One of the most distinctive collaborations of Upfest 2017 was this piece by Tymon Ferenc de Laat (who really needs a shorter tag) and Nuno Viegas. The piece was sprayed in the garden of The Spotted Cow pub and has subsequently been sold.
Tymon Ferenc de Laat and Nuno Viegas, Upfest, Bristol, July 2017
It has a high-quality finish to it and works really well as a collaboration with the particular style of each artist – the portrait by Tymon and the paper dart by Nuno – retained in the piece.
Tymon Ferenc de Laat and Nuno Viegas, Upfest, Bristol, July 2017
I particularly like the amazing attention to detail in the paper dart, with the shadows cast, and the bright line along the leading edge of the wing as if it were catching the light. Very clever and skilful work.
Tymon Ferenc de Laat and Nuno Viegas, Upfest, Bristol, July 2017
I’m not sure how often these artists collaborate, but for Upfest it worked a real treat.
Half way along North Street you will find Exmoor Street, with a lovely white wall, perfect for a bit of spraying. Wen2, from Brest in France, was one of two artists fortunate enough to be allocated this space.
Wen2, Upfest, Bristol, July 2017
This piece is beautifully thought out and generates an understanding of buildings and place. It is almost like one of those children’s books that deconstructs structures and shows you what goes on behind the scenes.
Wen2, Upfest, Bristol, July 2017
I particularly like a couple of things about Wen2 at work herte. He has been most conscientious about the street sign, coveuring it up with paper and masking tape. He has also ‘borrowed’ a chair from somewhere to use as a small step ladder. Resourceful.
Wen2, Upfest, Bristol, July 2017
Wen2 used a plan to create his piece which gives you a feel for what he was creating. It is interesting that he vchanged some of the colours around. What I really like, and is something he has done with other pieces (check out his Facebook page) is his signature in the style of a throw up on the garage doors. Brilliant!
This work simply made me laugh. It is by the artist Pelmo, whose piece from Upfest 2016 passed me by, which is highly regrettable. I’m not entirely convinced that this was painted on the first two days of the festival, either that or I am losing my touch and missed it.
Pelmo, Upfest, Bristol, July 2017
I love the understated tones used for the piece and the story is there for all to see. It is a witty piece, which would appear to draw some influence from the Gary Larson cartoon style.
Pelmo, Upfest, Bristol, July 2017
About himself, the artist says this in the programme profile:
‘I love painting a good character, a dramatic expression or a body beaten into shape by a little too much life. I generate my ideas by sketching in pubs and paint mostly for fun with the occasional commission.’
Well this one was a little off the beaten track, only by a hundred meters or so, but enough for many visitors to Upfest to have missed it. In fact, I missed it until a friend told me about it, and I went to investigate for myself.
Mr June, Upfest, Bristol, July 2017
Mr June, who had a premium wall at Upfest 2016, came back this year to create this architectural masterpiece, turning a fairly ordinary flat into something out of the ordinary…exceptional even.
Mr June, Upfest, Bristol, July 2017
Smyth Lane has rarely been such a desirable location, demonstrating what a bit of unbelieveably cool spraying can do for a place. The clever straight line 3D effect created on the front of the building is perfectly offset by the more organic shapes that are on the walls of the tunnel. A watery theme disrupts the hard edges and ripples appear to disperse across the piece. While on the other side, water droplets bound by surface tension, sit on designed planes that have an Escher feel to them. And the greens…just beautiful.
Mr June, Upfest, Bristol, July 2017
Mr June is a highly accomplished artist and this piece really has to go straight into the top ten for this year’s festival…and to think I nearly missed it. I wonder if other local residents will be offering up their properties for a makeover next year.
Well, I have clocked up my first 50 Upfest 2017 pieces, and we are only in September – maybe I’ll get everything posted before next year’s festival, although I doubt it – there is just so much street/graffiti art happening in Bristol at the moment.
This was the brilliant official Upfest piece by Caro Pepe and Age Age, which was in the covered section of the Tobacco Factory car park, which given the weather over the three days was probably something of a blessing.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
These two artists have collaborated many times, and really seem to enjoy working together. At last year’s festival they had adjacent spots and created separate works, however it seems that since then they have worked together much more.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
Working in soft mauves and browns, the two artists have combined the distinctive portraits of Caro Pepe with the elements of function and machinery that Age Age specialises in. The blend works well and I can see why they like to combine their styles. I am not sure, but I think the final version below was tampered with over the eye. It is possible that this was part of the original work, but Caro Pepe’s ‘blind’ eyes don’t usually have a patch like this.
