
One of the highlights of the year so far has been the return of Subtle. I have managed to photograph some of his pieces, but still haven’t located a wall that he has painted a couple of times, which is a pity, but I will persevere.

This is a gorgeous piece of writing that picks up Subtle’s unique lettering style and combines it with a rich and varied colour palette as well as some decorative spotty background, which is beginning to feature in his work. Bristol streets and walls are quieter without his presence.
It’s often the case that we don’t what we’ve got until it’s gone and the re-emergence of ‘SUBTLE’ has been a joy
The walls are indeed in good hands when he’s painting them . . .
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