I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
This wonderful Easter RBF paint jam piece by Wispa gives me the perfect opportunity to talk about the importance of light conditions when photographing street/graffiti art. In the first picture, the sun is coming from behind the camera, and as you can see, shadows from the trees have been cast onto the colourful WISPA letters and Kellogg’s Tony the Tiger character.
Wispa, Greenbank, Bristol, May 2023
The same piece on a different day with the sun setting behind the hoarding, and flaring can be seen behind the piece and the colours look dull and washed-out. The lesson here is that this spot should be photographed only on overcast days. Wispa is a hugely accomplished writer who seems to be tireless, painting only a fraction of her creations in Bristol. Fabulous colour fill patterns and character – they’re grrrrrreat.
This is another busy and eclectic piece from Kid Krishna. An explosion of sub-conscious and conscious thought pinned to a framework of graffiti letters spelling CRIE. Kid Krishna really is a unique artist and interesting character, utterly absorbed in his artwork and constantly challenging his own ideas.
Kid Krishna, M32 roundabout, Bristol, May 2023
I was lucky enough to meet Kid Krishna just as he was starting this piece, and it is fascinating to see that his starting point was the hand in the centre. The hand and the character hint that the artist might have had a classical art education – the proportions and perspective are expertly painted.
Kid Krishna, M32 roundabout, Bristol, May 2023
The busy nature of the piece suggests that Kid Krishna has a busy mind, and his work reminds me a bit of Tom Miller’s brain dumps. There is always so much t look at and to try to work out. Lots more to come from Kid Krishna.
Fade, Turoe and Dibz, Dean Lane, Bristol, May 2023
I have been droning on about how the amount of painting activity has increased over the last year or two in Bristol, but associated with this rise has been a commensurate increase in the number of collaborative walls, most of which have a short lifespan due to the high turnover. It is becoming more and more difficult to chronicle street/graffiti art, but I do my best.
Fade, Dean Lane, Bristol, May 2023
This triptych is by Fade, Turoe and Dibz. Starting with Fade on the left – I mentioned yesterday in my first Fade post on Natural Adventures, that we’d be seeing a lot more from the artist, and here is proof of that already. Fade’s work is really crisp, with nice solid fills and great thin black lines and thick black borders. I can’t read the letters in this piece, but it looks like a three letter sequence. This is classy work from someone who has only recently reacquainted himself with spray-painting after a long break.
Turoe, Dean Lane, Bristol, May 2023
In the middle section is a fascinating piece from Turoe, whose mastery of graffiti writing is second to none. The chrome letters, which spell TUROE or as Paul H points DIBZ (although I can read both), have a regularity and uniformity about them, and just the right amount of subtle decoration in the form of white spots. The letters contrast nicely with the diesel-blue bubbly background. Classy stuff.
Dibz, Dean Lane, Bristol, May 2023
Finally, to the right, Dibz does what Dibz does. Reflecting Turoe’s choice of chrome on diesel-blue Dibz shows his utter class with wildstyle writing. I don’t know how he does it, but Dibz is painting incredibly regularly these days – maybe he has a bit more free time on his hands. The clouds accompanying all the pieces on the wall, I think, are by Fade, because they have that flatter look to them that his style has. A very nice collaborative wall.
Obviously, I like to take pictures of doors, especially when I visit places that I don’t go to all that often, it becomes a bit of a habit to stop and look at a door that grabs my attention. It is difficult to know what constitutes a ‘good’ door and a door that is nothing out of the ordinary. I think this selection of doors from Weston-super-Mare on the north coat of Somerset sail quite close to the wind in terms of being ordinary, and being a little bit more interesting than that. I will let you be the judges of that, though.
I hope you enjoy this selection:
Double arches with doors – Wadham Street Garage, Weston-super-Mare, May 2023
Double door for a small business, Weston-super-Mare, May 2023
Green front door that looks like a garden gate, Weston-super-Mare, May 2023
Pink door with kick-plate, Weston-super-Mare, May 2023
Vibrant red door, Weston-super-Mare, May 2023
Black doors on the side of a restaurant, Weston-super-Mare, May 2023
A short one this week – a very busy work day ahead.
