This morning’s post is something of a landmark for me. It is my 4,000th street/graffiti art post on Natural Adventures, not something that I planned all those years ago with this first post.
It is fitting, I think, that one of the most impactful street artists to hit the walls of Bristol is the subject of this milestone post – Insane51. This is probably ‘the’ feature wall for Upfest and gets an awful lot of footfall and exposure. You might recall the Greta Thunberg piece by Jody that preceded this one.
Apart from being visually stunning as it is, Insane 51’s work is designed to be viewed through 3D colour filter glasses that allow you to see the two pictures that combine to make the one mural. You can see what I mean if you look at this article from the the Bristol Post.
The artwork itself is best described by the artist, taken from his Instagram feed:
🔴 ‘DREAM” 🔵
⚫ NYX holding SELENE 🌕
⚫ Nyx is the Greek goddess of the night. A shadowy figure, Nyx stood at or near the beginning of creation and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty that she is feared by Zeus himself.
🌕 Selene is the goddess of the Moon. She is the daughter of the Titans Hyperion and Theia, and sister of the sun god Helios and the dawn goddess Eos. She drives her moon chariot across the heavens.
An extraordinary piece by a world-class artist. On to the next 4,000 posts.
Although access to this wall can be a little limited, it is possible to photograph it reasonably well – I haven’t yet been to the spot when the gate was open into the yard, so my pictures are offset, taken over/through the fence. It is a new wall for Upfest, and they really must be congratulated on sourcing so many new walls for this year’s extended event.
The mural, entitled, ‘World on Fire’ is by Farrah and my first impressions are very much that the work resembles the style and colours that Vincent van Gogh might have used, although this is purely an abstract piece. It is beautiful, and the eye is pulled around the piece, drawn into the battling and swirling patterns and colours.
This is the largest piece I have seen by Farrah, and the first to have made it on to Natural Adventures, but definitely not the last. I don’t know too much about the artist, but her informative Facebook page is worth a quick look, and her Instagram profile offers this insight:
Paintings inspired by the natural world and delicate ecosystems of our beautiful planet, from fragile coral reefs 💦 to the lush green rainforests 🍃.
You may recall that earlier on this year, at the start of the Upfest 75 walls in 75 days event, several beautiful new pieces were vandalised in one night. This piece from Jody was one of the pieces. I have been holding out for a long time hoping that Jody would come back and repair the damage, but so far no dice. So my impatience has got the better of me and I am sharing the piece on Natural Adventures in its vandalised state.
I took the feature picture only a day or two after it had been completed by Jody. Pictures of the clean piece are a bit of a rarity, and consequently haven’t been shared much on social media. Jody is a well known Bristol artist who is an old friend of Upfest, creating some amazing walls over the years. This Samurai is a real beauty and an eye-catching piece, but I can’t help getting angry every time I see it because of the writing and the smear on the nose. Some would say that it’s a jungle out there. I would say that there are some idiots out there.
Even with the damage to it, this piece is utterly outstanding – and I’m keeping my fingers crossed that Jody will repair it one day.
Well now we are getting in to the final 10 pieces from Upfest’s 75 walls in 75 days event and I am getting a little edgy, because my ‘collector’ gene will be working overtime to ensure I get every single one, and that might be difficult.
I don’t normally associate Silent Hobo with Upfest events, so it was really nice to see that he has participated in this most unusual of years with this enormous mural in Ruby Street.
Of course, with so many murals in residential streets for this year’s event, parked cars have been a real problem. I think I might suggest to artists that next year they start their pieces four feet above the ground, or that they paint cars in the lower portion so we don’t actually miss anything (now there’s a creative concept).
As with all of Silent Hobo’s excellent observational work, he captures the mood of ordinary people, especially youngsters so well. One could do a celebration of Bristol, just by showcasing all of his pieces. It would seem that he is very proud of the city and its citizens and his murals are a wonderful record of the city in the 2000s.
Another thing that Silent Hobo portrays beautifully is pets and wild animals. Here he rewards the viewer with a fabulous cameo of a little boy and his dog in a red armchair, a delightful scene. Yet another outstanding wall from Silent Hobo and for Upfest.
