The minute I saw this piece from Daz Cat, I thought to myself ‘classy’, and I still think it now. It is a rather modest work, tucked away in the darkness of the tunnel but its quality really packs a punch.
The base colours of purple and orange are offset by the detail worked out in red and white. The piece looks more like an engraving than a spray-painted wall and has a moody quality to it. I can’t put my finger on it, but this cat I would consider to be one of his best (and what a vast collection to draw on). Blink and you could miss it.
Consistent with the theme of so many posts on Natural Adventures this year, this piece is by yet another debut artist on this blog, and one I know practically nothing about.
Skronius would appear to be off the radar of most Bristol street art commentators and I wonder if the artist is new to the city or new to painting in the streets altogether. Skronius has an Instagram account, but only 3 posts and six followers (at the time of writing), so it is difficult to provide much background.
From the look of this piece, I would guess that Skronius is no stranger to the art world with some really nice shading and textures in this piece that help to lift the cat-like robot character. I’m not too sure what the relevance of the bees and honeycomb are, but they help to fill the white gaps around the central focus. There is a lot to like about this unusual piece which is technically nicely done and I look forward to seeing more from the artist over the coming months.
Readers of Natural Adventures will be familiar with cat pieces by Daz Cat, but I think this is the first Time I have posted anything by Sage. I actually got lucky because I met the pair for the first time when they were painting this rather nice collaboration. Such nice people… and like policemen and doctors and teachers, so young.
Daz Cat told me that he was using up dregs for this piece, not that you’d know it. This cat is full of colour and detail and the three-quarter profile has given Daz Cat some different perspectives to play with.
Sage, I think is responsible for some interesting mega tags that I have seen about the place without knowing who they were by. This, of course, is a bit of writing and I think he likes to do writing and characters in equal measure. I need to find and write about more pieces from Sage.
Daz Cat is another artist who has been insanely busy recently, painting pretty much any wall that he can. I was lucky enough to meet him for the first time last weekend while he was painting alongside Sage. As with virtually every artist I have met, he was happy to stop for a chat, and I must confess to being slightly distracted by how much younger he is than I was expecting. It is funny how you can create an image in your mind of how somebody might look, and when you get to meet them it is a surprise how unlike that imagined person they are.
This is a quick column piece at the bottom end of the M32 Spot all in purple with black lines for the detail. I don’t know how many cats he has painted, but doing this must be like falling off a log sometimes. I am thoroughly enjoying this surge in Daz Cat’s work, and have several unpublished pieces lined up for Natural Adventures.
This is an old Daz Cat piece from way back in October last year – I am posting it now because it is new to me since I only recently went up there to get some photographs. These concrete slabs that formed part of the gun emplacement are a favourite with artists such as Daz Cat, Kool Hand, John D’oh, Soap and a handful of others.
What is cooler than a cat wearing ski goggles? I love the way that the tinted lens has projected through onto the cat’s eyes. This is a fun piece from Daz Cat.
Recently some goats have appeared in this spot, and I am sure that they have contributed to the general muddiness there I also think that they stand up against these walls with their muddy hooves – how else would this mud end up on the front of these pieces?
I first photographed this Daz Cat cat some while ago, but never posted it because there was a dark shadow cast across it. On a recent trip into the depths of Montpelier I was able to have a second crack at it and this time the sun shone and I timed my visit (by luck not judgement) at the right time of day thus avoiding any shadows.
I have a feeling that Daz Cat enjoys painting in North Bristol and it is rare to find anything by him south of the river. This is just a nice chrome cat wearing a scarf and adding a little bit of character to a wall that was begging for decoration. Nice work.
There is a little pathway close to the entrance of St Werburghs tunnel that leads up to a small nature reserve bounded by railway lines. The reserve is on the top of a hill and has some lovely views of Bristol and some interesting perspectives of the main lines coming into Bristol Temple Meads station. Of course, where you have railways and hills, you also have bridges, and where you have railway bridges there is a chance you might get some graffiti. That is the case here.
This is a rather unhappy, even angry, looking cat from Daz Cat. I think I prefer his happier cats. This one is mostly chrome and stands out amongst the other graffiti writing and throw ups around it. Worth the detour, and a nice peaceful oasis in North Bristol.
I took this photograph as the light was fading at the end of an impromptu paint jam along the M32 cycle path. This would explain the slightly dour appearance of the piece, which is actually a bright and cheerful work from Smak.
The graffiti writing reaches the usual high standards associated with Smak, with superb fills and sharp lines that he delivers with such consistency. He has included a little character with this piece, a cat (looking a bit like a tiger) drinking milk from a bottle with a straw (a paper one I hope).