2080. Nelson Street (7)

Blink and you might miss it! Sited right next to one of the best collaborations in this part of Bristol that I can remember, between Smak and Sled One (to follow very soon), is this beautiful cat stencil by the utterly awesome Kin Dose.

Kin Dose, Nelson Street, Bristol, March 2019
Kin Dose, Nelson Street, Bristol, March 2019

Continuing on from his Upfest utility box theme, Kin Dose has blessed those right in the centre of Bristol with this little gift. Looking rather innocuous and disguised as a bit of tagging many citizens will have walked by without noticing this charming piece. Suggestion… get yourself down there and take a look.

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2055. Norfolk Place (4)

There is something about Cheo’s work that oozes class. I think it stems from his great compositions and characters, but most of all his incredibly clean lines. The whole thing looks like it has been painted with fat felt tips rather than spray cans.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I love the smoking cat character with his gold chain in the centre of the piece, and I’m not too sure what the white creature on the left is, but he is clearly animated about something.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I struggle to read Cheo’s writing, mainly because he doesn’t simply write ‘CHEO’  which would of course make things much easier. Crazy that I’ve only just posted this one.

Thursday doors

Doors 61.

I am still struggling a little to find new doors, and haven’t done an awful lot of travelling lately, so I have retreated to my safe heartland of graffiti doors because there is never ever a shortage of them in Bristol.

The featured image door and the ones below are something of a curiosity. They appeared back in January 2017 and were attached to some walls in what I thought at the time was an effort to disrupt the work of street/graffiti artists, but I think that they might have been a part of a campaign about homelessness. Either way, they introduced a new dynamic to the Bristol scene and presented a challenge to local artists. The doors remained in situ for many months before disappearing as quickly as they had appeared.

Doors on a Wall, Moon Street, Bristol, January 2017
Doors on a Wall, Moon Street, Bristol, January 2017
Doors on a wall embellished by Ryder sitting over a Mr Klue piece, Bristol, January 2017
Doors on a wall embellished by Ryder sitting over a Mr Klue piece, Bristol, January 2017

The next few doors are classic graffiti doors in Bristol:

Coin-Op Militia, Mr Klue and DNT, Stokes Croft, Bristol, January 2017
Coin-Op Militia, Mr Klue and DNT, Stokes Croft, Bristol, January 2017

Spot the cat…

Door, Leonard Lane, Bristol, January 2018
Door, Leonard Lane, Bristol, January 2018
Heavily tagged door, Stokes Croft, Bristol, November 2017
Heavily tagged door, Stokes Croft, Bristol, November 2017

So that’s your lot for this week, I wish you all the very best until next Thursday.

Let yourself in to a world of doors at: Thursday Doors – Norm 2.0, just follow the frog.

by Scooj

 

1930. Wilder Street (25)

In my view, Sled One is the most inventive and creative artist working on the streets of Bristol at the moment, and this piece is an absolute master class. Sandwiched between writing from SMAK and Ments, this character piece acts as a focal point for this curated wall.

Sled One, Wilder Street, Bristol, December 2018 Sled One, Wilder Street, Bristol, December 2018

Many of Sled One’s pieces feature cat and mouse antics, and this one is a great example. The cat, a Samurai cat, is wearing a most glorious helmet onto which a mouse is clinging for dear life. I don’t know what it all means, but it is a visual marvel and so beautifully painted.

Smak, Sled One and Ments, Wilder Street, Bristol, December 2018 Smak, Sled One and Ments, Wilder Street, Bristol, December 2018

I love seeing Sled One’s work, but sadly it seems to be quite a rare occurrence these days. So, so good.

1921. Cumberland Basin

This is one of two Daz Cat pieces I found on a recent lunchtime walk to the Cumberland Basin. It was good to find this, as I haven’t seen one of his pieces for a little while. This particular spot does seem to be a favourite haunt for the artist.

Daz Cat, Cumberland Basin, Bristol, December 2018
Daz Cat, Cumberland Basin, Bristol, December 2018

This cat is so full of expression, I like the little black line across the teeth which ‘suggests’ individual teeth without actually picking them out. A neat trick. The absence of one eye might lead the viewer to conclude that this cat is a bit of a bruiser. Nice work.

1669. Upfest 2018 (20)

I was looking for the Andrew Burns Colwill piece (to follow soon) which I knew was a little off the beaten track for Upfest 2018 and spotted this brilliant little stencil by John D’oh on the wall of The Black Cat pub on the corner of West Street and Westbourne Grove.

John D'oh, Upfest, Bristol, August 2018
John D’oh, Upfest, Bristol, August 2018

When I see small ‘hidden’ gems like this, I wonder how many Upfest visitors might have missed it in their quest for the ‘marquee’ artists – I don’t suppose it matters really, but as a street art hunter, I like to work hard for my trophies, it is what I do. This is a really accomplished little stencil and one that really chimes for me – a great little find – Thank you John D’oh.