There is something rather special about this Upfest 2021 75×75 piece and once one understands the context, the whole piece falls into place in one of those ‘of course’ moments. If I told you that the artist, Martin Glover, is deaf and that the piece is called SIGN, you can probably work out that the hands spell out SIGN in the signing alphabet. Clasping the little finger (S), touching the middle finger (a,e,I,o,u), fists G and two fingers on the palm N – three fingers is M.
The piece is therefore not only rather clever and informative, but it is technically very nicely painted, and all around the edge there are hands signing in yellow. I expect the whole thing spells out a message, but I don’t know what it is.
There really is no limit to the creativity that street art offers both the artist and the viewer, and this piece simply proves that. It is a shame that it is tucked away in a corner of the Tobacco Factory car park where not many people will have the chance to see it, but it is worth the effort to seek it out if you are up for it.
I think that the first thing I should say at the start of this post is that I know nothing about the artist of this curious piece for Upfest’s 75 walls in 75 days event. Certainly the piece is striking and unusual, and the artist, George J Harding, is more used to painting canvasses than walls, but it all comes together nicely in a rather unconventional way.
I have taken a quick look through George J Harding’s work and although there are a couple of street art pieces on his website, they don’t much look like this. I think he has gone for a creative freestyle approach, and by the look of it, did it quite quickly. It is great to see fine artists hitting our walls though and enjoyable to see the crossover in action.
This was perhaps one of the lower-key pieces to be painted for the Upfest 75×75 event, tucked away in the car park of the Tobacco Factory. I don’t think I have come across Kappa V Kappa Art before, but it appears that they are a Bristol-based outfit who describe themselves as chaotic, colourful art. I am not sure of the identity of the artist(s) so have used the ‘they’ pronoun to overcome embarrassment.
The piece itself, while certainly colourful, I wouldn’t describe as being chaotic, on the contrary, I think that there is a clear form to this delightful abstract piece, bursting with energy. Really rather nice, and I will be looking out for more work from Kappa v Kappa.
In Dean Street, which has always been ripe as a street art spot, is this new piece by Zase for Upfest’s 75×75 event, sits opposite the fine Ments piece I posted a few days ago. Zase is an artist whose large murals, especially around the St Paul’s area, are local landmarks and part of Bristol’s DNA.
This is a lovely piece of 3D writing has been given a bit of rainforest treatment with the Swiss cheese plant leaves and a toucan. Usually this artist writes ZASE, but in this particular instance it is really rather cryptic, but if you look behind the big red stripe, you can make it out.
Zase has a bit of a fascination with Swiss cheese plant leaves, and they have featured in his pieces before. Perhaps he has one in his home, and they are always front of mind. He is not alone, lots of other artists paint them too. The drips on the leaves add a little extra graffiti credibility too. A wonderful, vibrant and beautifully painted piece.
There is an interesting crossover with this piece from Soker in so much as it is an Upfest 75×75 piece from a Bristol graffiti writer who produces this kind of thing regularly all around the city to this high standard, without being ‘special’ event pieces. I’m not sure if I articulated that very well, but perhaps what I mean is that we are spoilt in Bristol with having so many outstanding writers like Soker.
This is a lovely clean and colourful design from Soker, spelling SOKEM. There are two or three colour/fill themes going on through the letters and a central vanishing point for the 3D shading. This is what great graffiti writing looks like.
This magnificent collaboration was one of the earlier ones to be completed for Upfest’s 75 walls in 75 days summer event, and these pictures have languished in my archives since June. The collaboration is by Koeone and Paul Monsters and plays magnificently to each of their strengths.
The beautiful portrait in greyscale is by Koeone and is painted with such care and attention to tones and shading, which brings an incredible calmness and grace to the piece. The hand is amazing, and perfectly in proportion.
The overall piece is very typical of a Koeone production, where the hair is separated from the face, being decorated with a highly colourful design or pattern, in this case perfectly painted by Paul Monsters.
Paul’s geometric design in greens, blues, purples, browns and oranges lends itself perfectly to a collaboration with Koeone. I think that these two should get together again, because the complementary styles have created something very special here. A lovely collaboration.