7042. Cumberland Basin

Scrapyardspec, Cumberland Basin, Bristol, July 2025
Scrapyardspec, Cumberland Basin, Bristol, July 2025

Scrapyardspec has returned to Bristol recently and dropped a whole load of pieces at spots all over the city, which seems to be his modus operandi when he visits. This multicoloured goofy face is in the little ‘tunnel’ area alongside the long wall at Cumberland Basin.

Scrapyardspec, Cumberland Basin, Bristol, July 2025
Scrapyardspec, Cumberland Basin, Bristol, July 2025

There is something completely loveable about Scrapyardspec’s characters. You pretty much know that you are going to get a wobbly face with lots of teeth and googly eyes, but there is enough variability within that formula to ensure that each piece is interesting and unique in its own way. The background colours are what mark this piece out from some of the others, being much more colourful ‘a la fruit salad’ I would say. More to come from our welcome visitor soon.

6998. Cumberland Basin

Endz, Cumberland Basin, Bristol, June 2025
Endz, Cumberland Basin, Bristol, June 2025

Unsigned pieces are always difficult to identify, but I have hit upon a bit of reverse engineering in my thinking; as well as looking for clues in the lettering or style of the piece, I also think about which artists I know that never sign their work, and this often leads me to a small pool of artists to investigate. Endz is one of those artists, and closer scrutiny of the style (which varies considerably) helps to draw conclusions.

Endz, Cumberland Basin, Bristol, June 2025
Endz, Cumberland Basin, Bristol, June 2025

Endz also paints under another name in Bristol, but likes to keep the two identities separate. The sketchy style, which some might interpret as untidy, is deliberate and feels like it might have dropped out of a scrap book or something. The grey tones of the letters are interspersed with small blocks of orange that jazz the whole piece up a bit along with an orange border. Interesting work from Endz, and certainly a little different from the mainstream.

6979. Cumberland Basin

Zake, Cumberland Basin, Bristol, May 2025
Zake, Cumberland Basin, Bristol, May 2025

This piece by Zake is something a little different, a variation on a theme from the artist. It is rare to see Zake paint anything approximating to letters, but here we are with an unusual combination piece.

Zake, Cumberland Basin, Bristol, May 2025
Zake, Cumberland Basin, Bristol, May 2025

Two letters and two faces, making up the vowels, are nicely designed and set on a grey background with watery bubbles. For once, I will forgive the use of brown paint, because it is subtle and in keeping with the ‘slatey’, earthy, feel of the whole composition. It is always a pleasure to see artists try something new.

6971. Cumberland Basin

Kush, Cumberland Basin, Bristol, May 2025
Kush, Cumberland Basin, Bristol, May 2025

Although I see a little bit of his work around the place, this is only the third piece by Kush that I have posted on Natural Adventures. His selection of ‘fruit salad’ colours gives his writing an uplifting presence. The letters KUSH are nicely designed and uniform with nicely graded fills.

Kush, Cumberland Basin, Bristol, May 2025
Kush, Cumberland Basin, Bristol, May 2025

Some nice depth is achieved with his orange 3D drop shadow, but the piece is probably most notable for the message ‘Free Palestine’ which is a common theme in street art in Bristol. Kush has also filled his letters with loads of shout-outs, and a smaller message in case you didn’t get it first time, ‘stop arming Israel’. While the world disintegrates and wars dominate the headlines, these guys modestly protest and document the world around them.

6965. Cumberland Basin

Astrea, Cumberland Basin, Bristol, May 2025
Astrea, Cumberland Basin, Bristol, May 2025

Many artists in Bristol seem to have temporarily slowed or perhaps disappeared altogether, such as Fiver, Mudra, Kosc, Laic217, to name just a few, but hot on their heels are new artists who are emerging or establishing themselves as part of the mainstream, including Bloem, Sub, Bean, Lis and the featured artist of this post Astrea.

