Cumberland Basin – Page 6 – Natural adventures

6971. Cumberland Basin

Kush, Cumberland Basin, Bristol, May 2025

Although I see a little bit of his work around the place, this is only the third piece by Kush that I have posted on Natural Adventures. His selection of ‘fruit salad’ colours gives his writing an uplifting presence. The letters KUSH are nicely designed and uniform with nicely graded fills.

Some nice depth is achieved with his orange 3D drop shadow, but the piece is probably most notable for the message ‘Free Palestine’ which is a common theme in street art in Bristol. Kush has also filled his letters with loads of shout-outs, and a smaller message in case you didn’t get it first time, ‘stop arming Israel’. While the world disintegrates and wars dominate the headlines, these guys modestly protest and document the world around them.

6965. Cumberland Basin

Astrea, Cumberland Basin, Bristol, May 2025

Many artists in Bristol seem to have temporarily slowed or perhaps disappeared altogether, such as Fiver, Mudra, Kosc, Laic217, to name just a few, but hot on their heels are new artists who are emerging or establishing themselves as part of the mainstream, including Bloem, Sub, Bean, Lis and the featured artist of this post Astrea.

Astrea, or Astra as she signs herself these days is experimenting with both writing and characters, and has in the past played with abstract designs too. It feels like she is settling on some preferred colour combinations, in particular red and black. For an artist who is still developing her street technique, this is an accomplished piece of writing with lots of common design ideas incorporated. Interestingly, she hasn’t painted a border line, instead opting for a white outline interrupted with dots. I think borders are really tricky until you get your can control perfected. Nice to see Astrea pushing her boundaries.

6957. Cumberland Basin

Lis, Cumberland Basin, Bristol, May 2025

Lis (Le Imposter Design) continues on her street art journey, developing new ideas and techniques along the way. Imagination and creativity seem to come quite easily to her and every new piece is distinct and quite different from the last.

Described as a ‘silly one’ by Lis, this looks like an alien piece, with the words ‘They’re coming’ in rather nice neon-style writing at the top. The character shows some development, and although perhaps not the greatest piece of art in the world, it demonstrates her desire to push boundaries and try out new ideas and styles. I am so much enjoying her journey.

6935. Cumberland Basin

Todoaciem, Cumberland Basin, Bristol, May 2025

I believe that Todoaciem has moved back to his native Spain, which would explain the absence of his outstanding calligraffiti on Bristol’s streets in recent months. I think he makes the journey back from time to time, probably to see his Bristol friends, and when he does he drops a piece, and this was a recent one from Cumberland Basin.

As ever, the writing is inch-perfect, spelling out CIEM, with incredible precision and discipline. The horizontal depressions in the wall make it a little easier to gain the uniformity of the letters, but that doesn’t take away from the skill needed to paint with this level of accuracy. Todoaciem’s fills transition beautifully in horizontal layers, and create a kind of metallic sheen for the piece. It is always great to find a piece by Todoaciem, especially as they are fairly infrequent these days.

6912. Cumberland Basin

Rozda, Cumberland Basin, Bristol, April 2025

I love this kind of slightly unconventional, not quite anti-style, unconventional graffiti writing, which, although it looks a bit scruffy is actually technically really well thought out, designed and pulled together.

It was painted as part of a large collaboration, with each piece sharing a common background and base colours, but each with its own unique style. I know nothing of Rozda, the artist, so would guess that they were in Bristol as a visitor for this paint jam. I like this a lot.

6890. Cumberland Basin

Minto, Cumberland Basin, Bristol, April 2025

Minto has a very distinctive style, and his writing tends to be a vehicle for combining a collage of characters and icons, bringing together an eclectic selection of thoughts and ideas into a single piece.

In this piece, Minto has gone for some solid fills, a different colour for each letter, and has used the parallel horizontal lines on the wall to proportion everything. His character looks a little sinister to me, as if he is up to no good. This is a well-presented piece from a very accomplished graffiti writer.

6882. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, April 2025

I have seen quite a few pieces by Totosoapcity in Bristol before, but hadn’t known who the artist was, so haven’t posted them. This could mark the opening of a little floodgate for when I do some digging in my archives, which I like to do from time to time. I’m not sure that Totosoapcity is from Bristol, but must be reasonably local I would think, because we see visits every few months.

This piece is part of a large collaboration from a group of artists I am not too familiar with, but who have done a great job on this wall, selecting a themed colour approach to all their writing. I think the letters here spell ARS(Z)A, and have a pleasing symmetry to them. The red, pink, black, brown, yellow and orange colours are not my favourite combinations, but work reasonably well – not sure about the pink. They do, however, contrast perfectly with the themed grey banner background, which is consistent through the entire collaboration.

6881. Cumberland Basin

#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025

These two artists collaborated on almost this exact spot back in July 2022 – how time flies, I had it in my mind that it was last year. From what I can gather #DFTE and Dave Sharp are good friends, and this fine collaboration ‘anxious iron giants’ combines the distinctive writing of #DFTE with the artistic talents of Dave Sharp.

I would love to see more from #DFTE – the power of words is so beautifully presented with his unique style, going big on the drips, but he doesn’t seem to paint all that often. Dave Sharp, I don’t know much about, but he has captured the Iron Giant robot really well, perhaps tinged with a little anxiety… who knows. Their combination works really well, and as a bonus, here is their last one…

Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022

6874. Cumberland Basin

Unknown artist, Cumberland Basin, Bristol, April 2025

Regular readers will know that I don’t like to post work by artists unknown to me, and I will often hold photographs of pieces back until I know who they are by. In some instances, particularly when I don’t think I will ever find out, I relent and post the piece anyway. This beautiful horse is one such example.

I don’t often see horses painted in Bristol, there is not much crossover between equestrians and street artists. This is a nicely painted two-tone piece in which the horse appears to be almost ghost-like, or in the form of a ‘patronus’ (for Harry Potter fans). The words ‘Lotty is horsey’ might give some clues about the originator, but I am left none the wiser. The piece was too good and unusual not to post.

6867. Cumberland Basin

Trafficity, Cumberland Basin, Bristol, April 2025

I don’t go out drinking very often, but last night I joined some colleagues to bid farewell to one of my longest-standing work friends, who has decided to take early retirement. It was a fabulous evening reconnecting with people I haven’t seen for many years, and I will treasure the occasion. On the downside, I drank a little more than I am used to and have a sore head this morning. My posts today will be necessarily brief as a result.

This is an outstanding piece by Trafficity with a simpler fill style than many of his pieces, but sticking to the overall design with determination. Looking good on the blue background. The letters spell ZIOS in case you were wondering.

	wrookieschu on Thursday Doors – 2 April…
	paulh121 on Telling a tale
	M. on 7554. L Dub (81)
	hitandrun1964 on My Dog Sighs
	Suzette Benjamin on 7551. Greenbank (184)

	wrookieschu on Thursday Doors – 2 April…
	paulh121 on Telling a tale
	M. on 7554. L Dub (81)
	hitandrun1964 on My Dog Sighs
	Suzette Benjamin on 7551. Greenbank (184)

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