I realise that some of you might think that I am overdoing it a bit with the Oner thing – this is my fifth post from this writer since mid-May – but I think that both his artistry and productivity deserve it.
At first glance the piece may look a bit messy, but there is lots that is good about it. His lines are clean and he has cut in the edges of his letters really skillfully so that each is distinct from the next. His shading regime has been reversed on the ‘e’ with the dark pink at the top and the light pink underneath. He has added in some nice drip decoration and if you look closely you can see some subtle bubbles on his dark pink. I think I could learn a lot from this writer.
I think this has become a favourite spot for Bristol street artist Rezwonk who last December painted two pieces in Moon street, one of them in this exact location.
His work, based on what I have seen of it so far, seems to focus on letters, often spelling our Rezwonk in some way. This one is, I think, the best I have seen so far, the initial ‘R’ is beautifully picked out in the middle sitting on a perfect circle of pink. His name repeated all around the outside. The drips are lovely and there is something a bit different here. Nice piece. Sadly I don’t think this one lasted even a week before it got bombed. He has however already replaced it (post to follow soon).
Yet another really sharp piece from Deamze, using colours that he likes to use together tucked away in Bedminster. This clever piece bisects his wildstyle writing and character diagonally from top left to bottom right, the top half being monochrome pink and the bottom monochrome green.
It is a striking work that demonstrated Deamze’s talents to the full. I am not sure who the cartoon character is…answers on a postcard.
One of the truly outstanding and memorable pieces of Upfest 2017 was this extraordinary image of an infant holding a spray can. The artist, Mon Devane, comes from the city of Ourense in Galicia, Spain.
Taking a look at his website, you can see that he has a strong and recognisable style, using a monochrome style on vibrant backgrounds. There is nothing subtle about his pieces, they are bold statements, and beautifully crafted.
I do like it when street artists incorporate a spray can into their art, like the old masters including a paint pallette – the tools of their trade. I think that this might have been one of the most popular pieces from the Ashton Gate wall (although there were so many great pieces there), simply because of its instant impact.
This is a wonderful and very large piece by Nol from this year’s Upfest, which was sprayed on the wall of a school next to South Street park. The thing about these walls in local schools is that they are only accessible during the festival. After that is only pupils, their parents and teachers that get to see them, which makes them rather exclusive.
Last year Nol worked with Edo Rath in the car park opposite the Tobacco Factory, but Edo couldn’t make it to Upfest this time so Nol had to work solo. Edo was there in spirit though, and just to make certain, Nol had attached a face mask of Edo to the lift platform…a nice touch.
This was a large undertaking, and it was something of an accomplishment by Nol to complete this wall over the three days, given the rain interruptions. I managed to catch up with him a couple of times and asked him how much pink paint this wall would take. He said that typically a can will cover about one square metre. He used seven cans of pink for this piece. That is a lot of paint.
The phrases ‘good things come to those who wait’ and ‘fortune favours the brave’ come to mind with this piece. During Upfest, I never got to see this piece completed, which actually happened with many of the pieces this year. However I returned during the week after, and thought I’d see whether this piece was on view still to the public. It was not. But I just happened to be there at the exact time the contract firm were collecting the lift, and blagged my way into the school yard to take some pictures of the final piece. Such luck, and there were two other pieces I got to photograph as well.
This is a bold, fun and larger-than-life work, and ideal for a school playground. Nol is a gentleman who seemed happy to talk while he was working, and this is some wall.
I’ll let you into a little secret. I tend to write my posts in batches, and usually in advance by about a week, which is why there is always a bit of a time delay between the appearance of a recent piece and my posting of it. I do this out of necessity, because of my full time job and finding pockets of ‘me time’ to do some writing. I mention this because yesterday (my realtime – Sunday 9 April) I met Laic217 in Moon Street, working on a piece that I will post in a week or two. He is as enigmatic in person as he is in his street art.
This piece appeared a few weeks back in St Werburghs tunnel alongside the great work of Silent Hobo. An alien face, bucket hat and gold chain with a planet pendant mark this out as an obvious Laic217 piece, irrespective of the fact that he has signed it Laic on the arm.
I am still enjoying finding and writing about Laic217’s work, it almost feels like a game of hide and seek. I would point out that he is a better painter than I am a writer and he is more prolific than I could ever be. On to the next one.