
He doesn’t paint all that often, but when he does, Serm pretty much always does a grand job of it. I think it might have been the polite thing to do to buff the wall a little first, because you can still see the Hypo piece beneath, but it is no big deal, because overpainting is part of the way of life for graffiti writers.

Although the writing clearly spells SERM, I keep reading SESK, because there used to be a writer in Bristol called Sesk some time ago, a writer of some notoriety I might add, but that is another story. The chunky letters are really nicely filled with a complex layering of patterns, topped with some thin line bubbles. To go with the chunky letters is a very deep 3D drop shadow drifting to the right, in a range of blues. This is a nice tidy piece by Serm, and after a couple more from him, I’ll have enough for a gallery.