May I wish you a great rest of week and weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
I am inherently lazy, or at least that is a self-perception reinforced by years of my mother and teachers telling me so when I was in my teens. A self-fulfilling prophecy? Maybe. I took this picture about a week ago, but am not too happy with it because of the dappled shadow cast across it. I am posting it now, however, because it is a great piece from David Puck, and I am not sure that I can be bothered to return to get a clean shot of it. There is also the factor that I rarely walk around this spot, and have other places that I prioritise.
David Puck, St Agnes, Bristol, May 2023
I haven’t posted many pieces by David Puck, but he (they) is a Bristol artist (I think) who has painted wheatpastes in the city and some murals too. While they don’t paint a lot on the streets, their portraits are always rather attractive and engaging, and this one is a beauty. I have a feeling it might have been here for quite a while as it references Astrozeneca, which is sooo last year. A fine piece indeed.
Since the weather improved, which has been about a four-week spell now, this wall has been hit pretty hard with a high turnover of graffiti art, so you have to be on your toes if you want to see it all. Although I have missed several recent pieces here, I was lucky enough to see this absolute beauty by Hemper.
Hemper, M32 roundabout, Bristol, May 2023
This piece of graffiti writing is indescribably good. Incredible colours, an outstanding 3D effect and stunning design combine to make this one of the best pieces I have seen this year. The letters HEMS are blasting out of the wall from a central vanishing point and smacking you around the face, forcing you to pay attention. One of the best from one of the best.
This recent collaborative wall is one I didn’t see coming, and I think that it demonstrates the camaraderie that exists in the street/graffiti art world, which is often perceived as being aggressive, territorial and threatening, which it can be, but mostly isn’t. The three artists are Werm, Pekoe and Fade, an artist who is new to Natural Adventures, but whose work I expect to be posting a fair amount from now on.
Werm, M32 Spot, Bristol, May 2023
To the left, the very productive Werm treats us to gold and electric blue graffiti writing, painted in his ever-evolving style. Recently Werm has been writing quite small letters in the centre of the piece and extending the letters outwards with intricate designs. His work is tending towards an overall symmetry, not unlike Elvs’ and Hypo’s work at the moment. A classy piece of writing.
Pekoe, M32 Spot, Bristol, May 2023
The rose between two thorns (sorry guys) is by Pekoe, whose portrait pieces are part of the binding DNA of contemporary Bristol street art. The girl in the picture appears to be a little haunted and unhappy, often a feature of Pekoe’s work. The big hair is dutifully decorated with yellow blocks of marks and the cheeks decorated with an anarchy symbol and heart. I am tying to work out if the pink in the eyes was added by Pekoe or a tagger – it looks a little out of place to me.
Fade, M32 Spot, Bristol, May 2023
To the right is a tidy piece by Fade, who tells me he has spent the last 15 years in New York photographing skaters and street scenes – his work is amazing – but has returned to Bristol and picked up a spray can again, to great effect. I expect to see a lot more from Fade as he gets his eye back in and decorates the streets of our city.
An unusual grouping of artists, but nonetheless a fine collaborative wall.
Yesterday I was lucky enough to watch three, at least, fox cubs playing on the far bank of the urban River Frome. I was captivated by them, having first heard them rustling in the undergrowth. I watched on for about ten minutes, wishing that I could share the moment with other passer’s by, but there were none. I had to leave because the dog, bless him, was getting restless. He couldn’t see the fox cubs because the river is bounded by a 4ft high wall. My photographs were a bit fuzzy because I was on full zoom, this is one of the better ones.
When I saw this piece appear on Mr Sleven’t Instagram feed, I decided to get up to Purdown at the first possible opportunity before it got tagged or damaged by the small herd of goats that live in the derelict anti-aircraft gun emplacement that protected Bristol during WWII.
Mr Sleven, Purdown, Bristol, May 2023
The cartoon doodle style piece is beautifully executed, and the white/grey piece stands out so well of the deep, rich red. There is a crispness and originality that I find really compelling, and if I am honest, I’d love to have something like this hanging on my wall (less the concrete, of course). A lovely piece and great to see after quite a long absence from Mr Sleven.
Natural adventures 