2050. Upfest 2016 (168)

Now here is something of a rarity, a piece of street art by Smak, rather than the graffiti writing we normally associate him with. Smak is an accomplished artist as well as writer as this piece from Upfest 2016 amply demonstrates.

Smak, Upfest, Bristol, July 2016
Smak, Upfest, Bristol, July 2016

I think this piece is depicting the Gorgon Medusa with her snake locks and stare that turns all who gaze upon her to stone. I think that if the piece had not been signed I would have really struggled to recognise it as a Smak piece. Really great to see something different from this Bristol-based artist.

2049. Upfest 2016 (167)

I think this was the first time I saw anything by Hypo, but I think I might have been somewhat overwhelmed by the anti-May work by Peter Sheridan next to it that this piece passed me by a little. I am glad that I have had time to reflect and dig it out of archive.

Hypo, Upfest, Bristol, July 2016
Hypo, Upfest, Bristol, July 2016

I have noticed that Hypo likes to work with a vanishing point in the middle of his work, so that all 3D shading gravitates to the centre. I like the reasonably straightforward graff writing of this piece especially the splashes of white on the corners. At the bottom he recognises Mixie, Expo and Ulow as well as himself. A nice Upfest piece…below is his offering from 2017.

Hypo, Upfest, Bristol, July 2017
Hypo, Upfest, Bristol, July 2017

Thursday doors

Doors 62 (although it might be 63)

I have been a little short of time this week so I’m afraid you’ll have to make do with a few doors picked up from my walks around Bristol. Some are rather old others from just a couple of weeks back. No theme…just doors.

Shop door with loads of door furniture, Bristol, December 2017
Shop door with loads of door furniture, Bristol, December 2017
The White Harte, Bristol, November 2017
The White Harte, Bristol, November 2017
Blue door, keyside cottage, Bristol, December 2018
Blue door, keyside cottage, Bristol, December 2018
Blue door, keyside cottage, Bristol, December 2018
Blue door, keyside cottage, Bristol, December 2018
Never surrender your imagination, Bristol, January 2019
Never surrender your imagination, Bristol, January 2019

That’s it for now, wishing you all a wonderful week.

Scooj.

Check out a great world of doors at: Thursday Doors – Norm 2.0, just follow the frog.

 

 

2048. Upfest 2016 (166)

Carl Kenz is a German artist who seems to incorporate tentacles into most of his work. In this tribute to Andy Worhol he offers a slightly different take on the Campbell’s soup tin with a new variety – tentacle soup (fresh ‘n’ alive) overflowing with movement and activity.

Carl Kenz, Upfest, Bristol, July 2016
Carl Kenz, Upfest, Bristol, July 2016

As well as his tentacle work, it appears that Carl Kenz is also rather ford of 3D art and there are several interesting pieces on his streetart.com website. I love this piece, which really leaps out at you and is full of mischief and fun.

 

2047. Upfest 2016 (165)

Yet another notable omission from my Upfest 2016 posts is this extraordinary piece by Manchester’s brilliant duo, Nomad Clan. It looks a little bit like a dystopian future piece and bristles with menace and potential violence.

Nomad Clan, Upfest, Bristol, July 2016
Nomad Clan, Upfest, Bristol, July 2016

This would have been the first time I saw these two painting or indeed was conscious of their work, although at the time I was not conscious of their work…if that makes sense. It is amazing to think what a successful few years they have had.

Nomad Clan, Upfest, Bristol, July 2016
Nomad Clan, Upfest, Bristol, July 2016

The piece is sprayed on the fake train carriage that is rolled out at Upfest each year, which is a nice touch from the organisers. The only downside to it is that it is surrounded by fences, presumably to stop people from sitting on the ledge and getting in the way of the artists.

Nomad Clan, Upfest, Bristol, July 2016
Nomad Clan, Upfest, Bristol, July 2016

This is a great looking piece with loads of attitude and a bit of as story gong on in.

2046. Upfest 2016 (164)

A rare treat indeed, getting to see John D’oh in action at Upfest 2016 finishing off his five piece stencil. How on earth can this have languished in my archive for so long? I just don’t understand it. It is great to use this trawl to share it with you now.

John D'oh, Upfest, Bristol, July 2016
John D’oh, Upfest, Bristol, July 2016

The theme of the piece is getting connected, or at least that is how it comes across. John D’oh tells us in his recent book that the piece features friends of his to whom he pitched the idea of them talking into cans with the string between them spelling out his name. It seems to have worked out well.

John D'oh, Upfest, Bristol, July 2016
John D’oh, Upfest, Bristol, July 2016

The way that John D’oh frames these pieces makes them look a little bit like a cheesy girl’s comic from the 1970s, like Jackie (I only know this because my sister had a subscription). Kevin Bacon I think is included because of his links to the EE advertising campaign which has been running for a few years now.

John D'oh, Upfest, Bristol, July 2016
John D’oh, Upfest, Bristol, July 2016

Rounding things off is a sublime stencil of the wonderful Jeff Knight, my local Big Issue seller. An all round excellent Upfest piece.

2045. Upfest 2016 (163)

When I saw this back in 2016 I was still at the early stages of learning about the street art scene in Bristol (in fact I am still learning every day) and I knew little about the RAW crew and the artists constituting it. While it is obvious that the character on the right is by Jaksta (the medallion gives this away) the writing is less obvious.

Jaksta and Ware?, Upfest, Bristol, July 2016
Jaksta and Ware?, Upfest, Bristol, July 2016

It looks like the letters say WARE to me, but here I am showing my ignorance because I don’t know the artist at all. The writing is beautifully executed and I love the musical notes sitting on the midway line on the blue letters. A really nice piece of street art for the festival.