
In the South East tunnel of the Bearpit you may this wonderful and very typical work by Angus (although nothing lasts very long there). It is a fun piece featuring Meg Griffin from the Family Guy, a TV cartoon I don’t watch so can’t explain any more about the work. Over the last few years Angus has burst onto the Bristol graffiti scene, and being a local street artist, he has had many great influences all around him.
If you want to know more about Angus, there is a lovely interview with him on the Best of Bristol website, which I thoroughly recommend reading. I rather hope to bump into him at some time, because he seems like a really decent bloke. I like the familiarity and crispness of his work.
Angus is also a member of The Secret Society of Super Villain Artists (SSOSVA) – you will see more artists from this group in future posts.