Caro Pepe and Age Age, Upfest, Bristol, July 2017
As well as this wonderful piece, the pair worked on another wall and a shutter during their short stay in Bristol, which is a real bonus. Both of these to follow.
Mazzi C is an artist whose plain speaking and informative Upfest biography profile tells us that she is inspired by natural organic forms and Oriental art. Mazzie C, from Cornwall (my favourite place) goes on to say that she finds the juxtoposition of natural themes and street art using sprays and inks interesting. Her work is driven by dialetics of nature and urban culture. Well mine too – welcome to Natural Adventures.
Mazzie C, Upfest, Bristol, July 2017
This small work is subtle and engaging (I want to use the word charming, but it always sounds so patronising). There are several things going on here – the beautiful bird set amongst triangles and stencilled flower patterns, the swirling folds are also really well crafted, almost as if the whole thing is made of cloth. Now I just need to see some of this work on walls!
One of the truly outstanding and memorable pieces of Upfest 2017 was this extraordinary image of an infant holding a spray can. The artist, Mon Devane, comes from the city of Ourense in Galicia, Spain.
Mon Devane, Upfest, Bristol, July 2017
Taking a look at his website, you can see that he has a strong and recognisable style, using a monochrome style on vibrant backgrounds. There is nothing subtle about his pieces, they are bold statements, and beautifully crafted.
Mon Devane, Upfest, Bristol, July 2017
I do like it when street artists incorporate a spray can into their art, like the old masters including a paint pallette – the tools of their trade. I think that this might have been one of the most popular pieces from the Ashton Gate wall (although there were so many great pieces there), simply because of its instant impact.
Life can be funny sometimes, and every now and again we are surprised.
Last year I wrote a post about a lovely piece by Beep Monkey at the Ashton Gate School site, and until the Summer, I had heard nothing more about the artist. Then, during a casual chat at work with one of my colleagues (of several years) we meandered onto the subject of street art. She was not aware that I blogged about street art in Bristol and I most certainly didn’t know that her husband was Beep Monkey. Curious how we navigate our way through life, and then occasionally have these serendipitous moments.
Beep Monkey, Upfest, Bristol, July 2017
So armed with new insight into Beep Monkey, I was able to seek out his piece in North Street Green and understand a little bit about what inspired it. I believe that his daughters might have given him a rather big steer for this piece – a prancing pink unicorn being the central character.
Beep Monkey, Upfest, Bristol, July 2017
Of course, there is a slightly subversive element to this piece, again, I think a steer from children, which is that the unicorn is indeed farting a rainbow – but of course, didn’t you know that that is what pink unicorn farts look like?
Beep Monkey, Upfest, Bristol, July 2017
The Unicorn might have been the ‘commissioned’ element, but I am rather more attracted to the yellow character riding on its back and which was in last year’s piece. Is this the Beep Monkey? Fine stuff once again, and who knows, if he is here for Upfest 2018, I might just get even more insight.
At Upfest, I am always rather fond of these small square boards that give artists the opportunity to showcase their work. I am guessing that they might also be able to sell these small pieces, but I am not sure. This witty piece is by Mr Bear, who produced this lovely Baloo work at last year’s festival.
Mr Bear, Upfest, Bristol, July 2017
There are quite a few fun things going on here, although I really don’t know what the word ‘bacon’ is doing in the ‘Hello my name is’ badge. This is a really goos multi-layered stencil from that nice Mr Bear. Would be great to see him return again next time.
I can see that this abstract piece may or may not be to everyone’s taste, however since seeing his work last year at Upfest I am a fan of the artist Angerami. He had two pieces at Upfest 2016, a fish his official piece and an owl tucked away in an alleyway.
Angerami, Upfest, Bristol, July 2017
This abstract piece is what I would call ‘architectural’ although that might not be the correct term. It is a bold work that may have some hint of or not to the animal kingdom, but that might just be my interpretation.
Angerami, Upfest, Bristol, July 2017
Angerami has a thorough website, and one of the most extensive biographies I have seen for a street artist – he also keeps it up to date – well worth a visit. It would appear, from looking at his artwork series that this piece is one of a series ‘from inside to outside’.
Angerami, Upfest, Bristol, July 2017
I stopped for a quick chat with Angerami and told him how much I liked his pieces last year, which he appreciated. A gentle and quiet man who appears to be highly thoughtful and I would guess academic. Hope he returns next year for a hat trick.