4543. Upfest 2022 (25)

Not only is Upfest great for the people of Bristol and surrounding area, introducing them to the magnificent world of street art, but it is also a massive pull for artists too.  Artists are drawn from all over the globe to attend this important event on the calendar, but many artists are local to Bristol who rarely paint walls, but have the opportunity to transfer their studio skills to a more accessible format. Some even get a taste for it.

Rosie McLay, Upfest 22, Bristol, May 2022
Rosie McLay, Upfest 22, Bristol, May 2022

Rosie Mclay is a Bristol artist who has painted at Upfest before, but in between festivals she continues with her studio artwork, which I have seen her selling in the Tobacco Factory market once or twice, and fine stuff it is too. This piece is really rather beautiful, and she has used the larger format to great advantage. The ‘study’ has two feet joined by a piece of string which is wrapped around the big toes of each foot. The string is fraying in the middle. Colour and tone is added with the yellow circle and red triangle, although I am not quite sure what the whole thing is about. I am a fan of her work, and perhaps I ought to buy something next time I see her selling sketches.

Rosie McLay, Upfest, Bristol, July 2018
Rosie McLay, Upfest, Bristol, July 2018

1714. Upfest 2018 (39)

The artist for this piece is Rosie McLay, not to be confused with Muffin Mclay the old English sheepdog in the brilliant book ‘Hairy Mclary from Donaldson’s Dairy’ by Lynley Dodd. I digress. Rosie is a graduate of UWE in Bristol where she studied drawing and applied arts. There is more about her in this interesting short interview on the ‘Sky Light Rain’ website

Rosie McLay, Upfest, Bristol, July 2018
Rosie McLay, Upfest, Bristol, July 2018

Her piece for Upfest of course appeals to me because it is centered on a fish, and some readers might know that fish hold considerable significance for me. I love her sketch style and there are some interesting concepts to the piece, the bones in the mouth of the fish and a hand emerging by the tail and a skyline along the base of the piece, I would love to know the back-story to this one. Great work from Rosie McLay.