Oze Arv was a very busy man during his short stay in Bristol for Upfest. This Portuguese artist from Lisbon uses patterns to mix expression and graphics. His style is instantly recognisable, as you will see as I post all of the work he left behind for Bristolians.
This is a lovely shutter piece on North Street, one of two ‘official’ pieces he sprayed for Upfest. Shutters are always hard, but he has been smart with this one, laying down a white background, which lifts the whole piece really well. I think most of his work tends to include the natural world.
I like the combination of the abstract and natural, I think it works well. I caught up with him for a few minutes, and he seemed like a really nice guy, happy to chat about his work. Lots more to come.
I remember well the lovely piece by Fats in the Tobacco Factory at last year’s Upfest. This year she produced another fine work in South Street park, where I was able to catch up with her for a few minutes.
Fats talked a lot about her background and heritage, which is truly international and mixed, and how her work receives many influences, from Arabic calligraphy to the styles of indigenous Inuit people. Our discussion ventured further into the perils of perceived appropriation and how this can create some tensions. This is a tricky path really. At what point does ‘being influenced by’ transition into copying?
I am clear that Fats’ work is stunning, and carries many influences that she skilfully executes in her own lyrical way. I see more of the North American influence others may see more Arabic. One thing is clear, she loves her dark drawing lines. I actually really like this piece, and was grateful for her time.
When blogging about street art, one increasingly becomes reliant on others for information about artists or new pieces and so on. I am grateful to ‘The Art Blogger 54’ for posting this piece recently. Until then, this photograph had been sitting in my pending file, waiting for the artist’s identity. I hadn’t seen the finished piece at Upfest, and so had no signature to go on. I cannot recommend highly enough The Art Blogger 54’s blog, especially if you are into wildlife art and sculpture.
It is by FreshMess, a collaboration between two artists, one of whose style is clean and fresh and the other whose style is erratic and messy. These two have combined beautifully to produce one of the most striking pieces of Upfest 2016.
Unfortunately, I don’t think they will be at Upfest 2017, but maybe they’ll visit again another time.
A rather poor featured image picture of a rather unusual collaboration by Beastie and Decay. This is not the first time these two have collaborated – or rather shared a wall – and I posted this Raleigh Road piece a few weeks back. The picture is poor, because I took it on a bright day with the sun behind the wall…never a good idea.
This shared wall – I use this expression rather than collaboration, because the two works were painted at the same time, but there is little read-across between the two, each having its own distinct style.
On the left is an unusual piece by Beastie featuring what I would describe as a fictional bird (I might be wrong here) near a small woodland and pond. I don’t know if it is symbolic or representative, but it is a rather pretty bird. I love it when artists incorporate the street furniture, in this case a litter bin, into their works.
On the right, is a nice piece by Decay. His work, arguably, is the most distinctive in Bristol. There is absolutely no way that it could be confused with anyone else. The abstract symmetry and concentric bands of reds, greys, whites and blacks have Decay written all over them. Really good drips here too.
Overall this is a lovely shared wall, but it will be here only for a fleeting moment as we approach Upfest at the end of the month, and this wall is a popular one for the festival.