7614. Cumberland Basin

Taboo, Cumberland Basin, Bristol, April 2026
Taboo, Cumberland Basin, Bristol, April 2026

I don’t tend to find as many new Taboo pieces as I used to, and that might be down to two factors. He might be painting less frequently, and/or maybe he isn’t painting the regular spots so often, and so I don’t come across his work as much. The upshot is that finding any pieces by the artist these days is a happy moment.

Taboo, Cumberland Basin, Bristol, April 2026
Taboo, Cumberland Basin, Bristol, April 2026

I have a feeling that this piece was painted as part of a birthday paint jam, I forget who for though. The red letters in anti-style form spell out TABOO in a combination of lettering and designs, with the second ‘O’ being formed of a jail window with eyes glaring from the dark space behind the bars. A fine piece from Taboo… I need to find more.

Poplar

.

Drifts of fluffy seeds

rolling in the gentle breeze

peregrine glides by

.

by Scooj

7608. Cumberland Basin

2Face, Cumberland Basin, Bristol, March 2026
2Face, Cumberland Basin, Bristol, March 2026

It took me a little while to work out who this piece of graffiti writing was by. I got there in the end, but was slow to figure it out, because the artist, 2Face, doesn’t paint very often. The letters spell FACEY, and it is signed, but even so, difficult to pin down.

2Face, Cumberland Basin, Bristol, March 2026
2Face, Cumberland Basin, Bristol, March 2026

There is quite a lot going on in the orange fills in the lettering, ranging from white cracks at the top through ‘leopard spots’ to a fluid whitish stream of paint running horizontally through the letters. These are all the signs of an experienced artist. 2Face also decorates the piece with a blue plasma bolt, adding another layer to the textured piece. A nicely worked piece of graffiti writing.

7601. Cumberland Basin

Sait Bare, Cumberland Basin, Bristol, March 2026
Sait Bare, Cumberland Basin, Bristol, March 2026

Sait Bare is an artist I have yet to have the pleasure to meet, although we have exchanged the odd message on Instagram. He is painting reasonably regularly these days and is definitely preferring writing BARE these days, as opposed to SAIT, which he used to write more often a year or so back.

Sait Bare, Cumberland Basin, Bristol, March 2026
Sait Bare, Cumberland Basin, Bristol, March 2026

This is a rather dreamy piece of graffiti writing in which the slightly unruly letters appear to drift into one another as if they were clouds. The colours are beautifully selected, and the whole piece has a sense of relaxed slow movement – it is amazing really how these artists can portray different moods and tempos through their designs and colours. This is a lovely piece from Sait Bare.

7592. Cumberland Basin

Minto, Cumberland Basin, Bristol, March 2026

The better weather has definitely produced an uptick in activity in Bristol, and Minto, like so many other artists, has been making up for a quiet winter. This is a classic piece of Minto writing, full of intriguing details and stories.

Minto, Cumberland Basin, Bristol, March 2026

The letters spell MINTO in a turquoise theme colour throughout. A little character with a hat and sunglasses is towards the left of the piece. Although there is so much going on in this busy piece, everything is in place and the finishing is first class. More to come from the fabulous Minto soon.

 

 

7587. Cumberland Basin

Dibz and Rusk, M32 roundabout, Bristol, March 2026
Dibz and Rusk, M32 roundabout, Bristol, March 2026

Over the winter, Dibz has been reasonably quiet, but it is noticeable that the frequency of his newly painted pieces is beginning to pick up a little. Here he has teamed up with Rusk to create this fine combination collaboration

Dibz, M32 roundabout, Bristol, March 2026
Dibz, M32 roundabout, Bristol, March 2026

The collaboration is one of those where the colour palette is what joins them, with Dibz providing the writing and Rusk the character. This was an early birthday piece for Soker, so the letters spell SOKER. The colours blue and gold (yellow) work well together, and as ever, Dibz work is immaculate.

Rusk, M32 roundabout, Bristol, March 2026
Rusk, M32 roundabout, Bristol, March 2026

Rusk has plumped for a character piece rather than letters, but he is equally at home with either. The classic character with baseball cap and spraycan is holding a rather growly dog on a tight leish. The words say ‘every dog has its day’ – perhaps an oblique reference to Soker’s birthday. Altogether a nice piece from the pair.

7581. Cumberland Basin

Noise, Cumberland Basin, Bristol, March 2026
Noise, Cumberland Basin, Bristol, March 2026

I hadn’t seen much activity from Noise over the winter months, so much so that I wondered whether he might have moved away. I needn’t have worried as he is now painting regularly again, and with some outstanding results.

Noise, Cumberland Basin, Bristol, March 2026
Noise, Cumberland Basin, Bristol, March 2026

I love the colour combination of this piece of graffiti writing on the long wall at Cumberland Basin. Light blues and pinks always work so well together. His letters are a little less chunky than usual, leaving room for a strong drop shadow in a slightly contrasting blue. Set on a black wall, the piece stands out nicely. He finishes with some words “time for action” which could mean any number of things, but Noise knows what.

7572. Cumberland Basin

Werm, Cumberland Basin, Bristol, March 2026
Werm, Cumberland Basin, Bristol, March 2026

It feels like Werm has stepped up a level recently. His work has always been technically sound, and he has always been up for adjusting his style from time to time, but there is something about his presentation and confidence that has gone up a level.

Werm, Cumberland Basin, Bristol, March 2026
Werm, Cumberland Basin, Bristol, March 2026

This is a super piece, which looks on the surface to be a ‘simple’ piece, probably because of it’s clean and tidy appearance. It takes a huge amount of talent and experience to create a piece like this. The symmetry of the letters is very well worked, and the seamless wavy pattern of fills, appears effortless, but is really tricky. There is a nice stripy drop shadow, and a touch of green decoration around the outside. The piece looks extra excellent because it is painted on a cleanly buffed wall. Really great stuff here from Werm.

7567. Cumberland Basin

Wes, Cumberland Basin, Bristol, March 2026
Wes, Cumberland Basin, Bristol, March 2026

I must have walked past this piece on numerous occasions, but because I wasn’t looking out for the letters WES, I simply overlooked it. Having now met Wes, I have become super sensitive to his letters, and I am finding them everywhere. I couldn’t see for the looking.

Wes, Cumberland Basin, Bristol, March 2026
Wes, Cumberland Basin, Bristol, March 2026

There are some really nice elements to this piece; two great colours, blended through the piece, some nice black lines and ‘rivets’ on the letters (a device I like a lot) and a couple of red and white decorations at the top and bottom of the writing. I don’t think it will be too long before I have enough Wes poieces to start a gallery.

7560. Cumberland Basin

Peggy, Cumberland Basin, Bristol, March 2026
Peggy, Cumberland Basin, Bristol, March 2026

I have been aware of this lovely column piece by Peggy for some time, but simply haven’t been able to stop in the right place to be able to photograph it. I managed to do so on an extended walk a week or two back when I had a day off from work.

Peggy, Cumberland Basin, Bristol, March 2026
Peggy, Cumberland Basin, Bristol, March 2026

This superb floral design stands out brilliantly on the turquoise column, and is most striking. Peggy, who is a tattooist by profession, creates these pieces that are really quite unlike any other artwork we see in Bristol. Each one is quite different from the last, but stylistically consistent. It is good to see her work, especially as she doesn’t paint all that often.