2568. M32 roundabout J3 (178)

It took me three visits to this wall to be able to get some decent photographs of the fine collaboration from Laic217, Ugar and Cory. The solution to my photography problems was to visit the spot on an overcast day. On Autumn sunny days, there is a high risk of shadows from the trees and shrubs being cast across the wall.

Laic217, M32 roundabout, Bristol, October 2019
Laic217, M32 roundabout, Bristol, October 2019

Laic217 has once again excelled with this fabulous skeleton with a boogie box over his shoulder, a common motif for his pieces. He has once again shown his mastery of painting materials and fabrics with the skeleton’s jacket. Lovely work.

Ugar, M32 roundabout, Bristol, October 2019
Ugar, M32 roundabout, Bristol, October 2019beautifully filled piece of graffiti writing.

Ugar, who pretty much always paints his name, even though I have seen a couple of character pieces some time ago, has given us characteristically brilliantly filled letters, something that he excels at.

Cort, M32 roundabout, Bristol, October 2019
Cort, M32 roundabout, Bristol, October 2019

The third piece in this collaboration is by Cort and rather like Ugar’s piece is creatively and imaginatively filled and decorated. His letters though are a bit of a moveable feast and in this instance he has spelled out CORTOS.

Laic217, M32 roundabout, Bristol, October 2019
Laic217, M32 roundabout, Bristol, October 2019

From my perspective the Laic217 piece wins the day, it is simply so good and the artist just gets stronger and stronger.

2567. Dean Lane skate park (263)

When I saw this little collaboration from Tasha Bee and Stupid Stupid Meathole, my first thought was that it looked a bit old and weathered, and I wondered if I might have overlooked it on previous visits to Dean Lane… in other words I have absolutely no idea when it was painted.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

The collaboration is bookended with two beautiful faces from Tasha Bee and filled with what looks like the word ‘meat’. These two have collaborated before in the past, but not for some time. In fact I don’t recall seeing much from Stupid Stupid Meathole for quite a long while.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

I’ll always have time for Tasha Bees stylised faces and am equally fond of SSM’s rather grotesque figures. This piece of writing though is quite uncharacteristic because there is lots of colour, not just the single pink SSM usually uses. A nice low-key collaboration.

Stupid Stupid Meathole, Dean Lane, Bristol, October 2019
Stupid Stupid Meathole, Dean Lane, Bristol, October 2019

Communicate 2019

 

Two conference days

each inspiring and awesome

refreshed and equipped

 

by Scooj

 

Communicate is a national annual conference for environmental communicators, policy makers, scientists, students, film makers and the like from all sectors. It is organised by the Natural History Consortium and is based in Bristol.

Each year I get to meet with my peers and listen to and get involved with cutting edge ideas, with contemporary practice and with exploring solutions. Time to recharge my batteries.

2566. M32 roundabout J3 (177)

Ah, this is Mr Draws at his happy creative best. His wonderfully recognisable lettering filled with bright and imaginative colours and spme rather nice spotty patterning. Along the bottom of the writing we have some melty drips. All very neat and tidy.

Mr Draws, M32 roundabout, Bristol, October 2019
Mr Draws, M32 roundabout, Bristol, October 2019

This is unquestionably a feel good piece and with the blue skies behind it reminds us that not every day is dreary and wet, even if it feels like it sometimes. The shadow effect to the bottom and left of the letters is particularly notable. Do you know what, I think Mr Draws is moving up a gear.

2565. M32 Spot (52)

This should be fairly quick and simple. Here we have a rather fun column piece by an artist called Zinso. Although I have a few pictures of his work from recent walks, he is a new artist to me and I have not been aware of him before the last couple of months or so.

Zinso, M32 Spot, Bristol, November 2019
Zinso, M32 Spot, Bristol, November 2019

Zinso seems to have a clear idea of his artwork and executes it cleanly to a rehearsed design (I am guessing), almost like a very fancy tag. Practising the same broad design builds up skills and technique. Zinso already seems well on the way to creating an identity. Look out for more from this artist.

2564. Cheltenham 2019 (19)

You just know when you are looking at a really special piece, and this chihuahua howling in the moon by Irony is an absolute blinder from this year’s Cheltenham Paint Festival.

Irony, Paint Festival 2019, Cheltenham, September 2019
Irony, Paint Festival 2019, Cheltenham, September 2019

Thankfully I decided to visit the festival on the Friday and the Sunday and so managed to catch Irony while he was putting the finishing touches to the piece. At least this time I knew who he was, having seen him paint his extraordinary ‘self-portrait’ piece in Bristol earlier this year.

Irony, Paint Festival 2019, Cheltenham, September 2019
Irony, Paint Festival 2019, Cheltenham, September 2019

When I first saw the mural I thaought it was a wolf, but it just didn’t look right, and I know that Irony is far too good an artist to have muffed it. I knew it was a dog, but I didn’t know what kind until I saw Irony’s Instagram feed.

Irony, Paint Festival 2019, Cheltenham, September 2019
Irony, Paint Festival 2019, Cheltenham, September 2019

Before enjoting the rest of the pictures of this masterpiece I feel I should explain why the pictures feel so squeezed and the angles are all wrong. Of course, the row end wall faces onto a narrow back lane and so it is virtually impossible to get a long shot of the piece. The best view would be from a garden opposite (on a ladder or something like that).

Irony, Paint Festival 2019, Cheltenham, September 2019
Irony, Paint Festival 2019, Cheltenham, September 2019

The moon is superb and almost feels like it is emmitting light. Without doubt a major triumph of the Cheltenham Paint Festival 2019.

Irony, Paint Festival 2019, Cheltenham, September 2019
Irony, Paint Festival 2019, Cheltenham, September 2019

 

 

 

 

2563. M32 Spot (51)

How lucky we are to have two such magnificent writers collaborating for a November 5th Guy Fawkes piece.

Remember, remember the fifth of November, gunpowder treason and plot. So the nursery rhyme goes and in keeping with tradition, this collaboration reminds us about the near destruction of parliament in 1605 by Guy Fawkes and his associates.

Another thing that rather resonates at the moment is the face mask for Guy Fawkes which has been adopted by protestors, often subversive, who rally against sitting governments or administrations – something we are seeing a lot of in the UK at the moment, but also globally in relation to the climate emergency or, for example, the protests in Hong Kong.

Decay and Ryder, M32 spot, Bristol, November 2019
Decay and Ryder, M32 spot, Bristol, November 2019

This piece is full of the fiery flames of bonfires and the two writing styles knit together rather well. It is unusual to see a writing collaboration arranged in this way, as we are more used to seeing the components side by side. I feel I ought to point out how stunning the flame fill in Decay’s letters is, quite awesome really. A nice seasonal collaboration.