This is the second Mini Gabi wheatpaste I have posted from Upfest 2018 which this time features our heroine making a strong and contemporary statement ‘girls’ rights to feel safe!!’
Before the festival I had never heard of Mini Gabi but strangely enough on my trip to Shoreditch in November I saw several of her paste ups, which felt really good. I’ll be posting them in due course. I’m rather liking this little character who has real attitude (some similarities to Phoebe New York), and regular readers will know I am very ford of wheatpastes.
I have only ever seen three pieces by Beep Monkey, and each of them has been at each of the last three Upfests. His work is consistently good and has a lovely cartoon style that is both witty and fun.
I always look out for his work at Upfest because his wife is a colleague of mine, although it took us a couple of years to work out the connection. In this piece it looks like the monkey and the rabbit are having a bit of a disagreement. The piece almost looks animated and the three white flashes give it some movement. Another beauty from Beep Monkey.
Regular readers of Natural Adventures may recall posts about the ephemeral work of Annika Pixie who is a Bristol artist and regular at Upfest. Annika is a vibrant and colourful member of the local art community, who appears to spend her winters in Thailand teaching before returning to her adopted city.
This portrait carries all the hallmarks of an Annika Pixie piece. The face is partly obscured by a thin veil as if peering through a net curtain and there is a sadness in the girl’s expression. on her chest are some little ballet dancer stencils…I wonder what the story is here. It is always great to see Annika’s work although I was disappointed to have missed talking to her this year.
The Hen and Chicken on North Street has a lot of wall space and is one of the focal points of Upfest. This particular wall has had some beauties on it in the past and this monochrome piece by 8Mail is no exception. Although this artist has been to Upfest for the last six years, I’m not sure I recall his work and can’t find any in my archives, but I do think I’ll have to go and take a better look.
Usually working in charcoals, this urban artist likes to capture chaotic and fleeting moments. There was just such a moment while he was painting the piece, when he tried to use the chair in the picture to stand. All I need to say is that the artist is a tall young man, and the chair was not designed for standing on.
This is a fine simple piece, that despite its simplicity contains real interest. I found it captivating.
One of the things to look forward to each year at Upfest is the collaborations from Caro Pepe and AgeAge. There is a chemistry when these two come together, not only in their styles, but in their personalities. It is obvious that they really enjoy working together and this is reflected in the fusion of their work.
Caro Pepe paints the faces, usually female and usually with one eye obscured in some way. AgeAge creates the robotic machinery that intertwines with the character. This pairing painted this wall last year too, so it could be considered their wall I think. I’m hoping that they will be returning next year.
During the Upfest 2018 weekend, I really struggled with who was painting this piece. The difficulty was that it was on a new wall that didn’t really offer close access and the artist was perched high up on scaffolding. It turns out that the piece is by Bristol’s magnificent Jody.
Jody is meticulous with his work and certainly never rushes. For this reason, many visitors to Upfest never actually get to see his finished pieces, until they return some time later. It was days before he finished this one, but wow, it was well worth the wait.
This is a cleverly worked portrait of a woman behind a golden cat mask and it truly outstanding. Like so many of his works it seems to have gravitas…I can’t really express what I mean by that other than that there is a seriousness about the work. Beautiful piece beautifully executed.