Astrea, Cumberland Basin, Bristol, May 2025
Astrea, Cumberland Basin, Bristol, May 2025

Astrea, or Astra as she signs herself these days is experimenting with both writing and characters, and has in the past played with abstract designs too. It feels like she is settling on some preferred colour combinations, in particular red and black. For an artist who is still developing her street technique, this is an accomplished piece of writing with lots of common design ideas incorporated. Interestingly, she hasn’t painted a border line, instead opting for a white outline interrupted with dots. I think borders are really tricky until you get your can control perfected. Nice to see Astrea pushing her boundaries.

6957. Cumberland Basin

Lis, Cumberland Basin, Bristol, May 2025
Lis, Cumberland Basin, Bristol, May 2025

Lis (Le Imposter Design) continues on her street art journey, developing new ideas and techniques along the way. Imagination and creativity seem to come quite easily to her and every new piece is distinct and quite different from the last.

Lis, Cumberland Basin, Bristol, May 2025
Lis, Cumberland Basin, Bristol, May 2025

Described as a ‘silly one’ by Lis, this looks like an alien piece, with the words ‘They’re coming’ in rather nice neon-style writing at the top. The character shows some development, and although perhaps not the greatest piece of art in the world, it demonstrates her desire to push boundaries and try out new ideas and styles. I am so much enjoying her journey.

6935. Cumberland Basin

Todoaciem, Cumberland Basin, Bristol, May 2025
Todoaciem, Cumberland Basin, Bristol, May 2025

I believe that Todoaciem has moved back to his native Spain, which would explain the absence of his outstanding calligraffiti on Bristol’s streets in recent months. I think he makes the journey back from time to time, probably to see his Bristol friends, and when he does he drops a piece, and this was a recent one from Cumberland Basin.

Todoaciem, Cumberland Basin, Bristol, May 2025
Todoaciem, Cumberland Basin, Bristol, May 2025

As ever, the writing is inch-perfect, spelling out CIEM, with incredible precision and discipline. The horizontal depressions in the wall make it a little easier to gain the uniformity of the letters, but that doesn’t take away from the skill needed to paint with this level of accuracy. Todoaciem’s fills transition beautifully in horizontal layers, and create a kind of metallic sheen for the piece. It is always great to find a piece by Todoaciem, especially as they are fairly infrequent these days.

6912. Cumberland Basin

Rozda, Cumberland Basin, Bristol, April 2025
Rozda, Cumberland Basin, Bristol, April 2025

I love this kind of slightly unconventional, not quite anti-style, unconventional graffiti writing, which, although it looks a bit scruffy is actually technically really well thought out, designed and pulled together.

Rozda, Cumberland Basin, Bristol, April 2025
Rozda, Cumberland Basin, Bristol, April 2025

It was painted as part of a large collaboration, with each piece sharing a common background and base colours, but each with its own unique style. I know nothing of Rozda, the artist, so would guess that they were in Bristol as a visitor for this paint jam. I like this a lot.

6890. Cumberland Basin

Minto, Cumberland Basin, Bristol, April 2025
Minto, Cumberland Basin, Bristol, April 2025

Minto has a very distinctive style, and his writing tends to be a vehicle for combining a collage of characters and icons, bringing together an eclectic selection of thoughts and ideas into a single piece.

Minto, Cumberland Basin, Bristol, April 2025
Minto, Cumberland Basin, Bristol, April 2025

In this piece, Minto has gone for some solid fills, a different colour for each letter, and has used the parallel horizontal lines on the wall to proportion everything. His character looks a little sinister to me, as if he is up to no good. This is a well-presented piece from a very accomplished graffiti writer.

6882. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

I have seen quite a few pieces by Totosoapcity in Bristol before, but hadn’t known who the artist was, so haven’t posted them. This could mark the opening of a little floodgate for when I do some digging in my archives, which I like to do from time to time. I’m not sure that Totosoapcity is from Bristol, but must be reasonably local I would think, because we see visits every few months.

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

This piece is part of a large collaboration from a group of artists I am not too familiar with, but who have done a great job on this wall, selecting a themed colour approach to all their writing. I think the letters here spell ARS(Z)A, and have a pleasing symmetry to them. The red, pink, black, brown, yellow and orange colours are not my favourite combinations, but work reasonably well – not sure about the pink. They do, however, contrast perfectly with the themed grey banner background, which is consistent through the entire collaboration.