847. M32 Roundabout J3 (42)

So here is our weekly dose of Laic217. Reverting back to the format that Laic217 used when I first became aware of his work a couple of years ago. His name and a character . The big difference over the two years is the whole quality of his work, which has improved ten-fold.

Laic217, M32, Bristol, June 2017
Laic217, M32, Bristol, June 2017

His techniques are producing more forgiving textures in the features of the characters, and the clothes are well studied, with beautiful folds and creases. In my view this is an artist who is constantly improving. However, he is sticking to his themes of bucket hats, acid, smileys, flaming spray can and of course facial distortions.

Laic217, M32, Bristol, June 2017
Laic217, M32, Bristol, June 2017

I have just been to the cinema to see The Mummy (Cruise and Crowe…6/10) and although these eyes are stacked vertically, there is something unsettling about multiple eyes. (In the film, the evil character has two pupils and irises in each eye). A digression I know.

Laic217, M32, Bristol, June 2017
Laic217, M32, Bristol, June 2017

846. Leonard Lane (11)

Sirens is getting rather busy all over Bristol at the moment, and here is a recent piece that he produced in my favourite Bristol backwater, Leonard Lane. What to make of this piece?

Sirens, Leonard Lane, Bristol, June 2017
Sirens, Leonard Lane, Bristol, June 2017

What Sirens has done here is create a green space in a sea of messy graffiti. I believe it is metaphorical as well as physical and therefore has a double impact. Even more unexpected is that this is, so he says on his Instagram account, a six layered stencil and took a long time to do.

Sirens, Leonard Lane, Bristol, June 2017
Sirens, Leonard Lane, Bristol, June 2017

The abstract nature of this work is at complete odds with the chaos that surrounds it. A small green window of tranquility. It has an impressive impact on those that venture down this ancient lane.

845. The Bearpit (73)

I believe this is the third J. Dior piece that I have posted on this site, and still I am oddly attracted to his naïve style. In this work we have some rather unusual reference to the ‘Caped Crusader’ but I am really rather baffled by the figure with six arms and three heads.

J. Dior, The Bearpit, Bristol, May 2017
J. Dior, The Bearpit, Bristol, May 2017

The fellow on the right appears to have a specially made super hero suite designed to show off his manhood. Whatever is going on in J. Dior’s mind in this piece is probably best kept there. As far as I’m concerned another winner. I would imagine that his work divides opinion as it may fall into the category of ‘I could probably do that’. The point is that people who say that never do…and If they did it would probably be crap. A bit like me saying that I could play football better than Wayne Rooney (even though I probably could).

844. M32 Spot (6)

Another column piece at the M32 Spot, but this one is rather easier to photograph (marginally) because it is on two faces only. The artist is, of course, the fabulous Decay.

Decay, M32 Spot, Bristol, June 2017
Decay, M32 Spot, Bristol, June 2017

To those that know his work, probably the most striking thing about this piece is that he has introduced some additional colours into his palette, notably yellow, orange and blue. The centre and bottom half are in the colour scheme that I am more accustomed to. To cap it all off, he has wonderful drips. Great work.

843. M32 Roundabout, J3 (41)

A rather nice quick one from Whysayit. I particularly like the work of this graffiti artist because of the range of colour selections and fill patterns he uses to what is essentially the same tag. Sticking to his format, he can play with the decoration.

Whysayit, M32, Bristol, June 2017
Whysayit, M32, Bristol, June 2017

Another thing I rather like is that his work remains edgy, and as well as these ‘full-blown’ YSAE pieces, he also has shorter versions and still tags his letters. He hasn’t yet abandoned his beginnings, and I rather admire that…even though I don’t much care for tagging.

842. Upfest 2016 (135)

OK…I will say that this, for me, is one of the most fantastic small pieces, not only at Upfest but anywhere, that I have seen. The portrait of Einstein by Yassen Nenov (Yasko) is kind of crazy, but beautifully sprayed. There is something about it that just ticks all my boxes.

Yassen Nenov, Upfest, Bristol, July 2016
Yassen Nenov, Upfest, Bristol, July 2016

I’m not sure if it is the use of the space, the colours, the subject or the execution, but it just works for me.

Yassen Nenov, Upfest, Bristol, July 2016
Yassen Nenov, Upfest, Bristol, July 2016

Yassen Nenov, originally from Bulgaria (I think), is now based in Portsmouth. He specialises in bespoke pieces for cars and bonnets, helmets and walls and murals, and is making a name for himself for his custom work.

Yassen Nenov, Upfest, Bristol, July 2016
Yassen Nenov, Upfest, Bristol, July 2016

I am less interested in his commissions (these things are always so ridiculously outside my price bracket) than I am in his public art, such as this piece. Great, great, great.

840. Upfest 2016 (133)

At Upfest 2016 there was one site where there were about thirty or so of these smaller (metre square) boards. I rather like seeing some of this smaller street art, which tends to have a bit of a crossover with fine art, perhaps exemplified by this portrait by Lauren Maria Hill.

Lauren Maria Hill, Upfest, Bristol, July 2017
Lauren Maria Hill, Upfest, Bristol, July 2017

This young Bristol artist appears to focus on portrait work and seeks out commissions and freelance work on her website. Her images, including this one seem to concentrate on the face itself with great detail, leaving the surrounding hair as a complementary feature, but somehow separate from the face. I like her work, and hope to see more of it around Bristol.