One of the more productive writers in Bristol over the past year has been Noise, whether painting alone or collaborating. Noise has settled into the Bristol scene seamlessly and feels like part of the furniture, even though I only really became aware of his work in the summer of 2023.
Noise generally paints quite large, expansive letters, and this time he has had to squeeze his letters into a fairly compressed spot and has managed pretty well. The fills in the letters are worth a closer look, with the lower fills looking like greeny-blue clouds and the upper fills cold and frosty icicles. Definitely time for a Noise gallery.
Natural adventures 