I haven’t seen a piece by London graffiti writer Tizer for a very long time, so it was great to come across this one on the long wall recently. The piece was painted as part of a paint jam that included ARSA, Minto and RBN One amongst others.
Tizer, Cumberland Basin, Bristol, May 2026
The combination piece features his TIZER letters bookended by a pair of characters, one liking rather sweet and the other ghoulish and sinister. Tizer’s style isn’t crisp and clean, but rather more detailed and brush-strokey if you know what I mean. A very nice surprise from the occasional visitor.
This is a very tidy piece by Kid Crayon on the long wall at Cumberland Basin. The combination of letters and characters works really well, and the whole thing feels like an integrated cartoon-style burner.
Kid Crayon, Cumberland Basin, Bristol, May 2026
The large blocky letters are not uniform in distribution and size, but do stick to a font style. The character in the centre of the piece is holding a balloon fish – don’t ask me why, he just is. Another example of Kid Crayon’s creative and humorous work. Brilliant.
Zake and Hire, Cumberland Basin, Bristol, May 2026
I would describe this collaboration by Zake and Hire as unusual, for two key reasons. Zake has painted a character, rather than one of his face caricatures, and Hire, who tends to be a graffiti writer, with the occasional rabbit thrown in, has painted a character, which, without the signature and a conversation with Zake as he was tidying up, I would never have guessed was painted by him.
Zake, Cumberland Basin, Bristol, May 2026
These two seem to have paired up quite a lot of late, especially since the PWA crew has become a little diluted, with both Face 1st and Chill leaving town. Zake has painted a humanoid robot, looking a little sinister, set on an urban landscape. Is this a dystopian future piece?
Hire, Cumberland Basin, Bristol, May 2026
Hire, meanwhile, has painted a comic-book style villain (or that is how I see it). The thick-set character with large, brilliantly crafted hands, is holding an old CRT television. Given that I don’t see many characters by Hire, I think this is superb, and hope to see more such pieces in the future. A fine and surprising collaboration.
Just a quick one this afternoon – the day has somewhat run away from me and I have a very busy schedule. Painted as part of a paint jam, this is a bold and colourful piece by ARSA.
ARSA, Cumberland Basin, Bristol, May 2026
The chunky, regular letters that give the word a bilaterally symmetrical appearance are filled with blocks of colour that follow a pattern through the piece. I wonder to myself whether the pink is a bit too much, but I guess that without it there would be a risk of it being a bit flat. ARSA is becoming a bit of a regular this year, stepping up both the quality and quantity of his graffiti writing pieces.
On a fairly regular basis a mixture of visiting and resident artists come to Bristol for a paint jam, which tend to include artists like ARSA, Corupt, RBN One, Solar etc, and very occasionally they are joined by Rusty (who in a previous post I referred to as Rusta).
Rusty, Cumberland Basin, Bristol, May 2026
I absolutely love the look of this anti-style graffiti writing. There is something really organic about it, and I like the sketchy quality of the black lines and fills. The impression this piece gives is one of freedom and spontaneity. The touches of orange add that little bit of extra class. A lovely piece of writing from Rusty.
Tera and Kid Crayon, Cumberland Basin, Bristol, May 2026
You don’t often get to see winter-themed pieces in the spring, but if anyone was going to challenge the viewer in this way, it was likely to be Tera and Kid Crayon. I can imagine them being rather pleased with themselves when they came up with the theme for this collaboration. Their contrasting styles really come across in these pieces.
Tera, Cumberland Basin, Bristol, May 2026
Tera tends to have quite an edgy take with his street art work, favouring demonic representations, which he has followed through with this icy combination piece. The cool letters (which I can’t read) are accompanied by a sinister skeleton snowman character holding a spray can in his right hand. The suggestion being that he has just written the letters.
Kid Crayon, Cumberland Basin, Bristol, May 2026
On the other hand, Kid Crayon’s take is much more cuddly, with a fun polar bear drinking a slushy next to his CRAYON letters looking like ice cubes or an iceberg – altogether a softer look. What a superb collaboration from the pair.
I forgot to paste this beast of a character face by Zake back in March when he painted it, but found it on a little delve in my archives. Such has been the unbelievable turnover in Bristol this spring, that I have dozens and dozens of superb pieces in my February-April folders that might never see the light of day.
Zake, Cumberland Basin, Bristol, March 2026
This cheeky face has been stretched out laterally to fill the long rectangular space. The character is slightly creepy, most of Zake’s characters are, but beautifully presented. His command of light and shade to create depth has been put to full use in this piece using a shade of blue to great effect. Nice one.
Minto has been turning out a series of outstanding pieces lately, and it feels like he has a new energy in his work. This one has a base of turquoise shades which make a strong visual impact.
Minto, Cumberland Basin, Bristol, April 2026
His piece is organised around the well disguised letters MINTO, but what brings his work to life is the detailing and the plethora of shapes, shadows, patterns, lines and if you look carefully, characters. His pieces are always a feast for the eyes and worth studying for a little while.
Sled one, a self-confessed fair weather painter, has been getting going this spring with some beauties, including this outstanding piece as part of a small collaboration on the long wall at Cumberland Basin.
Sled One, Cumberland Basin, Bristol, April 2026
I suspect that this piece is a celebration of spring itself, with a cartoon sun playing a wind instrument from which a flower is emerging. Some stylised clouds round off the scene perfectly. It is incredible to think that most of Sled One’s work is painted without sketches, just straight off the top of his head. An extraordinary talent. More to come soon.
Boom! This is a banging piece of graffiti writing from Oust. Full of movement and positive vibes. Parts of the writing feel like they are reaching out from the wall, thanks to the depth of the 3D drop shadow and letter fills.
Oust, Cumberland Basin, Bristol, April 2026
Set on a grey buffed wall, the blue and red colours are perfectly matched, with the fill variations of blue looking wonderful. The subtle grey and white bubbles around the perimeter of the piece accentuate the energy of the letters. A fine piece from Oust.