1881. Upfest 2018 (100)

My hundredth post on Upfest 2018 and I have been saving this piece to mark the occasion. Sometimes in this game you get to see something very special, and when I heard that Odeith was coming to the festival I had high hopes. This piece not only met, but far exceeded my expectations, and it was a real privilege to see this master of anamorphic street art at work.

Odeith, Upfest, Bristol, July 2018
Odeith, Upfest, Bristol, July 2018

I have seen a lot of Odeith’s work on social media, most of it of insects and spiders stretched across a corner, but this is the first time I have seen anything on three walls and under water. The effect is quite astonishing and how well it plays tricks with your eyes and mind. Even with the artist standing in the middle of the space, disrupting the effect, it still looks amazing.

Odeith, Upfest, Bristol, July 2018
Odeith, Upfest, Bristol, July 2018

The water level is so brilliantly devised that it feels like the viewer is swimming about a foot or so under the surface, and the water distorts the back of the scene where the crocodile’s head breaks the surface.

Odeith, Upfest, Bristol, July 2018
Odeith, Upfest, Bristol, July 2018

The walls of the tank are composed of large stone block letters, spelling out ODEITH. Not only is the concept of this piece extraordinary, but the skill and attention to details, light, shade texture and so on is second to none. I think that in most people’s eyes, this was the piece that stole the show. A technical masterpiece.

590. Upfest 2016 (84)

One of the largest pieces of Upfest 2016 is this magnificent mural by Odeith. It is located on the same wall where this Thierry Noir  pair was painted for Upfest 2015 and it shows vividly how different art pieces can change utterly the character of a wall.

Odeith, Upfest, Bristol, July 2016
Odeith, Upfest, Bristol, July 2016

Odeith was one of the festival’s lead artists and one I haven’t written about before, although I think I have seen his work on the Interweb. He is from Damaia in Portugal and has been spraying since the 1980s. Odeith has worked a lot with perspective and shading to create some amazing 3D effect pieces, a style which he called ‘sombre 3D’. This piece, however is something else altogether.

Odeith, Upfest, Bristol, July 2016
Odeith, Upfest, Bristol, July 2016

It is brilliant for so many reasons. Firstly it is an extraordinarily lifelike painting of Benny Hill (anyone not know who he is?) and it is technically excellent. Secondly it is hugely topical and relevant, being a commentary on the Brexit vote in the UK. It openly mocks the vote, implying that UK (Plc) is a clown and viewed as such by the rest of Europe, and probably much of the world. I love this wall and all that it says. It is a constant reminder of our national stupidity. As an aside I ought to say that I always rather liked Benny Hill – especially in the Italian Job and Chitty Chitty Bang Bang.