
This wonderful Easter RBF paint jam piece by Wispa gives me the perfect opportunity to talk about the importance of light conditions when photographing street/graffiti art. In the first picture, the sun is coming from behind the camera, and as you can see, shadows from the trees have been cast onto the colourful WISPA letters and Kellogg’s Tony the Tiger character.

The same piece on a different day with the sun setting behind the hoarding, and flaring can be seen behind the piece and the colours look dull and washed-out. The lesson here is that this spot should be photographed only on overcast days. Wispa is a hugely accomplished writer who seems to be tireless, painting only a fraction of her creations in Bristol. Fabulous colour fill patterns and character – they’re grrrrrreat.