a cheesy Netflix movie
a cheesy Netflix movie
Hemper is painting like a fiend at the moment. Hardly a day goes by without another new piece from him, and each one is a special gem. His range is exceptional and that he does it all off-the-cuff makes it all the more impressive.
This recent piece of graffiti writing is in a beautifully curvy script with plenty of highlights and accents to create a nicely rounded 3D feel to the letters. The green fills are in several shades with a whole bunch of different patterns to enjoy. This is an artist who appears to be thoroughly enjoying his craft at the moment. Plenty more to come.
I knew that this piece by Rosalita existed, I just wasn’t quite sure where and when I finally discovered it on the Greenbank wall it was looking a little bit worse for wear. There is definitely a dark and tragic side to a lot of Rosalita’s work and this is something of a deathly portrait set on a backdrop of flowers.
I don’t often cut-and-paste quotes into Natural Adventures, but Rosalita’s explanation of this piece on her Instagram feed gives us an insight into this portrait:
“🌺From my rotting body flowers will grow🌺
Emptying cans with a mishmash of colours.
Dreamt I visited my mother last night, in our old home, as if she had never departed. There was comfort in feeling her presence again. Buddhist believe in meditating on death and impermanence as the only certainty in life 🌱 The intention is that when we embrace the reality of death we are freed of its fear and are able to live our lives fully with an open heart 💓
It is shamanic work throughout all cultures. Themes of death are a form of meditation in my practice, the impermanence of murals is guaranteed and comes with the territory of graffiti/street art culture. In its own way is a reminder of how fragile life is, and through acceptance we can kiss the joy as it passes our way ☠️ nuff love !”
The piece is very similar to another one she painted at around the same time and which I posted here back in January 2021. Fabulous work, and I love the flowers.
The sleeping giant has definitely woken, and Subtle has been out and about creating some superb pieces across Bristol. I think he has a stock of pink paint that he wanted to use up, because a lot of his recent stuff has majored on pink.
Subtle uses a technique that involves quite a lot of roller-brush work. Most of the solid fills and the background are all roller work, with the outlines and details added on with spray paint. This is for both ease and economy. Emulsion is so much cheaper than spray paint. The result of his labours is this wonderful SUBTLE in pinks and reds on a green background with blue decorations. Eye-catching and fun.
Doors 145 – Just some doors dotted around Bristol that took my fancy
I so desperately want to post some magnificent doors from a stately home or National Trust property or something like that, but I still haven’t been out much, so I am stuck with the ordinary everyday doors from around Bristol. Here we go for another Bristol doorscursion:
The weather is improving and lockdown is easing, so it shouldn’t be too long before I can get out and about for some fresh doors. Overseas holiday doors though are still a distant dream which is a pity… patience is a virtue.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
The minute I saw this piece from Daz Cat, I thought to myself ‘classy’, and I still think it now. It is a rather modest work, tucked away in the darkness of the tunnel but its quality really packs a punch.
The base colours of purple and orange are offset by the detail worked out in red and white. The piece looks more like an engraving than a spray-painted wall and has a moody quality to it. I can’t put my finger on it, but this cat I would consider to be one of his best (and what a vast collection to draw on). Blink and you could miss it.
In the world before COVID-19, if you can remember that far back, Decay was painting walls at will, and the high frequency of his new pieces at times made it difficult to photograph and post them. Then everything changed and we entered into a dystopian present overseen by charlatans. There seems to be such a strong correlation between demagogue leaders and appalling mis-handling of the health crisis.
Apart from a few pieces over the last year, Decay seems to have gone to ground a bit.
This recent piece is something of a rarity, not only because Decay hasn’t painted much, but also because of the introduction of a new design. Chuck, the little character, remains. This is another Kill the Bill piece, which stands up for the rights of people who live in mobile accommodation, which Priti Patel appears to want to crush, along with a whole raft of other human rights. She really is a dreadful person in every way. Looking forward to seeing more from Decay as things improve.
a chocolate indulgence
killing me softly
This is a pairing that has been very productive in recent weeks and one that involves two artists with very different temperaments, Hemper and Turoe. What is clear is that both of these artists are uber-talented and capable of turning out writing in a plethora of different styles.
This collaboration is actually only one half of a slightly larger effort that included Veks and Benjimagnetic but somehow these two needed to be posted as one. The Hemper ‘HEMS’ is utterly outstanding and those shades from brown at the bottom to blue at the top are sensational. The letter style is nice and organic and has a kind of woodland/outdoorsy feel to it. So very good.
The Turoe piece in a richly scripted style, spelling out, unsurprisingly, SHYTE, is beautifully done in a yellow gold colour. There is something funny about the juxtaposition between the fancy script and crude word. A fine piece from Turoe. Together, these artists with contrasting efforts have absolutely smashed this wall.
Greenbank is the most wonderful temporary graffiti/street art spot. It is a very long hoarding, perhaps 100m, which separates the Bristol to Bath cycle track from a large new development. I guess the hoarding will be here for a few more months and then this great art asset will disappear and we’ll all have to look for somewhere else. This is the way.
Pekoe has been on fire over the last year and she is turning out some truly magnificent pieces. This ‘kill the bill’ portrait is in magnificent purple and yellows (which I recollect from school are opposite colours) and with her white beanie, it really hits the mark. This is beautifully finished and it looks like she took her time to add in some details in the face and hair. Another triumph from the very busy Pekoe.