Tag: Portrait

1987. Upfest 2018 (123)

This stunning shutter piece is by Sake One, a West Coast (USA) artist who has been spraying since the early eighties and was greatly involved with the hip hop culture in San Diego during his youth. There is a thorough biography of the artist on the Upfest website, which is worth a read.

Sake One, Upfest, Bristol, July 2018
Sake One, Upfest, Bristol, July 2018

The piece itself is a highly accomplished work, as you’d expect from an artist of this calibre. The profile of the girl is sensitively painted and blends perfectly with the subtle writing to its right. The tragedy of shutter pieces is that they are rarely seen during daylight hours, even at weekends when so many shops seem to be open…not like in the old days!

1983. Dean Lane skate park (186)

I get a great thrill when I see work from an artist new to me, and this piece from Diced Mango in Dean Lane came as a most welcome surprise. This work reminds me a little of the work of Pekoe, simply because it has some commonalities of bright colours, a female face and  ‘scribbled’ hair.

Diced Mango, Dean Lane, Bristol, January 2019
Diced Mango, Dean Lane, Bristol, January 2019

I have since seen more work from Diced Mango and I think that this might be a thing…I hope so. The artist is Alexander Richardson A.K.A. Alex the Maverick of Maverick Media. It is great to see real people with real jobs doing real street art/graffiti art, always striving to brighten the place up. A nice first piece by this artist for Natural Adventures.

1970. Shoreditch, London (22)

Wow, wow, wow. Fancy having an enormous portrait of Salvador Dali painted outside your premises. I mean, this is just amazing work from the wonderful Zabou. Everything about this piece is in my mind perfect… the subject, the monochrome face, the dazzling leopard spot design jacket, the melting watch. This is a masterful piece and Salvador himself would I’m sure be smiling down on Zabou.

Zabou, Shoreditch, London, November 2018
Zabou, Shoreditch, London, November 2018

For me, this is what it’s all about, what I do and why I do it. Wandering around the streets without any plan and chancing upon things I didn’t know were there. A voyage of discovery and pleasant surprises. Finding this was a highlight of my sauntering around Shoreditch last November.

1968. Shoreditch, London (20)

Aah, another fabulous piece by Nether410. As a tourist in these parts, I know little of the piece other than what is on Nether410’s Instagram feed. He says the portrait is of Carol Burns of Bacon Street and that this is the site of her and her father’s business.

Nether410, Shoreditch, London, November 2018
Nether410, Shoreditch, London, November 2018

This is an amazing portrait, unsentimental in its portrayal of the subject. There is a story being told here as well, with the key and the keyhole, but I don’t know what it is about. A fine piece.

1967. Shoreditch, London (19)

Quickly skipping back to November last year, the next few posts will feature pieces I saw on a mini excursion to Shoreditch in London, kicking off with this incredible piece by Mr Cenz. I have seen a lot of his work over the last year or two, but only a few in the flesh, and the pictures rarely do them justice. His style pretty much always incorporates a female portrait composed of swirling vibrant shades of colour, which when you think about it, shouldn’t really work, but oh my goodness, work they do!

Mr Cenz, Shoreditch, London, November 2018
Mr Cenz, Shoreditch, London, November 2018

A piece like this is just so magnificent and elevates the building it is painted on from being ordinary to being extraordinary. I would surely love to see him visit Bristol.

1966. M32 roundabout J3 (118)

It is obvious from this collaboration combined with Instagram posts from each of these artists that they not only paint well together, but they are really good friends too. Jointly, Hazard and Tasha Bee are at the vanguard of female street art in Bristol, although if I am honest an artist’s gender to me is not as relevant as the quality of their work, both score highly on the latter measure.

Hazard, M32, Bristol, January 2019
Hazard, M32, Bristol, January 2019

The Hazard piece on the left is a copy of the one she painted in Stokes Croft a couple of weeks earlier and has that amazing blue and red shadow thing going on.

Hazard, Stokes Croft, Bristol, December 2018
Hazard, Stokes Croft, Bristol, December 2018

It is so good to have her in Bristol for a while because we get to see her work first hand, rather than via social media – I need to photograph her most recent piece this lunchtime (by the time you read this it was a couple of days ago).

Tasha Bee, M32, Bristol, January 2019
Tasha Bee, M32, Bristol, January 2019

The Tasha Bee piece on the right is in such a different style – flat rather than 3D and highly designed, fitting the ‘Tasha Bee brand’ if that makes any sense at all. I love the work of both of these artists, and although I have met Tasha Bee several times, I would love to meet Hazard too and see her at work. Wonderful collaboration.

1935. Shoreditch, London (15)

The whole idea behind posting pieces from Shoreditch is that I am under no obligation to write too much about the artists, because they are mostly off my radar. I am finding, however, that it is very difficult not to do any research at all. Nether410 is from Baltimore, and it would seem that he had made a recent trip to London and left a few stunning pieces, including this one.

Nether410, Shoreditch, London, November 2018
Nether410, Shoreditch, London, November 2018

This piece is a portrait of Charlie Burns who was the founder of the local business here, who I am guessing also had connections to the world of boxing. It is an outstandingly beautiful portrait full of character and expression. Wow…we simply need to get Nether410 to Bristol some time.

1932. Shoreditch, London (12)

I have seen so much of his work on the Interweb, but I think this is the first piece by C215 that I have seen in the flesh. I don’t think it is a particularly new piece, but being only an occasional visitor to Shoreditch, it is new to me.

C215, Shoreditch, London, November, 2018
C215, Shoreditch, London, November, 2018

There is so much to like about his work, with the simple lines and scatter of colours combining to give an astonishingly clear portrait. The style has some similarities with the work of Dzia, where the constituent elements combine magnificently to create a perfect whole. Love this piece.

1909. Upfest 2018 (105)

Regular readers of Natural Adventures may recall posts about the ephemeral work of Annika Pixie who is a Bristol artist and regular at Upfest. Annika is a vibrant and colourful member of the local art community, who appears to spend her winters in Thailand teaching before returning to her adopted city.

Annika Pixie, Upfest, Bristol, July 2018
Annika Pixie, Upfest, Bristol, July 2018

This portrait carries all the hallmarks of an Annika Pixie piece. The face is partly obscured by a thin veil as if peering through a net curtain and there is a sadness in the girl’s expression. on her chest are some little ballet dancer stencils…I wonder what the story is here. It is always great to see Annika’s work although I was disappointed to have missed talking to her this year.

1905. Upfest 2018 (101)

During the Upfest 2018 weekend, I really struggled with who was painting this piece. The difficulty was that it was on a new wall that didn’t really offer close access and the artist was perched high up on scaffolding. It turns out that the piece is by Bristol’s magnificent Jody.

Jody, Upfest, Bristol, July 2018
Jody, Upfest, Bristol, July 2018

Jody is meticulous with his work and certainly never rushes. For this reason, many visitors to Upfest never actually get to see his finished pieces, until they return some time later. It was days before he finished this one, but wow, it was well worth the wait.

Jody, Upfest, Bristol, July 2018
Jody, Upfest, Bristol, July 2018

This is a cleverly worked portrait of a woman behind a golden cat mask and it truly outstanding. Like so many of his works it seems to have gravitas…I can’t really express what I mean by that other than that there is a seriousness about the work. Beautiful piece beautifully executed.