6013. River Avon (61)

Mote, River Avon, Bristol, April 2024
Mote, River Avon, Bristol, April 2024

Another Mote monster to add to the ever-growing back-catalogue. Mote’s work tends to go through themed phases where he will produce a sting of monsters with a particular design idea, such as monster birds and monster fish and recently, monsters with one white eye and another heavily lidded eye.

Mote, River Avon, Bristol, April 2024
Mote, River Avon, Bristol, April 2024

Because Mote themes his work in these ‘periods’, it can be possible to date his work to within say a six month time-frame. This monster is clean and tidy with a solid purple fill and pleasing ‘ribbon’ of green running through. And those teeth!

6012. Frome Side (34)

Grimes, Frome Side, Bristol, April 2024
Grimes, Frome Side, Bristol, April 2024

I would say that over the last two years or so, the intake of ‘new’ artists in Bristol has far outweighed any losses, and we have a ‘net gain’ of talent. This is great news, although it makes things a little troublesome for me, as there is so much more art to photograph and catalogue than ever before, and it is difficult to give artists the exposure they deserve.

Grimes, Frome Side, Bristol, April 2024
Grimes, Frome Side, Bristol, April 2024

One of the newer artists to Bristol (at least on my radar) is Grimes, whose characteristically colourful and busy pieces have been brightening up spots all over the city. This piece underneath the M32 is typical of his work, full of letters and symbols, beautifully crafted and filled. I have loads of his pieces in my folders and will try to dig them out, as he has added something a little special to the Bristol mix.

6011. Sparke Evans Park (96)

 

Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024
Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024

What stands out for me in this lovely piece of graffiti writing by Claro_que_sssnoh is the subtle colour selection and slight softening of his letter style. The writing runs smoothly, where often his letters can have a slightly staccato feel running through curvy to straight lines in abrupt fashion.

Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024
Claro_que_sssnoh, Sparke Evans Park, Bristol, April 2024

I am not entirely clear what the writing spells as I would usually expect to see HONS. Claro_que_sssnoh has managed to do just enough of a background and ‘sparkles’ to differentiate his piece from the pre-existing pieces on the wall, and drips ad further interest. For me though, it is the colours that shine. Nice work.

6010. Greenbank (116)

 

Laic217, Greenbank, Bristol, April 2024
Laic217, Greenbank, Bristol, April 2024

Some artists are content to stick with what they know and play safe, others are constantly pushing the boundaries, and Laic217 has undergone something of an epiphany recently, taking his distinctive style into new and unexpected places, and as an observer, I am enjoying the trip.

Laic217, Greenbank, Bristol, April 2024
Laic217, Greenbank, Bristol, April 2024

This outstanding portrait piece on the long hoarding at Greenbank features a man holding a miniature trumpet, all in greyscale except for the instrument. The piece is not signed, but there are some telltale signs that this is by Laic217, namely the unusual proportions of the character’s head, and more obviously the folds of material in his clothes, a speciality perfected by Laic217. This is a wonderful piece.

6009. M32 roundabout J3 (572)

Mr Draws, M32 roundabout, Bristol, April 2024
Mr Draws, M32 roundabout, Bristol, April 2024

This is something a little different from Mr Draws, and I really rather like it. The colour scheme that he has selected works really well with the verdant spring growth at the base of the wall and the trees behind set on a stunning blue sky (something of a rarity this year).

Mr Draws, M32 roundabout, Bristol, April 2024
Mr Draws, M32 roundabout, Bristol, April 2024

The character hand and letters combination looks really good and is nicely proportioned. This is so typically Mr Draws, and I can’t fully explain why, but his whole approach to graffiti writing is unconventional, which is great to see, as there is quite a lot of ‘Samey’ stuff out there. I love the hand, and I think that it is something he should bring into his work more often. A great piece from an artist I really like.

6008. Dean Lane skate park (714)

Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024
Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024

I am not sure that I have seen this wall painted as much as it has been over the last year or so, not just painted, but painted with so many high-quality pieces. This recent collaborative piece is by Fade, Dibz, Awkward and Noise.

Fade and Awkward, Dean Lane, Bristol, April 2024
Fade and Awkward, Dean Lane, Bristol, April 2024

The left-hand end of the wall is collaborative combination from Fade and Awkward. Starting with the latter, I think that this is the most extensive bit of work I have seen from him, with so much more than his usual mega-tag face. Here Awkward has included a complete character as well as some woodland beasties and flowers, with loads of little details. The character is wearing a Cheech Wizard hat and surreptitiously holding a spray can. Fade has painted some beautifully finished letters, acting as a central platform for Awkward’s decorations.

Dibz and Awkward, Dean Lane, Bristol, April 2024
Dibz and Awkward, Dean Lane, Bristol, April 2024

The middle section is by Dibz with a combination of outstanding writing and a couple of characters… a Vaughn Bode Lizard and another masked character whose name I don’t know, both faithfully reproduced. There have been a whole ton of Vaughn Bode inspired pieces lately, and I guess it is a theme from World Wall Stylers or something like that.

Noise and Awkward, Dean Lane, Bristol, April 2024
Noise and Awkward, Dean Lane, Bristol, April 2024

Rounding off the wall and sticking with the colour theme, Noise, who seems to be enjoying a spate of collaborations, has produced another of his NOISE pieces composed of dense letters with stunning fills and transitions. Awkward makes another appearance with a character peeping over the ‘S’ along with a couple more woodland bugs. Altogether a wonderful piece from the foursome.

6007. M32 roundabout J3 (572)

Hypo, M32 roundabout, Bristol, April 2024
Hypo, M32 roundabout, Bristol, April 2024

I have enjoyed immensely the vigour with which Hypo has upped his game over the last year or two, both in terms of the quality and quantity of his painting. Sticking with his HYPO letters, he has come up with a sequence of colourful and strong designs of which this is one of his more recent.

Hypo, M32 roundabout, Bristol, April 2024
Hypo, M32 roundabout, Bristol, April 2024

Unfortunately I captured this piece on a late sunny afternoon, and there is a bit of glare, but it doesn’t hide the excellence of the artwork. The colour palette is really good and the transitions through greens to yellows and oranges and blue are really well done. some spots are added for decoration, but it is the overall design of the letters and the clean finishing that I am particularly attracted to in this piece. Great work from Hypo.

6006. Greenbank (115)

SkyHigh, Greenbank, Bristol, April 2024
SkyHigh, Greenbank, Bristol, April 2024

We are lucky that SkyHigh and Roo appear to have a strong association with Bristol – I believe that they have family here. This is good, because every time they come to visit, they drop a couple of pieces, which mixes things up nicely.

SkyHigh, Greenbank, Bristol, April 2024
SkyHigh, Greenbank, Bristol, April 2024

This is a beauty from SkyHigh in which he has spelled out his name with several optional variations in how you choose to read it. The block letters, each in a different font/style, have loads of depth to them and are displayed in different orientations creating a kind of 3D collage effect. The tried and trusted pink and blue combination is a winner, and is augmented with some splashes of yellow in the form of smiley ‘stickers’. Tidy.